Pure Data

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Pure Data with many patches open (netpd project)

Pure Data (or Pd) is a graphical programming language developed by Miller Puckette in the 1990s for the creation of interactive computer music and multimedia works. Though Puckette is the primary author of the software, Pd is an open source project and has a large developer base working on new extensions to the program. It is released under a license similar to the BSD license.

Pd is very similar in scope and design to Puckette's original Max program (developed while he was at IRCAM), and is to some degree interoperable with Max/MSP, the commercial successor to the Max language. Both Pd and Max are arguably examples of Dataflow programming languages. In such languages, functions or "objects" are linked or "patched" together in a graphical environment which models the flow of the control and audio. Unlike the original version of Max, however, Pd was always designed to do control-rate and audio processing on the host CPU, rather than offloading the synthesis and signal processing to a DSP board (such as the Ariel ISPW which was used for Max/FTS). Pd code forms the basis of David Zicarelli's MSP extensions to the Max language to do software audio processing.

Like Max, Pd has a modular code base of externals or objects which are used as building blocks for programs written in the software. This makes the program arbitrarily extensible through a public API, and encourages developers to add their own control and audio routines, either in the C programming language or, with the help of other externals, in Python, Ruby, Scheme and many other languages as well. However, Pd is a programming language in its own right. Modular, reusable units of code written natively in Pd, called "patches" or "abstractions", are used as standalone programs and freely shared among the Pd user community, and no other programming skill is required to use Pd effectively.

With the addition of the Graphics Environment for Multimedia (GEM) external, and externals designed to work with it (like Pure Data Packet / PiDiP for Linux, framestein for Windows, GridFlow for n-dimensional matrix processing that integrates pure data with the Ruby programming language, etc.), it is possible to create and manipulate video, OpenGL graphics, images, etc. in realtime with seemingly endless possiblilities for interactivity with audio, external sensors, etc.

Additionally, Pd is natively designed to enable live collaboration across networks or the internet, allowing musicians connected via LAN or even in disparate parts of the globe to create music together in real time.


[edit] Language features

Pd's four text objects: message, atom, object, and comments.

Like Max, Pd is a data flow programming language. As with most DSP software, there are two primary rates at which data is passed: sample (audio) rate, usually at 44100 samples per second, and control rate, at 1 block per 64 samples. Control messages and audio signals generally flow from the top of the screen to the bottom between "objects" connected via inlets and outlets.

A screenshot of MSD Editor which uses data structures to visualize control data. (Frank Barknecht)

Pd supports 4 basic types of text entities: messages, objects, atoms, and comments. Atoms are the most basic unit of data in Pd, and they consist of either a float, a symbol, or a pointer to a datastructure. (In Pd, all numbers are stored as 32-bit floats). Messages are composed of one or more atoms and provide instructions to objects. A special type of "content-less" message called a bang is used to initiate events and push data into flowing, much like pushing a button.

Pd's native objects range from the basic mathematical, logical, and bitwise operators found in every programming language, to general and specialized audio-rate DSP functions (designated by a tilde (~) symbol), such as wavetable oscillators, the fft~, and a range of standard filters. Data can be loaded from file, read in from an audio board, MIDI, via Open Sound Control (OSC) through a Firewire, USB, or network connection, or generated on the fly, and stored in tables, which can then be read back and used as audio signals or control data.

[edit] Data structures

One of the key innovations in Pd over its predecessors has been the introduction of graphical data structures, which can be used in a large variety of ways, from composing musical scores, sequencing events, to creating visuals to accompany Pd patches or even extending Pd's GUI.

Living up to Pd's name, data structures enable Pd users to create arbitrarily complex static as well as dynamic or animated graphical representations of musical data. Much like C structs, Pd's structs are composed of any combination of floats, symbols, and array data, which can be used as parameters to describe the visual appearance of the data structure or, conversely, to control messages and audio signals in a Pd patch. In Puckette's words:

Pd is designed to offer an extremely unstructured environment for describing data structures and their graphical appearance. The underlying idea is to allow the user to display any kind of data he or she wants to, associating it in any way with the display. To accomplish this Pd introduces a graphical data structure, somewhat like a data structure out of the C programming language, but with a facility for attaching shapes and colors to the data, so that the user can visualize and/or edit it. The data itself can be edited from scratch or can be imported from files, generated algorithmically, or derived from analyses of incoming sounds or other data streams.

[edit] See also

[edit] References

  • Danks, M. (1996). The graphics environment for max. In: Proceedings of the International Computer Music Conference, pp. 67-70. International Computer Music Association.
  • Danks, M. (1997). Real-time image and video processing in Gem. In: Proceedings of the International Computer Music Conference, pp. 220-223. International Computer Music Association.
  • Puckette, M. S. (1996) Pure Data. Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 269-272.
  • Puckette, M. S. (1997). Pure data. In: Proceedings of the International Computer Music Conference, pp. 224-227. International Computer Music Association.

[edit] Literature

Pd~graz (ed.), ed (2006). bang. Pure Data. Wolke Verlag Hofheim. ISBN 978-3936000375. http://pd-graz.mur.at/label/book01/bangbook. 

Puckette, Miller Smith (2007). The Theory and Technique of Electronic Music. World Scientific Press, Singapore. ISBN 978-9812705419. http://www-crca.ucsd.edu/~msp/techniques.htm. 

[edit] External links

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