Alan Smithee
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- For the 1997 film, see An Alan Smithee Film: Burn Hollywood Burn,
Alan Smithee (also Allen Smithee) is an official pseudonym used by film directors who wish to disown a project, coined in 1968. Until its use was formally discontinued in 2000,[1] it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director dissatisfied with the final product proved to the satisfaction of a guild panel that he or she had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the move or even to acknowledge being the actual director.[2]
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[edit] History
Prior to 1968, DGA rules did not permit directors to be credited under a pseudonym. This was intended to prevent producers from forcing them upon directors, which would inhibit the development of their resumés.[1] The guild also required that the director be credited, in support of the DGA philosophy that the director was the primary creative force behind a film.[2]
The Smithee pseudonym was created for use on the film Death of a Gunfighter, released in 1969. During its filming, lead actor Richard Widmark was unhappy with director Robert Totten, and arranged to have him replaced by Don Siegel. Siegel later estimated that Totten had spent 25 days filming and he'd spent 9-10, with roughly equal footage in Siegel's final edit, but he made it clear that Widmark had been effectively in charge the entire time.[2] When the film was finished, Siegel didn't want to take the credit for it, and Totten refused to take credit in his place. The DGA panel hearing the dispute agreed that it did not represent either director's creative vision.[1]
The original proposal was to credit the fictional "Al Smith", but that was deemed too common a name, and in fact was already in use within the film industry. The last name was first changed to "Smithe", then "Smithee",[1] which was thought to be distinctive enough to avoid confusion, but without drawing attention to itself.[2] Critics praised the film and its "new" director, with The New York Times commenting that the film was "sharply directed by Allen Smithee who has an adroit facility for scanning faces and extracting sharp background detail,"[3] and Roger Ebert commenting, "Director Allen Smithee, a name I'm not familiar with, allows his story to unfold naturally."[4]
Following its coinage, the pseudonym "Alan Smithee" was applied retroactively to Fade-In (also known as Iron Cowboy), a film starring Burt Reynolds and directed by Jud Taylor, which was first aired before the release of Death of a Gunfighter.[5] Taylor also requested the pseudonym for City in Fear (1980) with David Janssen. Taylor commented on its use when he received the DGA's Robert B. Aldrich Achievement Award in 2003:
"I had a couple of problems in my career having to do with editing and not having the contractually-required number of days in the editing room that my agent couldn't resolve. So, I went to the Guild and said, 'This is what's going on.' The Guild went to bat for me. I got Alan Smithee on them both. It was a signal to the industry from a creative rights point of view that the shows had been tampered with."[6]
The name was also applied retroactively to the half-hour 1955 television drama The Indiscreet Mrs. Jarvis starring Angela Lansbury when it was released on VHS in 1992.
The spelling "Alan Smithee" became the standard, and the Internet Movie DataBase lists about two dozen feature films and many more television features and series episodes credited to this name. [7]
Over the years the name and its purpose became more widely known. Some directors violated the embargo on discussing their use of the pseudonym. In 1998, the film An Alan Smithee Film: Burn Hollywood Burn was released, in which a man named Alan Smithee wishes to disavow a film he has directed, but is unable to because the only pseudonym he is permitted to use is his own name. The film was directed by Arthur Hiller, who reported to the DGA that producer Joe Eszterhas had interfered with his creative control, and successfully removed his own name from the film, so "Alan Smithee" was credited instead. The film was a commercial and critical failure, grossing only $45,779 in the US with a budget of about $10 million,[8] and the Rotten Tomatoes web site reports an aggregate critical rating of only 6% positive.[9] But the publicity surrounding the film drew mainstream attention to the pseudonym. Following this, the DGA retired the name; for the film Supernova (2000) dissatisfied director Walter Hill was instead credited as "Thomas Lee".[1]
Meanwhile, the name had been used outside of the film industry, and it continues to be used in other media and on film projects not under the purview of the DGA. Variations such as "Alan Smythee" and "Adam Smithee" have also appeared.[citation needed] Although the pseudonym was intended for use by directors, the 1981 film Student Bodies credited "Allen Smithee" as producer in place of the actual producer, Michael Ritchie. The film's director, Mickey Rose, took credit under his own name.[10]
[edit] Credits given to Smithee
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[edit] Film direction
The following films credit "Smithee"; the actual director is listed when known:
- Twilight Zone: The Movie (1983). The Second Assistant Director credit for the first segment is credited to "Alan Smithee". This position is commonly involved in shooting action scenes, such as the one in which actor Vic Morrow was killed during production of this film.
- Stitches (1985), directed by Rod Holcomb
- Let's Get Harry (1986), directed by Stuart Rosenberg
- Morgan Stewart's Coming Home (1987), directed by Paul Aaron and Terry Windsor
- The Shrimp on the Barbie (1990), directed by Michael Gottlieb
- Solar Crisis (1990), directed by Richard C. Sarafian
- The Birds II: Land's End (1994), directed by Rick Rosenthal
- National Lampoon's Senior Trip (1995), directed by Kelly Makin with a segment credited to Smithee
- Hellraiser: Bloodline (1996), directed by Kevin Yagher
- Mighty Ducks the Movie: The First Face-Off (1997), co-directed by Steve Langley
- An Alan Smithee Film: Burn Hollywood Burn (1998), directed by Arthur Hiller
- Woman Wanted (2000), directed by Kiefer Sutherland
[edit] In modified versions
- Dune (1984) as extended and edited for broadcast television, directed by David Lynch; the writing credit goes to "Judas Booth", an inside joke for Lynch, who states the studio betrayed (Judas) and killed (Booth) his film[citation needed]
- Ganheddo (AKA GunHed) (1989) as released in the United States, directed by Masato Harada
- The Guardian (1990) as edited for cable television, directed by William Friedkin
- Backtrack (1990) as originally released in theaters, directed by Dennis Hopper, credited to Hopper in a "director's cut" for a subsequent video release
- Scent of a Woman (1992) as edited for broadcast television, directed by Martin Brest
- Rudy (1993) as edited for television, directed by David Anspaugh
- Heat (1995) as edited for television, directed by Michael Mann
- Meet Joe Black (1998), as edited for in-flight viewing and cable television, by Martin Brest
- The Insider (1999) as edited for television, directed by Michael Mann
[edit] Television direction
- Tiny Toon Adventures, which often had inconsistent artwork and dialogue that had been rewritten at the last minute, had several episodes that were credited to "Alan Smithee"; some of these episodes were actually directed by Art Leonardi.
- A Nero Wolfe Mystery, "Motherhunt" (2002), the 5th episode of the second season
- It's Academic, June 19, 2006, TV episode, had numerous credits attributed to Smithee.[11]
- La Femme Nikita, "Catch a Falling Star", episode 16 of season 4 of US TV series, believed to be directed by Joseph Scanlan.
- MacGyver, "Pilot," and "The Heist," episodes (1985).
- Moonlight, a 1982 TV movie and pilot for an unsold series (not to be confused with the later CBS vampire series), directed by Jackie Cooper and Rod Holcomb.
[edit] Music videos direction
- "I Will Always Love You" - Whitney Houston (1992) from the soundtrack for The Bodyguard
- "Heaven n' Hell" - Salt-N-Pepa (1994)
- "Building A Mystery" - Sarah McLachlan (1997) (actually directed by Matt Mahurin)
- "I Don't Wanna Wait" - Paula Cole (1997)
- "So Help Me Girl" - Gary Barlow (1997)
- "Kiss The Rain" - Billie Myers (1998)
- "The First Night" - Monica (1998)
- "Sweet Surrender" - Sarah McLachlan (1998)
- "Reunited" - Wu-Tang Clan (1998)
- "Waiting For Tonight" - Jennifer Lopez (1999)
- "The Future Is X-Rated" - Matthew Good Band (1999)
- "No More" - Ruff Endz (2000)
- "In Your Eyes" - Jeffrey Gaines (2001)
- "Lose My Breath" - Destiny's Child (2005)
- "Hunting For Witches" - Bloc Party (2007)
[edit] Other media
Smithee has been credited with works in other media:
- Miracle: Happy Summer from William Hung, a 2005 CD by William Hung: "Alan Smithee" played guitar
- Daredevil #338–342, a comics series published by Marvel Comics: Writer D.G. Chichester learned during a brief break from the series that he was to be replaced; for the five issues he was obligated to write he demanded an "Alan Smithee" credit.
- Strontium Dog, a 2000AD comic strip: In 1996, writer Peter Hogan was dropped from the series and his episodes rewritten, and demanded that his name be removed from the credits.
[edit] References
- ^ a b c d e L.A. Times, "Name of Director Smithee Isn’t What It Used to Be"
- ^ a b c d Braddock, Jeremy; Stephen Hock (2001). Directed by Allen Smithee. University of Minnesota Press. pp. 8-10. ISBN 081663534X.
- ^ Thompson, Howard (May 10 1969). "Screen: Tough Western: 'Death of a Gunfighter' Stars Widmark" New York Times [1]
- ^ Roger Ebert's review of Death of a Gunfighter
- ^ [2]
- ^ http://www.dga.org/news/v27_6/feat_taylor_aldrich.php3
- ^ Internet Movie DataBase listing for "Alan Smithee"
- ^ Burn Hollywood Burn at Box Office Mojo
- ^ Burn Hollywood Burn at Rotten Tomatoes
- ^ Student Bodies at Internet Movie DataBase
- ^ It's Academic credits
[edit] See also
[edit] External links and sources
- Alan Smithee at the Internet Movie Database
- Music videos credited to Alan Smithee
- Directed by Allen Smithee, (ISBN 0-8166-3534-X) a 2001 book about the director and auteur theory in general. See contributions by Craig J Saper.