Stroke order

From Wikipedia, the free encyclopedia

Jump to: navigation, search
Stroke order for the character 言 (word) shown by shade going from black to red.

Stroke order (simplified Chinese: 笔顺; traditional Chinese: 筆順; pinyin: bǐshùn; Japanese: 筆順 hitsujun or 書き順 kaki-jun; Korean: 필순 筆順 "pilsun" or 획순 畫順 "hoeksun") refers to the correct order in which the strokes of a Chinese character are written. A stroke is a movement of a writing instrument where the nib is touching the page. Chinese characters are used in various forms in the modern Chinese, Japanese, and in Korean. They are known as hanzi in Chinese, kanji in Japanese, and hanja in Korean languages. While these languages all utilize a common set of characters, the rules governing stroke order may differ in each language.

The number of strokes per character for most characters is between one and thirty, but the number of strokes in some obscure characters can reach as many as seventy. As such, official stroke order was devised to help speed, fluidity, and accuracy in composition. In the twentieth century, simplification of Chinese characters took place in mainland China, greatly reducing the number of strokes in some characters, and a similar but more moderate simplification also took place in Japan. In some cases the character was unchanged, but the stroke order changed; the basic rules of stroke order within each language, however, remained the same.


[edit] Development

The rules for stroke order evolved to facilitate vertical writing, to maximize ease of writing and reading, to aid in producing uniform characters, and – since a person who has learned the rules can infer the stroke order of most characters – to ease the process of learning to write. They were also influenced by the highly cursive Grass Script style of calligraphy.

Because writing characters in the normalised stroke order can greatly facilitate learning and memorization, children are required to learn and use correct stroke order in school; adults, however, may ignore or forget the normalised stroke order for certain characters, or develop idiosyncratic ways of writing. While this is rarely a problem in day-to-day writing, in calligraphy, stroke order is vital; incorrectly ordered or written strokes can produce a visually unappealing or, occasionally, incorrect character, particularly in styles such as Grass Script, in which individual strokes are often combined in fluid motions without lifting the brush from the paper. Also, the accuracy of handwriting recognition software may be reduced when entering strokes out of order.

The Eight Principles of Yong (永字八法 Pinyin: yǒngzì bā fǎ; Japanese: eiji happō; Korean: 영자팔법, yeongjapalbeop, yŏngjap'albŏp) uses the single character 永, meaning "eternity", to teach the eight most basic strokes.

[edit] Stroke order per style

Kǎishū (t)
Kǎishū (s)

[edit] Ancient China

In ancient China, the Jiǎgǔwén characters carved on ox scapula and tortoise plastrons showed no indication of stroke order. The characters show huge variations from piece to piece, sometimes even within one piece. During the divination ceremony, after the cracks were made, the characters were written with a brush on the shell or bone (to be carved in a workshop later). Although the brush-written stroke order is not discernible after carving, there exists some evidence that it was not entirely idiosyncratic: a few of the characters, often marginal administrative notations recording the provenance of the shells or bones, were not later recarved, and the stroke order of these characters tends to resemble traditional and modern stroke order (Keightley 1978). For those characters (the vast majority) which were later engraved into the hard surface using a knife, perhaps by a separate individual, there is evidence (from incompletely engraved pieces) that in at least some cases all the strokes running one way were carved, then the piece was turned, and strokes running another way were then carved (Keightley).

With the development of Jīnwén (Bronzeware script) and Dàzhuàn (Large Seal Script) we continue to see "cursive" signs which also do not indicate a clear stroke order. Moreover, it is evident that each archaic kingdom of current China had its own set of characters.

[edit] Imperial China

In Imperial China, the graphs on old steles — some dating from 200 BCE, and in Xiaozhuan style — start to reveal tiny indications of the stroke order of the time.

About 220 BCE, the emperor Qin Shi Huang, the first to conquer all China, imposed several reforms, among them Li Si's character uniformisation, which created a set of 3300 standardized Xiǎozhuàn characters[1]. However, stroke order could still not yet be ascertained from the steles, and no paper from that time is extant.

The true starting point of stroke order is the Lìshū style (clerical script) which is more regularized, and in some ways similar to modern text. In theory, by looking at the Lìshū style steles' graphs and the placement of each stroke, we can see hierarchical priority between the strokes, which indicates the stroke order used by the calligrapher or stele sculptors.[citation needed]

Kǎishū style (regular script) — still in use today — is more regularized, clearly allowing us to guess the stroke order used to write on the steles. In fact, the stroke order 1000 years ago was similar to that toward the end of Imperial China.[citation needed] For example, the stroke order of 广 is clear in the Kangxi dictionary of 1716; but in a modern book, the official stroke order (the same) will not appear clearly. The Kangxi and current shapes have tiny differences, while current stroke order is still the same, according to the old style[2].

[edit] Cursive styles and hand-written styles

Cursive styles such as Xíngshū (semi-cursive or running script) and Cǎoshū (cursive or grass script) show stroke order very clearly, as each move made by the writing tool is visible. However, calligraphic stroke order does not always follow standard stroke order.

Native writers, moreover, often create their own stroke order rules for their own use, with some tiny differences from the official stroke order taught in school.[citation needed]

[edit] Stroke order per polity

While the majority of characters are written in exactly the same stroke order everywhere, the "official" stroke order of Chinese characters varies from country to country because calligraphic styles evolved differently in Imperial China, Modern and Communist China, Japan, and Korea.[citation needed]

  • Traditional stroke order: Imperial China, ROC in China from 1911 to 1949, modern Taiwan and Hong Kong. This system of stroke order follows the rules of traditional Chinese and Chinese Grass Style calligraphy.
  • Japanese stroke order: Modern Japan and Korea. This stroke order follows the traditions of Japanese calligraphy and Japanese Grass Style. The occupation of Korea by Japan (1910-1945), and their close intellectual and artistic exchanges meant that they developed similar calligraphies and now follow the same stroke order.[citation needed] Some Japanese kanji were reformed in 1946.
  • Modern stroke order: Modern Mainland China (PRC). The Chinese government reformed the Chinese character set in 1956, and also reformed the stroke order of some characters. A notable "innovation" of this stroke order reform was the conception of a "horizontal writing" stroke order, to facilitate horizontal writing.
Example of differing stroke orders for the character 戈 ("Dagger-axe")
Traditional stroke order, which developed in texts written from top to bottom. Ancient China, current Taiwan.
Modern stroke order, adapted for horizontal writing. PRC, post-1956 reform.

[edit] Basic rules

Beware that there are differences in rules between the orders.

1. Write from left to right, and from top to bottom

As a general rule, characters are written from left to right, and from top to bottom. For example, among the first characters usually learned is the number one, which is written with a single horizontal line: 一. This character has one stroke which is written from left to right.

The character for "two" has two strokes: 二. In this case, both are written from left to right, but the top stroke is written first. The character for "three" has three strokes: 三. Each stroke is written from left to right, starting with the uppermost stroke:

The Chinese character meaning "person" (人 animation, Chinese: rén, Korean: in, Japanese: hito, nin; jin). The character has two strokes, the first shown here in dark, and the second in red. The black area represents the starting position of the writing instrument.

This rule applies also to more complex characters. For example, 校 can be divided into two. The entire left side (木) is written before the right side (交). There are some exceptions to this rule, mainly occurring when the right side of a character has a lower enclosure (see below), for example 誕 and 健. In this case, the left side is written first, followed by the right side, and finally the lower enclosure.

When there are upper and lower components, the upper components are written first, then the lower components, as in 品 and 襲.

2. Horizontal before vertical

When strokes cross, horizontal strokes are usually written before vertical strokes: the character for "ten," 十, has two strokes. The horizontal stroke 一 is written first, followed by the vertical stroke 十.

This is less often followed in Japan – in the radical , the vertical precedes the horizontal.

3. Cutting strokes last

Vertical strokes that "cut" through a character are written after the horizontal strokes they cut through, as in 車 and 中.

Horizontal strokes that cut through a character are written last, as in 母 and 海.

4. Diagonals right-to-left before diagonals left-to-right

Right-to-left diagonals (ノ) are written before left-to-right diagonals (乀): 文.

Note that this is for symmetric diagonals; for asymmetric diagonals, as in 戈, the left-to-right may precede the right-to-left, based on other rules.

5. Centre verticals before outside "wings"

Vertical centre strokes are written before vertical or diagonal outside strokes; left outside strokes are written before right outside strokes: 小 and 水.

6. Outside before inside

Outside enclosing strokes are written before inside strokes; bottom strokes are written last: 日 and 口. This applies also to characters that have no bottom stroke, such as 同 and 月.

7. Left vertical before enclosing

Left vertical strokes are written before enclosing strokes. In the following two examples, the leftmost vertical stroke (|) is written first, followed by the uppermost and rightmost lines (┐) (which are written as one stroke): 日 and 口.

8. Bottom enclosing strokes last

Bottom enclosing strokes are always written last: 道, 週, 画.

9. Dots and minor strokes last

Minor strokes are usually written last, as the small "dot" in the following: 玉, 求, 朮.

[edit] See also

[edit] Notes

  1. ^ Fazzioli, Edoardo. Chinese calligraphy : from pictograph to ideogram : the history of 214 essential Chinese/Japanese characters. calligraphy by Rebecca Hon Ko. New York: Abbeville Press. pp. 13. ISBN 0896597741. "And so the first Chinese dictionary was born, the Sān Chāng, containing 3,300 characters" 
  2. ^ 康熙字典 Kangxi Zidian, 1716. Scanned version available at See by example the radicals , or 广, p.41. The 2007 common shape for those characters don't allow clearly to "guess" the stroke order, but old versions, visible on the Kangxi Zidian p.41 clearly allow us to guess the stroke order.

[edit] References

[edit] Traditional Chinese stroke order

[edit] Japanese stroke order

  • Hadamitzky, Wolfgang & Mark Spahn. A Handbook of the Japanese Writing System. Charles E. Tuttle Co. ISBN 0-8048-2077-5.
  • Henshall, Kenneth G. A Guide to Remembering Japanese Characters. Charles E. Tuttle Co. ISBN 0-8048-2038-4.
  • O'Neill, P.G. Essential Kanji: 2,000 Basic Japanese Characters Systematically Arranged for Learning and Reference. Weatherhill. ISBN 0-8348-0222-8.
  • Pye, Michael The Study of Kanji: A Handbook of Japanese Characters. Hokuseido Press. ISBN 0-8934-6232-2.
    • Includes a translation of the Japanese Ministry of Education rules on Kanji stroke order.

[edit] Archaic characters

  • Keightley, David N. (1978). Sources of Shang History: The Oracle-Bone Inscriptions of Bronze Age China. University of California Press, Berkeley. ISBN 0-520-02969-0

[edit] External links

[edit] Traditional Chinese stroke order

[edit] Modern Chinese stroke order

[edit] Japanese Kanji and Korean Hanja stroke order

Personal tools