Klaus Nomi
From Wikipedia, the free encyclopedia
| Klaus Nomi | |
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 Nomi in the music video for "Falling In Love Again"
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| Background information | |
| Birth name | Klaus Sperber |
| Born | January 24, 1944 Immenstadt, Germany |
| Died | August 6, 1983 (aged 39) New York, NY, U.S. |
| Genre(s) | New Wave, synth pop, experimental, dark cabaret, disco[1] |
| Occupation(s) | Vocalist, actor, pastry chef |
| Instrument(s) | Vocals |
| Voice type(s) | Countertenor |
| Years active | 1977-1983 |
| Label(s) | RCA Records, Heliocentric |
| Associated acts | David Bowie, Joey Arias, Man Parrish |
Klaus Sperber (January 24, 1944 - August 6, 1983), better known as Klaus Nomi, was a German countertenor noted for his wide vocal range and an unusual, otherworldly, elven stage persona.
Nomi was known for his bizarrely theatrical live performances, heavy make-up, unusual costumes, and a highly stylized signature hairdo which flaunted a receding hairline. His songs were equally unusual, ranging from synthesizer-laden interpretations of classical music opera to covers of 1960s pop standards like Chubby Checker's "The Twist" and Lou Christie's "Lightnin' Strikes". He is perhaps best remembered by the general public as being one of David Bowie's backing singers during a 1979 performance on Saturday Night Live.[1]
Nomi was one of the first celebrities to contract AIDS. He died in 1983 at the age of 39 as a result of complications from the disease.
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[edit] Biography
[edit] Early life
Klaus Nomi was born Klaus Sperber in Immenstadt, Bavaria, Germany on January 24, 1944. In his youth in the 1960s, he worked as an usher at the Deutsche Oper in West Berlin where he would sing on stage in front of the fire curtain after the shows for the other ushers and maintenance crew. Around that time he also sang operatic arias at a Berlin gay discotheque called Kleist Casino.
Nomi moved from Germany to New York City in 1972.[2][3] He began his involvement with the art scene based in the East Village. According to a documentary film made by Andrew Horn, Nomi took singing lessons and supported himself working as a pastry chef.
[edit] Career
Nomi appeared in a satirical camp production of Richard Wagner's Das Rheingold with Charles Ludlam's Ridiculous Theater Company in 1972 as the Rheinmaiden and the Wood Bird.[4][5]
Nomi first came to the attention of New York City's art scene in 1978 with his performance in "New Wave Vaudeville", a four-night event MC'd by artist David McDermott. Dressed in skin-tight spacesuit with clear plastic cape, Klaus sang the aria Mon cœur s'ouvre à ta voix ("My heart opens to your voice") from Camille Saint-Saëns' 1877 opera Samson et Dalila. The performance ended with a chaotic crash of strobe lights, smoke bombs, and loud electronic sound effects as Nomi backed away into the smoke. Joey Arias recalls, "I still get goose pimples when I think about it... It was like he was from a different planet and his parents were calling him home. When the smoke cleared, he was gone." The reaction was so overwhelmingly positive that he was invited to perform at clubs all over New York City.[6]
Nomi assembled a group of up-and-coming models, singers, artists, and musicians to perform live with him, which at times included Joey Arias, Jean-Michel Basquiat, Keith Haring, John Sex and Kenny Scharf.[6]
David Bowie heard about Nomi's performances in New York, and soon after met him and Joey Arias at the Mudd Club. Bowie hired them as performers and back-up singers for his appearance on Saturday Night Live which aired on December 15, 1979. The band performed "TVC 15", "The Man Who Sold the World", and "Boys Keep Swinging". During the performance of "TVC 15", Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during "The Man Who Sold the World" that he commissioned one to be made for himself. Nomi can be seen wearing the suit on the cover of his self-titled album, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, up until the last few months of his life, when he, now mostly focusing on operatic pieces and increasingly ill with AIDS-related illnesses (including Kaposi's sarcoma), wore a Baroque era operatic outfit complete with full collar.
Nomi also collaborated with producer Man Parrish. He appeared on Parrish's album Hip Hop Bee Bop as backing vocalist on the track "Six Simple Synthesizers."
He played a supporting role as a Nazi official in Anders Grafstrom's 1980 underground film The Long Island Four.[7]
The 1981 rock documentary film, Urgh! A Music War features Nomi's live performance of Total Eclipse.[6]
666 Fifth Avenue was listed as the contact address in the liner notes of Nomi's 1985 self-titled record.
[edit] Illness and death
Nomi died on August 6, 1983 in New York City, one of the first celebrities to die of an illness complicated by AIDS.[8] His ashes were scattered over New York City.[9]
[edit] Influence and cultural significance
Filmmakers such as Andrew Horn and writers such as Jim Fouratt consider Nomi an important part of the 1980s East Village scene, which was a hotbed of development for punk rock, music, the visual arts, and the avant-garde. Although Nomi's work had not yet met with national commercial success at the time of his death, he garnered a cult following, mainly in New York and in France.
Andrew Horn's 2004 feature documentary about Nomi's life, The Nomi Song, which was released by Palm Pictures, helped spur renewed interest in the singer, including an art exhibit in San Francisco at the New Langton Arts gallery and one in Milan (Italy) at the Res Pira Lab (subsequently moved to Berlin's Strychnin Gallery), entitled: Do You Nomi? New music pieces inspired by the German singer were commissioned by the gallery to a variety of up and coming European musicians, among these the singer who is considered by many Nomi's heir: Ernesto Tomasini.
In 2001 German band Rosenstolz, featuring alternative pop stars Marc Almond and Nina Hagen, have covered "Total Eclipse" for a maxi single CD release.
British pop icon Morrissey used the song Wayward Sisters as an introduction prior to appearing on stage to begin a concert for his Kill Uncle tour. He used the song After the Fall for the same purpose during his 2007 American tour. Morrissey included Nomi's song Death in his compilation of influential songs titled Under the Influence, having in 1984 selected it as the last track for his appearance on the BBC radio show 'My Top 10'.
On television, a fictionalized version of Klaus Nomi appears in a two-part episode of animated comedy/adventure series The Venture Bros. In "Showdown at Cremation Creek (Part I)," he appears as one of David Bowie's bodyguard henchmen (alongside an animated Iggy Pop, another Bowie collaborator). "Klaus" attacks his opponents with ultra-high-pitched singing and the over-sized bow tie of his famous costume, spun and ejected as a battering weapon. In "Showdown at Cremation Creek (Part II)," "Klaus" seems to have been killed after betraying Bowie in order to become a henchman of a villain known as The Phantom Limb.
Nomi's flamboyant cover of Lesley Gore's 1964 hit "You Don't Own Me" has been featured on the nationally broadcast The Rush Limbaugh Show as the "Gay Update Theme." Nomi does not change the gender of the song, singing, "Don't say I can't play with other... BOYS!"
Nomi's visual aesthetic has been noted as an influence on women's fashion such as Boudicca, Givenchy, and Paco Rabanne,[10] as well as men's fashion designers such as Gareth Pugh and Bruno Pieters for Hugo Boss.[11] Jean Paul Gaultier's Spring 2009 couture was influenced by Nomi[12] and he used Nomi's recording of Cold Song in his runway show.[13]
[edit] Discography
[edit] Albums
[edit] Singles
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[edit] Music videos
[edit] Movie appearances
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[edit] References
- ^ a b AllMusic biography entry for Klaus Nomi
- ^ Gdula, Steven (September 14, 1999), "Eclipsed: The Best of Klaus Nomi (Review)", The Advocate
- ^ Smith, Rupert (July 1994), "Klaus Nomi", Attitude 1 (3)
- ^ Hager, Steven (1986). Art After Midnight: The East Village Scene. St. Martin's Press.
- ^ Kaufman, David (2005), Ridiculous!: The Theatrical Life and Times of Charles Ludlam, Hal Leonard Corporation, p. 263, ISBN 9781557836373, http://books.google.com/books?id=O-1Kbxxw9fwC&pg=PA263
- ^ a b c Hager, Steven (1986), Art After Midnight: The East Village Scene, St. Martin's Press, ISBN 9780312049768, http://www.psychotica.net/evb/nomi/scene.html
- ^ IMDB entry for The Long Island Four.
- ^ Kort, Michele (February 15, 2005), "Klaus and effect" ([dead link] – Scholar search), The Advocate, http://findarticles.com/p/articles/mi_m1589/is_2005_Feb_15/ai_n9538132, retrieved on 2007-11-02
- ^ "Klaus Nomi at 'Find A Grave'". http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=12508120.
- ^ Limnander, Armand (2006-08-27), "Alien Status", New York Times, http://www.nytimes.com/2006/08/27/style/t_w_1507_remix_nomi_.html?_r=1
- ^ Limnander, Armand (2009-01-26), "Men’s Fashion: The Ghost of Klaus Nomi", New York Times, http://themoment.blogs.nytimes.com/2009/01/26/mens-fashion-the-ghost-of-klaus-nomi/
- ^ WWD Staff (2009-01-28), "Jean Paul Gaultier Couture Spring 2009", Women's Wear Daily, http://www.wwd.com/fashion-news/jean-paul-gaultier-spring-couture-2009-1953783?gnewsid=01a257b00d9ffa784aea12ef602e0494
- ^ Reddy, Sameer (2009-01-29). "Klaus! Kylie! Inès! JPG Loves The Eighties". Style.com. http://www.style.com/stylefile/2009/01/klaus-kylie-ins-jpg-loves-the-eighties/. Retrieved on 2009-02-03.
