The Baroque Cycle
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The Baroque Cycle is a series of novels written by Neal Stephenson.
Appearing in print in 2003 and 2004, the cycle contains eight novels originally published in three volumes:
- Quicksilver, Vol. I of the Baroque Cycle
- Book 1 - Quicksilver
- Book 2 - The King of the Vagabonds
- Book 3 - Odalisque
- The Confusion, Vol. II of the Baroque Cycle
- Book 4 - Bonanza
- Book 5 - The Juncto
- The System of the World, Vol. III of the Baroque Cycle
- Book 6 - Solomon's Gold
- Book 7 - Currency
- Book 8 - The System of the World
The story follows the adventures of a sizeable cast of characters living amidst some of the central events of the late seventeenth and early eighteenth centuries in Europe. Despite featuring a literary treatment consistent with historical fiction, Stephenson has characterized the work as science fiction, due to the presence of some anomalous occurrences and the work's particular emphasis on themes relating to science and technology.[1] The sciences of cryptology and numismatics feature heavily in the series.
Quicksilver takes place mainly in the years between the Restoration of the Stuart monarchy in England (1660) and the Glorious Revolution of 1688.
The Confusion follows Quicksilver without temporal interruption, but ranges geographically from Europe and the Mediterranean through India to Manila, Japan, and Mexico.
The System of the World takes place principally in London in 1714, about ten years after the events of The Confusion.
The books feature considerable sections concerning alchemy, with characters including Isaac Newton, Gottfried Leibniz, Nicolas Fatio de Duillier and sundry other Europeans of note during late seventeenth and early eighteenth centuries. The principal alchemist of the tale is the mysterious Enoch Root, who, along with the descendants of several characters in this series, is also featured in the Stephenson novel Cryptonomicon.
Why Baroque? Because it is set in the Baroque, and it is baroque. Why Cycle? Because I am trying to avoid the T-word ("trilogy"). In my mind this work is something like 7 or 8 connected novels. These have been lumped together into three volumes because it is more convenient from a publishing standpoint, but they could just as well have been put all together in a single immense volume or separated into 7 or 8 separate volumes. So to slap the word "trilogy" on it would be to saddle it with a designation that is essentially bogus. Having said that, I know everyone's going to call it a trilogy anyway.
—Neal Stephenson
Contents |
[edit] Main characters
- Daniel Waterhouse, an English natural philosopher and Dissenter.
- Jack Shaftoe, an illiterate adventurer of great resourcefulness and charisma.
- Eliza, a Qwghlmian girl abducted into slavery, and later freed, who becomes a spy and a financier.
- Enoch Root, a mysterious personage who flickers about Europe and who never ages.
- Bob Shaftoe, a soldier in the service of John Churchill, and brother of Jack Shaftoe.
[edit] Families
Below is a list of families appearing in both Cryptonomicon and The Baroque Cycle. In cases where multiple members of the family appear (example: Wait Still Waterhouse), only the primary member(s) are listed.
The Baroque Cycle | Cryptonomicon 1940s | Cryptonomicon 1990s | |
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Waterhouse | Daniel Waterhouse | Lawrence Pritchard Waterhouse | Randy Waterhouse |
Shaftoe | Jack & Bob Shaftoe | Bobby & "Uncle Jack" Shaftoe | America & Douglas MacArthur Shaftoe |
Hacklheber | Eliza, Johann von Hacklheber | Rudolf von Hacklheber | |
Goto | Gabriel Goto | Goto Dengo | Goto Dengo, Goto Furudenendo |
(Crypto-Jews) | Moseh de la Cruz | Avi Halabi | |
"Silver" Comstock | John Comstock | Major Earl Comstock | Attorney General Paul Comstock |
Bolstrood | Gregory, Knott, & Gomer Bolstrood | Gomer Bolstrood Furniture | Gomer Bolstrood Furniture |
Foot | Mr. Foot | Foote Mansion | Sultan of Kinakuta |
Root | Enoch Root | ||
Churchill | Winston, John Churchill | Sir Winston Churchill |
[edit] Other characters
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[edit] Historical figures who appear as characters in the novel
[edit] Deviations from real history
- The nickname that Jack gives the musket he appropriates en route to the Battle of Vienna c.1683, Brown Bess, was not in common use to describe the Land Pattern Musket until almost a century later.
- The IJsselmeer did not exist in the 17th and 18th centuries: it originated only in 1932. The equivalent body of water had the name of the Zuiderzee. Note, too, the correct capitalization: it should be IJsselmeer, not Ijsselmeer.
- Port of Scheveningen did not exist until the end of the 19th century.
- Spij; a street in The Hague, is a misspelling of Het Spui. Het Spui, at the time of the story, was not a street but a feeder canal to Hofvijver. Many canals in The Hague were not filled in until the late 19th century.
- The song of the corsair galley, Havah Nagilah, is a Jewish drinking song not composed until the beginning of the 20th century. Even though the melody is ancient, the name and lyrics of Hava Nagila were not penned until around 1918.
- The yo-yo never existed as a bladed weapon, although inhabitants of the Philippines used a non-returning weapon otherwise similar in concept (but made from stone) in the 16th century.
- Blackbeard is shown aboard the "Queen Anne's Revenge" in 1713. He in fact did not take possession of that ship until 1717.
- Quicksilver begins in 1713 with the execution of a witch on Boston Common. But the last such execution in Boston took place in 1688. [1] Stephenson probably chose that scene to complete the symbolic bracketing of the cycle; it begins with a witch-hanging — a vestige of the Renaissance — and ends with Daniel inspecting a steam engine — the birth of the Industrial Revolution.
- Nicotine appears in pure form in the series, although it was first isolated in 1828.
- At Eliza's party in Paris, 1692, (II, the Confusion, p. 361) there is mention of M. Pontchartrain playing on the clavecin a "new air by Rameau". Jean-Philippe Rameau was born in 1683, and did not published his first Livre de pièces de clavecin until 1706.
- Father Édouard de Gex is stabbed in the chest by the tailpin of a violoncello in London, 1714. (III, p. 581) Until the Belgian cellist Adrien-François Servais started to propagate the tailpin in the 1830s, the instrument was clasped between knees and thighs and did not have an endpin.
- Leibniz mentions St. Petersburg (as the capital of Russia judging by the context) in his letter in 1700. The city was in fact founded in 1703 and didn't become the capital until 1712.
- Moseh de la Cruz mentions Alyeska in his conversation with Édouard de Gex (who is acting under guise of Edmund de Ath) on the board of Minerva in 1700 or 1701 ("The Confusion"). Moreover, he predicts Russian occupation of Alyeska and California. In real history Russians (and Europeans in general) did not know about Alaska's existence before 1741, and Russian settlement in California (Fort Ross) was founded only in 1812.
- "Princes learning to dance a passable Ricercar" (I, p. 144). A Ricercare cannot be danced to in this sense as it does not have a fixed meter, it being an instrumental version of ancient polyphonic styles in strict contrapuntal manner.
- "that fine golden beer from Pilsen," (I, p. 421). The beer we call Pilsener wasn't invented until the 19th century.
- Daniel Waterhouse founds a fledging "Massachusetts Bay Colony Institute of Technologickal Arts" that is strongly implied to be the ancestor of the Massachusetts Institute of Technology, when in fact MIT was founded in 1861.
- King Charles' Cabal Ministry consists of fictional characters, although their initials still spell "CABAL", as did those of the historic version.
- Tranquebar is referred to as an English settlement (II, p. 605); in fact it was controlled by the Danish East India company. Tranquebar did not come under British rule until 1845, when Danes sold the territory.
- A Newcomen Engine is described operating at a coal mine in Cornwall (III, p. 883). There is no coal in Cornwall, but Newcomen Engines (including probably the first engine) were used at a number of Cornish tin mines and at coal mines in the West Midlands.
- Jack christens the Minerva with "a bottle of fizzing wine from the province of Champagne", in 1697 (II, p. 609). Champagne was known for its still wines at that time, and sparkling Champagne was not used for christening ships until the 19th century.
- Many words and phrases used by the characters (for example "homosexual", "lesbian"), particularly slangy ones, are anachronistic.
- During Jack Shaftoe's stay in Paris, the Pont d'Arcole is mentioned, but this Italian village would not become famous in France before Napoléon Bonaparte went there and defeated the Austrians, in 1796.
- Oliver Cromwell had a son called Richard who succeded him - not "Roger."
- George Jeffreys did not "keep an appointment with Jack Ketch" but died from a kidney stone.
- "The Black Dogge" was not a pub in Newgate prison, but a pub in Newgate Market used to hold prisoners whilst the prison was being rebuilt between 1666 and 1672.
- Charles I is referred to as being put to the sword. Although previously some aristocrats had been executed by the sword eye witness accounts confirm that an axe was used.
[edit] References
- ^ Godwin, Mike; Neal Stephenson (February 2005). "Neal Stephenson's Past,Present, and Future" (print article). Reason (magazine). http://www.reason.com/news/show/36481.html. Retrieved on 2007-08-11. "Labels such as science fiction are most useful when employed for marketing purposes, i.e., to help readers find books that they are likely to enjoy reading. With that in mind, I'd say that people who know and love science fiction will recognize these books as coming out of that tradition. So the science fiction label is useful for them as a marketing term. However, non-S.F. readers are also reading and enjoying these books, and I seem to have a new crop of readers who aren't even aware that I am known as an S.F. writer. So it would be an error to be too strict or literal-minded about application of the science fiction label."
[edit] External links
- Locus Magazine interview with Neal Stephenson
- The Source of the Modern World interview by Glenn Reynolds at Tech Central Station
- Back to the Baroque review by Reynolds in The Weekly Standard
- "Neal Stephenson - the interview" on Guardian Unlimited, regarding The Baroque Cycle
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