Power metal

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Power metal
Stylistic origins
Cultural origins
Early–mid 1980s, Europe and United States
Typical instruments
Mainstream popularity Low in Europe, Japan and South America; Underground in North America
Fusion genres
Symphonic metal - Progressive metal - Folk metal - Neo-classical metal
Regional scenes
American power metal - European power metal

Power metal is a style of heavy metal music combining characteristics of traditional metal with thrash metal or speed metal, often within symphonic context. The term refers to two different but related styles: the first pioneered and largely practiced in North America with a harder sound similar to speed metal, and a later more widespread and popular style based in Europe (especially Germany, Italy, Scandinavia) and Japan (early Visual Kei bands) with a lighter, more melodic sound and frequent use of keyboards.

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[edit] Musical characteristics

Kai Hansen of Gamma Ray during a show in Barcelona, Spain.

Power metal is today associated with an epic sound tempered by characteristics of speed metal, power metal's musical forerunner. Power metal's lyrical themes, though as varied as metal itself, typically focus on fantasy and mythology (eg. , Rhapsody of Fire, Blind Guardian, Falconer , Domine , Virgin Steele), camaraderie and hope (eg. DragonForce, Stratovarius, Helloween, Gamma Ray, Hammerfall, Lost Horizon, Highland Glory, Sabaton), personal struggles and emotions (eg. X Japan, Primal Fear, Sonata Arctica, Evergrey) war and death (eg. Manowar, Sabaton, Iced Earth) or combinations of the listed themes. The prevalence of these lyrical themes span across the many languages power metal is performed in (eg. Angra (Portuguese), DarkSun (Spanish)). Many typical metal themes such as anti-religion and politics are comparatively rare but not unheard of.

Power metal is highly focused on the vocalist, with "clean" vocals being much more prevalent than the growling vocals often associated with death metal and black metal. Following in the tradition of Ronnie James Dio, Bruce Dickinson, Rob Halford and other heavy metal vocalists, power metal vocals are often in a high register. The majority of the genre's vocalists sing in the tenor range, capable of hitting very high notes, like Timo Kotipelto of Stratovarius, Michael Kiske of Helloween or Ralf Scheepers of Primal Fear. There are however many exceptions such as Pyramaze / Iced Earth frontman Matt Barlow, Falconer frontman Mathias Blad, and Sabaton frontman Joakim Broden; they sing in either baritone or bass range, though in certain songs like Creator Failure, Barlow hits very high notes reminiscent of Rob Halford. Power metal vocalists Timo Kotipelto of Stratovarius, Andi Deris of Helloween, Kai Hansen of Gamma Ray, Hansi Kürsch of Blind Guardian, Jens Carlsson of Persuader / Savage Circus and Matt Smith of Theocracy and record multi-layered vocals reminiscent of Queen, creating a choral effect.[1][2] Few power metal vocalists double as instrumentalists, but the setup is not unheard of. Some singers within other heavy metal genres have high registered voices as do those singers of power metal bands. For example Joey Belladonna, formerly of American thrash metal band Anthrax, had a voice that was often high-pitched. As a result, high registered singing is not restricted to power metal bands even though the style is typical within the genre.

Power metal guitarists and bassists generally play rapid streams of notes, but change chords comparatively slowly, with a harmonic tempo of once per measure or slower. Fast and demanding guitar solos, however, are almost guaranteed. The slow changing of chords are significant in defining power metal just as the fast rapid chord changes often define traditional thrash metal. Power metal often makes use of Major chord progressions as well as circle progressions. Some of the most influential and imitated power metal guitarists are Kai Hansen of Gamma Ray, Michael Weikath of Helloween and Timo Tolkki of Stratovarius.

A number of power metal drummers generally play with two bass drums for added speed, utilizing them to play a constant stream of sixteenth notes (semiquavers) with snare drum accents on the beat. This style is fairly common in power metal as in other heavy metal subgenres, though it is by no means universal. Power metal though has become the most prevalent in the use of this technique. The style was perfected by drummer Ingo Schwichtenberg of Helloween along with Yoshiki of X Japan, setting a blueprint for many other drummers to follow. Some drummers however do not use this technique and use a more thrash metal style of drumming with rapid bursts of double bass that involve three to six beats with the double kick. Iced Earth and Blind Guardian both have had drummers who have used this style of drumming as opposed to the more common style. Even more uncommon is the use of the blast beat in the genre. The American band Cellador and British band Dragonforce are two good examples of power metal bands that utilize blast beats in many of their songs.

Power metal bands often incorporate keyboards into their musical arrangements, something popularized by Jens Johansson of Stratovarius, though their usage varies from subtle accents to a full-blown melody line. Some symphonic power metal bands such as Rhapsody of Fire, Fairyland and Nightwish have also been known to record with more symphonic elements, and as such, they utilize a full orchestra to fill the role a keyboard plays in other power metal bands.

This style is very popular in Europe, Japan, and some countries of South America (including Brazil, Venezuela, Chile, Peru, Argentina and Colombia), the province of Quebec, Canada, where it has a very strong fan base and in North America where its popularity is slowly rising.[citation needed]

[edit] Types of power metal

[edit] American power metal

"American power metal" emerged in 1980s United States as an offshoot of classic metal, thrash metal and speed metal. It is usually fast, straightforward and somewhat heavy and aggressive, with a distinct epic 'fighting' feel. Keyboards never take a major role in this style, with the focus on vocals and riffs. The music is very similar to its influences but coined the term 'power metal' and was vital in inspiring the later melodic power metal movement.

Examples: Manowar, Jag Panzer, Crimson Glory

[edit] European/melodic power metal

Blind Guardian, one of the key acts in European Power metal

Originating from New Wave Of British Heavy Metal, "Melodic power metal" emerged in 1980s Europe with Germany's Helloween and Finland's Stratovarius in the 1990s, with a strong focus on melody and uplifting, positive themes. Helloween mixed fast palm muted speed metal riffs with high pitched clean vocals and guitar. The album Keeper of the Seven Keys Part 1 was an album that made a staple for the birth of power metal. Stratovarius further developed this melodic direction by making heavy use of keyboards and neo-classical guitar solo duels which are now prevalent in almost all power metal. This genre branched and spread over Europe and into most of power metal's subgenres, incorporating further influences from classical and folk music and reinforcing the high fantasy imagery as well as sometimes developing a more emotional, romantic edge. The style has become one of the largest metal subgenres and its popularity is far from waning. The United States also has its share of European style power metal bands, an example of which is Kamelot. It should be noted that some power metal bands put less emphasis on speed.

Examples: Stratovarius, Blind Guardian, HammerFall

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