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From Wikipedia, the free encyclopedia

The kimono (着物 ^?)^[1] is the traditional clothing of Japan. Originally the word "kimono" literally meant "thing to wear" (ki "wearing" and mono "thing")^[2] but now has come to denote a particular type of traditional full-length Japanese garment. The standard plural of the word kimono in English is kimonos^[3], but the unmarked Japanese plural kimono is also sometimes found.

Kimonos are T-shaped, straight-lined robes with collars and full-length sleeves that typically are wide. Both genders wear their kimono so that the hem falls to the ankle. Kimonos are wrapped around the body, always with the left side over the right (except when dressing the dead for burial)^[4] and secured by a wide belt called an obi, which is tied at the back. Kimonos are generally worn with traditional footwear (especially zōri or geta) and split-toe socks (tabi).^[5]

Today, kimonos are most often worn by women, and on special occasions. Traditionally, unmarried women wore a style of kimono called furisode,^[5] with almost floor-length sleeves, on special occasions. A few older women and even fewer men still wear the kimono on a daily basis. Men wear the kimono most often at weddings, tea ceremonies, and other very special or very formal occasions. Professional sumo wrestlers are often seen in the kimono because they are required to wear traditional Japanese dress whenever appearing in public.^[6] They commonly wear the kind of casual Japanese attire that is referred to as yukata, which is of plain unlined cotton.

Contents 1 History 2 Textiles 2.1 Parts of a woman's kimono 3 Cost 4 Styles 4.1 Women's Kimonos 4.1.1 Kurotomesode 4.1.2 Furisode 4.1.3 Irotomesode 4.1.4 Homongi 4.1.5 Tsukesage 4.1.6 Iromuji 4.1.7 Komon 4.1.8 Edo komon 4.1.9 Uchikake 4.1.10 Susohiki / Hikizuri 4.2 Men's kimonos 5 Kimono accessories and related garments 5.1 Hiyoku 5.2 Layering 6 Care of Kimonos 7 See also 8 References 9 Further reading 10 External links

[edit] History

As the kimono has another name gofuku (呉服 ^?, literally "clothes of Wu (呉)"), the earliest kimonos were heavily influenced by traditional Han Chinese clothing, known today as hanfu (漢服 ^?, kanfuku in Japanese), through Japanese embassies to China which resulted in extensive Chinese culture adoptions by Japan, as early as the fifth century ce^[5]. It was during the 8th century, however, when Chinese fashions came into style among the Japanese, and the overlapping collar became particularly a women's fashion^[5]. During Japan's Heian period (794–1192 ce), the kimono became increaslingly stylized, though one still wore a half-apron, called a mo, over it ^[5]. During the Muromachi age (1392-1573), the Kosode, a single kimono formerly considered underwear, began to be worn without the hakama pants over it, and thus began to be held closed by an obi "belt" ^[5]. During the Edo period (1603-1867), the sleeves began to grow in length, especially among unmarried women, and the Obi became wider, with various styles of tying coming into fashion ^[5]. Since then, the basic shape of both the men’s and women’s kimono has remained essentially unchanged. David Bowie made it a fashion statement on stage in 1972 with his Ziggy Stardust character. Kimonos made with exceptional skill from fine materials have been regarded as great works of art.^[5].

[edit] Textiles

Kimonos for men are available in various sizes, but kimonos for women are typically of a similar, larger size and are adjusted to body size by tucking and folding. An ideally tailored kimono has sleeves that end at the wrist when the arms are lowered. Men's kimonos should fall approximately to the ankle without tucking. A woman's kimono is longer to allow for the ohashori, the tuck that can be seen under the obi.

Kimonos are made from a single bolt of fabric called a tan. Bolts come in standard dimensions — about 14 inches wide and 12½ yards long^[5] – and the entire fabric is used to make one kimono. The finished kimono consists of four main strips of fabric – two panels covering the body and two panels forming the sleeves – with additional smaller strips forming the narrow front panel and collar^[5]. Historically, kimonos were often taken apart for washing as separate panels and resewn by hand. Because the entire bolt remains in the finished garment without cutting, the kimono can be retailored easily to fit a different person.^[5]

The maximum width of the sleeve is dictated by the width of the fabric. The distance from the center of the spine to the end of the sleeve could not exceed twice the width of the fabric. Traditional kimono fabric was typically no more than 36 centimeters (14 inches) wide. Thus the distance from spine to wrist could not exceed a maximum of roughly 68 centimeters (27 inches). Modern kimono fabric is woven as wide as 42 centimeters (17 inches) to accommodate modern Japanese body sizes. Very tall or heavy people, such as sumo wrestlers, must have kimono custom-made by either joining multiple bolts of fabric together or weaving custom-width fabric. ^[7]

Traditional kimonos are sewn by hand, and their fabrics are also frequently hand made and hand decorated. Various techniques such as yūzen dye resist are used for applying decoration and patterns to the base cloth. Repeating patterns that cover a large area of a kimono are traditionally done with the yūzen resist technique and a stencil. Over time there have been many variations in color, fabric and style, as well as accessories such as the obi.

The kimono and obi are traditionally made of silk, silk brocade, silk crepes (such as chirimen) and satin weaves (such as rinzu). Modern kimonos are also widely available in less-expensive easy-care fabrics such as rayon, cotton sateen, cotton, polyester and other synthetic fibers. Silk is still considered the ideal fabric, however, and is a must for formal occasions.

Customarily, woven patterns and dyed repeat patterns are considered informal; Formal kimonos have free-style designs dyed over the whole surface or along the hem^[5]. During the Heian period, kimonos were worn with up to a dozen or more colorful contrasting layers, with each combination of colors being a named pattern^[5]. Today, the kimono is normally worn with a single layer on top of a slip style undergarment. The pattern of the kimono can also determine in what season it should be worn. For example, a pattern with butterflies or cherry blossoms would be worn in spring. Watery designs are common during the summer. A popular autumn motif is the russet leaf of the Japanese maple; for winter, designs may include bamboo, pine trees and plum blossoms.

Old kimonos are often recycled in various ways: altered to make haori, hiyoku, or kimonos for children, used to patch similar kimono, used for making handbags and similar kimono accessories, and used to make covers, bags or cases for various implements, especially for sweet-picks used in tea ceremonies. Kimonos with damage below the waistline can also be worn under a hakama to hide the damage. Historically, skilled craftsmen laboriously picked the silk thread from old kimono and rewove it into a new textile in the width of a heko obi for men's kimonoa, using a recycling weaving method called saki-ori.

[edit] Parts of a woman's kimono

Doura

upper lining

Eri 衿

collar

Fuki

hem guard

Furi

sleeve below the armhole

Maemigoro 前身頃

front main panel

Miyatsukuchi

opening under the sleeve

Okumi 衽

front inside panel

Sode^[5] 袖

sleeve

Sodeguchi 袖口

sleeve opening

Sodetsuke 袖付

kimono armhole

Susomawashi 裾回し

lower lining

Tamoto 袂

sleeve pouch

Tomoeri 共衿

over collar

Uraeri 裏襟

inner collar

Ushiromigoro

back main section

[edit] Cost

Kimonos can be expensive. A woman's kimono may easily exceed US$10,000;^[8] a complete kimono outfit, with kimono, undergarments, obi, ties, socks, sandals and accessories, can exceed US$20,000. A single obi may cost several thousand dollars. However, most kimonos owned by kimono hobbyists or by practitioners of traditional arts are far less expensive. Enterprising people make their own kimono and undergarments by following a standard pattern, or by recycling older kimonos. Cheaper and machine-made fabrics can substitute for the traditional hand-dyed silk. There is also a thriving business in Japan for second-hand kimonos, which can cost as little as ¥500. Women's obis, however, mostly remain an expensive item. Although simple patterned or plain colored ones can cost as low as ¥1,500, even a used obi can cost hundreds of dollars, and experienced craftsmanship is required to make them. Men's obis, even those made from silk, tend to be much less expensive, because they are narrower, shorter and less decorative than those worn by women.

[edit] Styles

Kimonos range from extremely formal to casual. The level of formality of women's kimono is determined mostly by the pattern of the fabric, and color. Young women's kimonos have longer sleeves,signifying that they are not married, and tend to be more elaborate than similarly formal older women's kimono^[5]. Men's kimonos are usually one basic shape and are mainly worn in subdued colors. Formality is also determined by the type and color of accessories, the fabric, and the number or absence of kamon (family crests), with five crests signifying extreme formality^[5]. Silk is the most desirable, and most formal, fabric. Kimonos made of fabrics such as cotton and polyester generally reflect a more casual style.

[edit] Women's Kimonos

Many modern Japanese women lack the skill to put on a kimono unaided: the typical woman's kimono consists of twelve or more separate pieces that are worn, matched and secured in prescribed ways, and the assistance of licensed professional kimono dressers may be required. Called upon mostly for special occasions, kimono dressers both work out of hair salons and make house calls.

Choosing an appropriate type of kimono requires knowledge of the garment's symbolism and subtle social messages, reflecting the woman's age, marital status, and the level of formality of the occasion.

[edit] Kurotomesode

(黒留袖): a black kimono patterned only below the waistline, kurotoroko are the most formal kimono for married women. They are often worn by the mothers of the bride and groom at weddings. Kurotomesode usually have five kamon printed on the sleeves, chest and back of the kimono.

[edit] Furisode

(振袖): furisode literally translates as swinging sleeves—the sleeves of furisode average between 39 and 42 inches (1,100 mm) in length. Furisode are the most formal kimono for unmarried women, with colorful patterns that cover the entire garment. They are usually worn at coming-of-age ceremonies (seijin shiki) and by unmarried female relatives of the bride at weddings and wedding receptions.

[edit] Irotomesode

(色留袖): single-color kimono, patterned only below the waistline. Irotomesode are slightly less formal than kurotomesode, and are worn by married women, usually close relatives of the bride and groom at weddings. An irotomesode may have three or five kamon.

[edit] Homongi

(訪問着): literally translates as visiting wear. Characterized by patterns that flow over the shoulders, seams and sleeves, hōmongi rank slightly higher than their close relative, the tsukesage. Hōmongi may be worn by both married and unmarried women; often friends of the bride will wear hōmongi at weddings and receptions. They may also be worn to formal parties.

[edit] Tsukesage

(付け下げ): has more modest patterns that cover a smaller area—-mainly below the waist-—than the more formal hōmongi. They may also be worn by married women.

[edit] Iromuji

(色無地): single-colored kimono that may be worn by married and unmarried women. They are mainly worn to tea ceremonies. The dyed silk may be figured (rinzu, similar to jacquard), but has no differently colored patterns.

[edit] Komon

(小紋): "fine pattern". Kimono with a small, repeated pattern throughout the garment. This style is more casual and may be worn around town, or dressed up with a formal obi for a restaurant. Both married and unmarried women may wear komon.

A long blue susohiki, usually worn by geisha or at stage performances

[edit] Edo komon

(江戸小紋): is a type of komon characterized by tiny dots arranged in dense patterns that form larger designs. The Edo komon dyeing technique originated with the samurai class during the Edo period. A kimono with this type of pattern is of the same formality as an iromuji, and when decorated with kamon, may be worn as visiting wear (equivalent to a tsukesage or hōmongi).

[edit] Uchikake

Uchikake is a highly formal kimono worn only by a bride or at a stage performance. The Uchikake is often heavily brocaded and is supposed to be worn outside the actual kimono and obi, as a sort of coat. One therefore never ties the obi around the uchikake. It is supposed to trail along the floor, this is also why it is heavily padded along the hem. The uchikake of the bridal costume is either white or very colorful often with red as the base color.

[edit] Susohiki / Hikizuri

The susohiki is mostly worn by geisha or by stage performers of the traditional Japanese dance. It is quite long, compared to regular kimono, because the skirt is supposed to trail along the floor. Susohiki literally means "trail the skirt". Where a normal kimono for women is normally 1,5-1,6 m or 4,7-5,2 ft long, a susohiki can be up to 2 m or 6,3 ft long. This is also why geisha and maiko lift their kimono skirt when walking outside, also to show their beautiful underkimono or "nagajuban" (see below).^[9]

[edit] Men's kimonos

In contrast to women's kimono, men's kimono outfits are far simpler, typically consisting of a maximum of five pieces, not including footwear.

Men's kimonos have long sleeves which are attached to the body of the kimono with no more than a few inches unattached at the bottom, unlike the women's style of very deep sleeves mostly unattached from the body of the kimono. Men's sleeves are less deep than women's kimono sleeves to accommodate the obi around the waist beneath them, where as on a woman's kimono, the long, unattached bottom of the sleeve can hang over the obi without getting in the way.

In the modern era, the principal distinctions between men's kimono are in the fabric. The typical kimono has a subdued, dark color; black, dark blues, greens, and browns are common. Fabrics are usually matte. Some have a subtle pattern, and textured fabrics are common in more casual kimono. More casual kimono may be made in slightly brighter colors, such as lighter purples, greens and blues. Sumo wrestlers have occasionally been known to wear quite bright colors such as fuchsia.

The most formal style of kimono is plain black with five kamon on the chest, shoulders and back. Slightly less formal is the three-kamon kimono. These are usually paired with white undergarments and accessories.

[edit] Kimono accessories and related garments

Nagajuban

(長襦袢, or simply juban) are kimono-shaped robes worn by both men and women beneath the main outer garment. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin. Only the collar edge of the nagajuban shows from beneath the outer kimono.^[10] Many nagajuban have removable collars, to allow them to be changed to match the outer garment, and to be easily washed without washing the entire garment. While the most formal type of nagajuban are white, they are often as beautifully ornate and patterned as the outer kimono. Since men's kimono are usually fairly subdued in pattern and color, and the nagajuban allows for discreetly wearing very striking designs and colors.

Hadajuban

(肌襦袢) are thin garments similar to undershirts. They are worn by women under the nagajuban.

Susoyoke

(裾除け) is a thin petticoat-like garment worn by women under the nagajuban. Sometimes the susoyoke and hadajuban are combined into a one-piece garment.

Eri-Sugata

(衿姿) is a special collar made for kimonos. Traditionally, an undergarment is worn under the kimono. Just the collar of the undergarment shows. This undergarment (the juban) can be very hot during summer weather so the eri sugata was created. The eri sugata is just the collar of the undergarment. It is used to make the kimono more formal without the wearer having to worry too much about having too many layers on or not on.

Geta

(下駄) are wooden sandals worn by men and women with yukata. One unique style is worn solely by geisha.

Hakama

(袴) is a divided (Umanori) or undivided skirt (Andon) which resembles a wide pair of pants, traditionally worn by men but now also by women in less formal outfits, and is also worn in certain martial arts such as aikido. A hakama typically has pleats, a koshiita (a stiff or padded part in the lower back of the wearer), and himo (long lengths of fabric tied around the waist over the obi, described below). Hakama are worn in several budo arts such as aikido, kendo, iaidō and naginata. Hakama are also worn by women at college graduation ceremonies, and by Miko on shinto shrines. They can range from very formal to visiting wear, depending on the pattern.

Haori

(羽織) is a hip- or thigh-length kimono jacket which adds formality. Haori were originally reserved for men, until fashions changed at the end of the Meiji period. They are now worn by both men and women, though women's kimono jackets tend to be longer.

Haori-himo

(羽織紐) is a tasseled, woven string fastener for the haori. The most formal color is white.

Happi

(法被) is a type of Haori traditionally worn by shop keepers and is now associated mostly with festivals.

Hanten

(袢纏) is the workman's version of gentleman's Haori. Often padded for warmth, as opposed to the somewhat lighter Happi.

Hiyoku

(ひよく) is a type of under-kimono, historically worn by women beneath the kimono. Today they are only worn on formal occasions such as weddings and other important social events.

Kanzashi

(簪) are hair ornaments worn by women in the coiffured hair style that often accompanies kimono. These may take the form of silk flowers, wooden combs, and jade hairpins.

Obi

(帯) An obi is a sash worn with kimono by both men and women.

Obi-ita

(帯板) is a thin, fabric-covered board placed under the obi by women to keep its shape. It is also called mae-ita.

obiage

(帯揚げ) A sash that is tied around the top edge of the obi which covers the obimakura "pillow"and keeps the upper part of the obi musabi "knot" in place

obimakura

(帯枕) a small pillow used by women that is tied under the obi at the back which gives the obi musabi "knot" it's volume.

Obijime

(帯締め) is a thin cord worn around the obi. It is necessary to hold the popular taiko musubi in place .

Datejime or datemaki

(伊達締め) undersash; one can be used to tie the nagajuban and one can also be used to tie the outer kimono, to hold the kimono in place until one ties the obi.

Koshihimo or karihimo

(腰紐) sashes; think of them as placeholders, extra hands helping the wearer hold everything in place until the datejime and obi are tied

Samue

(作務衣) are the everyday clothes for a male Zen Buddhist monk, and the favored garment for shakuhachi players.

Tabi

(足袋) are ankle-high, divided-toe socks usually worn with zōri or geta. They also come in a boot form.

Waraji

(草鞋) are straw rope sandals which are mostly worn by monks.

Yukata

(浴衣) is an informal unlined summer kimono usually made of cotton, linen, or hemp. Yukata are most often worn to outdoor festivals, by men and women of all ages. They are also worn at onsen (hot spring) resorts, where they are often provided for the guests in the resort's own pattern.

Zōri

(草履) are cloth, leather or grass-woven sandals. Zōri may be highly decorated with intricate stitching or with no decoration. They are worn by both men and women. Grass woven zōri with white straps, called hanao, are the most formal for men. They are similar in design to flip-flops.

Fundoshi

(褌) are traditional male underwear or loin-cloth.

[edit] Hiyoku

The hiyoku is the floating lining or under-kimono traditionally worn under kimono. There are various meanings involved in Kimono-hiyoku-layering though mostly these are not used in everyday modern Japanese life. Often today instead of an entirely separate lining the Hiyoku refers to a lining sewn into the kimono itself. There are no special meanings ascribed to Hiyoku worn in this way.

[edit] Layering

In modern day Japan the meanings of the layering of kimono and hiyoku are usually forgotten. Only maiko and geisha now use this layering technique for dances and subtle erotic suggestion usually emphasising the back of the neck. Modern Japanese brides may also wear a traditional Shinto kimono which is worn with a hiyoku.

Traditionally kimonos were worn with hiyoku or floating linings. Hiyoku can be a second kimono worn beneath the first and give the traditional layered look to the kimono. Often in modern kimonos the hiyoku is simply the name for the double sided lower-half of the kimono which may be exposed to other eyes depending on how the kimono is worn.

Old-fashioned kimono styles meant that hiyoku were entire under-kimono, however modern day layers are usually only partial, to give the impression of layering.

[edit] Care of Kimonos

In the past, a kimono would often be entirely taken apart for washing, and then re-sewn for wearing^[5]. This traditional washing method is called arai hari. Because stitches must be taken out for washing, traditional kimono need to be hand sewn. Arai hari is very expensive and difficult and is one of the causes of the declining popularity of kimono. Modern fabrics and cleaning methods have been developed that eliminate this need, although the traditional washing of kimono is still practiced, especially for high-end garments.

A new custom-made kimono will be delivered to the customer with long, loose basting stitches placed around the outside edges^{[citation needed]}. These stitches are called shituke ito. They are sometimes replaced for storage. They help to prevent bunching, folding and wrinkling, and keep the kimono's layers in alignment.

Like many other traditional Japanese garments, there are specific ways to fold kimonos. These methods help to preserve the garment and to keep it from creasing when stored. Kimonos are often stored wrapped in paper.

Kimonos need to be aired out at least seasonally and before and after each time they are worn. Many people prefer to have their kimono dry cleaned, although this can be extremely expensive, it is generally less expensive than arai hari and may be impossible for certain fabrics or dyes.^{[citation needed]}

[edit] See also

• Jeogori

[edit] References

[edit] Further reading

• Milenovich, Sophie (2007). Kimonos. New York: Abrams. ISBN-13 978-0-8109-9450-8. 

[edit] External links

Wikimedia Commons has media related to: kimono

Look up kimono in Wiktionary, the free dictionary.

• The Canadian Museum of Civilization - Landscape Kimonos of Itchiku Kubota
• Tokyo National Museum Look for "textiles" under "decorative arts".
• Kyoto National Museum: Textiles
• The Costume Museum: Costume History in Japan
• Kimono Fraise; includes directions on how to put on a kimono
• Immortal Geisha Forums; Comprehensive Resource on Vintage and Modern Kimono Culture
• Love Kimono!; A lot of knowledge of kimono with pictures.
• Kimonoan information on Yakuta
• Tsuruko Maiko Forums; Information and Discussions on Kimono

Craft Materials

• "Kimono from the V&A Collection". Asia. Victoria and Albert Museum. http://www.vam.ac.uk/collections/asia/kimono/objects/index.php?action=&hits=&page=&pages=&object_type=&country=&start_year=&end_year=&object=&artist=&maker=. Retrieved on 2007-07-13. 
• "Fashioning Kimono: Dress in early 20th century Japan". Asia. Victoria and Albert Museum. http://www.vam.ac.uk/collections/asia/past_exhns/kimono/index.html. Retrieved on 2007-06-16. 

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