Jello Biafra

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Jello Biafra
Biafra discussing politics in 2006
Biafra discussing politics in 2006
Background information
Birth name Eric Reed Boucher
Also known as Occupant, Count Ringworm, Osama McDonald, J Lo
Born June 17, 1958 (1958-06-17) (age 50)
Boulder, Colorado
Origin San Francisco, California
Genre(s) Punk rock, Spoken word, Surf rock
Occupation(s) Singer, Public Speaker, Politician of the United States Green Party
Instrument(s) Vocals
Years active 1978–present
Label(s) Alternative Tentacles
Associated acts Dead Kennedys, The Melvins, No WTO Combo, D.O.A., Lard, Al Jourgensen, Nomeansno, Sepultura, Revolting Cocks, Napalm Death, Mojo Nixon, 1000 Homo DJs, Métal Urbain, Body Count, Tumor Circus, Butthole Surfers
Alternative Tentacles myspace

Eric Reed Boucher (born June 17, 1958), more widely known by the stage name Jello Biafra, is an American musician, spoken word artist and leading figure of the Green Party. Biafra first gained attention as the lead singer and songwriter for San Francisco punk rock band Dead Kennedys. After his time with the band concluded, he took over the influential independent record label Alternative Tentacles, founded in 1979 by him and Dead Kennedys bandmate East Bay Ray. Although now primarily focused on spoken word art, he has continued as a musician in numerous collaborations.

Politically, Jello is a member of the Green Party[1] and actively supports leftist political causes. Biafra ran for the party's Presidential nomination in 2000, finishing second to Ralph Nader.[2] He is a self-identified anarchist[1] who advocates civil disobedience, direct action, culture jamming and pranksterism in the name of political change. Biafra is known to use absurdist media tactics in the tradition of the Yippies to highlight issues of civil rights, social justice, economic populism, boosterism, anti-corporatism, peace movements, anti-consumerism, environmentalism, anti-globalization, universal health care, LGBT rights, anti-capitalism, reproductive rights, feminism, and the separation of church and state.


[edit] Early life

Eric Boucher was born in Boulder, Colorado, U.S. to parents Stanley Boucher, a psychiatric social worker and poet, and Virginia Boucher, a librarian. He also had a sister Julie J. Boucher, the Associate Director of the Library Research Service at the Colorado State Library who died in a mountain-climbing accident on October 12, 1996. [3] As a child, Boucher developed an interest in international politics that was encouraged by his parents. He was an avid watcher of news and one of his earliest memories is of the John F. Kennedy assassination.[4] Biafra says he has been a fan of rock music since first hearing it in 1965, when his parents accidentally tuned in to a rock radio station. During the 1970s, he became involved in activism in reaction to several events of the era including the Vietnam War, the Chicago 7 trial, and the Kent State shootings.[5]

He began his career in music in January 1977 as a roadie for the punk rock band The Ravers (who would later change their name to The Nails). In the autumn of that year, he began attending the University of California, Santa Cruz[citation needed]. He studied acting and the history of Paraguay before leaving to become involved in San Francisco, California's punk scene.

[edit] Musical career

[edit] The Dead Kennedys

Jello Biafra when he was with Dead Kennedys. Taken from Dead Kennedys: The Early Years Live

In June 1978 he responded to an ad put out by guitarist East Bay Ray and together they formed the Dead Kennedys. He began performing with the band under the stage name Occupant, but shortly after began using his current stage name. Biafra wrote the band's lyrics, most of which were political in nature and displayed a sardonic, sometimes absurdist, sense of humor despite their serious subject matter. In the tradition of UK peace punk bands like Crass, Dead Kennedys was one of the first US punk bands to write politically themed songs. The lyrics Biafra wrote helped popularize the use of humorous lyrics in hardcore. Biafra cites Joey Ramone as the inspiration for his use of humor in his songs (as well as being the musician who made him interested in punk rock), noting in particular songs by The Ramones such as "Beat on the Brat" and "Now I Wanna Sniff Some Glue".[6] His singing style is marked by extensive use of falsetto and impersonations.

Biafra initially attempted to compose music on guitar, but his inexperience on the instrument and his own admission of being "a fumbler with my hands" led Dead Kennedys bassist Klaus Flouride to suggest that Biafra simply sing the parts he was envisioning to the band.[7] Biafra would later sing his riffs and melodies into a tape recorder, which he brought to the band's rehearsal and/or recording sessions. This would later become an issue when the other Dead Kennedys sued Biafra over royalties and publishing rights. By all accounts, including his own, Biafra is not a conventionally skilled musician,[7] though he and his collaborators (Joey Shithead of D.O.A. in particular) attest that he is a skilled composer[8] and his work, particularly with Dead Kennedys, is highly respected by punk-oriented critics and fans.

Biafra's first popular song was the first single by Dead Kennedys, "California Über Alles". The song, which spoofed California governor Jerry Brown, was the first of many political songs by the group and Biafra. The song's popularity resulted in it being covered by other musicians, such as The Disposable Heroes of Hiphoprisy (who rewrote the lyrics to parody Pete Wilson) and John Linnell of They Might Be Giants. Not long afterward, Dead Kennedys made a second and bigger hit with "Holiday in Cambodia" from their debut album Fresh Fruit for Rotting Vegetables. Allmusic cites this song as "possibly the most successful single of the American hardcore scene"[9] and Biafra counts it as his personal favorite Dead Kennedys song.[10] Minor hits from the album included "Kill the Poor" (about potential abuse of the then-new neutron bomb) and a satirical cover of Elvis Presley's "Viva Las Vegas".

Dead Kennedys received some controversy in the spring of 1981 over the single "Too Drunk to Fuck". The song became a big hit in Britain, and the BBC feared that it would manage to be a big enough hit to appear among the top 30 songs on the national charts, requiring a mention on Top of the Pops. However, the single's popularity was slightly less than what was required, peaking at the 31st position.[5]

Later albums would also contain memorable songs, but with less popularity than the earlier ones. The EP In God We Trust, Inc. contained the song "Nazi Punks Fuck Off!" as well as "We've Got A Bigger Problem Now", a rewritten version of "California Über Alles" about Ronald Reagan. Punk musician and scholar Vic Bondi considers the latter song to be the song that "defined the lyrical agenda of much of hardcore music, and represented its break with punk".[11] The band's most controversial album, Frankenchrist, brought with it the song "MTV Get Off the Air", which accused MTV of promoting poor quality music and sedating the public. The album also contained a controversial poster by Swiss surrealist artist H. R. Giger entitled Penis Landscape.

The Dead Kennedys toured widely during their career, starting in the late 1970s. They began playing mostly at southern Californian clubs (most notably the Whisky a Go Go), but eventually they moved on to major clubs across the country, including CBGB in New York. Later, they played to larger audiences such as at the 1980 Bay Area Music Awards (where they played the notorious "Pull My Strings" for the only time), and headlined the 1983 Rock Against Reagan festival.[12]

Biafra has been a prominent figure of the Californian punk scene and was one of the founding members of the San Francisco hardcore punk community. Many later hardcore bands would cite the Dead Kennedys as a major influence.[13] Hardcore punk author Steven Blush describes Biafra as hardcore's "biggest star" who was a "powerful presence whose political insurgence and rabid fandom made him the father figure of a burgeoning subculture [and an] inspirational force [who] could also be a real prick... Biafra was a visionary, incendiary [performer]."[14]

After the Dead Kennedys disbanded, Biafra's new songs were recorded with other bands, releasing only spoken word albums as solo projects. These collaborations had less popularity than Biafra's earlier work. However, his song "That's Progress", originally recorded with D.O.A. for the album Last Scream Of The Missing Neighbors, received considerable exposure when it appeared on the album Rock Against Bush, Vol. 1.

[edit] Obscenity prosecution

In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC).[15] In June 1986, then–L.A. deputy city attorney Michael Guarino, working under then–City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful matter" in the Dead Kennedys album Frankenchrist.[16][17] In actuality, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians who have content considered offensive in their music.[18]

Music author Rebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle."[19] Facing the possible sentence of a year in jail and a $2000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit made up of several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a district attorney motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances. His early spoken word albums focused heavily on the trial (especially in High Priest of Harmful Matter), which made him renowned for his anti-censorship stance.

Jello had a cameo role as an FBI agent, arresting the main characters played by Tim Robbins and John Cusack, in the 1988 film Tapeheads. His character says, while arresting them, "Remember what we did to Jello Biafra?", lampooning the obscenity prosecution.

On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. The episode was about Guarino's change of opinion and the reconciliation between Guarino and Biafra.

[edit] Lawsuit by former band members

In October 1998, former members of the Dead Kennedys sued Biafra for nonpayment of royalties. According to Biafra, the suit resulted from his refusal to allow one of the band's most well known singles, "Holiday in Cambodia", to be used in a commercial for Levi's Dockers; Biafra opposes Levi's because he believes that they use unfair business practices and sweatshop labor.[20] The three former members claimed that their motive had nothing to do with advertising, and that they had filed suit because Biafra had denied them royalties and failed to promote their albums. Biafra maintained that he had never denied them royalties, and that he himself had not even received royalties for rereleases of their albums or "posthumous" live albums which had been licensed to other labels by the Decay Music partnership.[21] Decay Music denied this charge and have posted what they say are his cashed royalty checks, although there is no evidence that Biafra ever endorsed and deposited these payments.[22] Biafra also complained about the songwriting credits in new reissues and archival live albums of songs that Biafra claims he composed himself to the entire band. In May 2000, a jury found Biafra liable for fraud and malice and ordered him to pay $200,000, including $20,000 in punitive damages, to the band members.[23] After an appeal by Biafra’s lawyers, in June 2003, the California Court of Appeal unanimously upheld all the conditions of the 2000 verdict against Biafra and Alternative Tentacles.[24]

The other band members reunited without Biafra under the name of "DK Kennedys" (later returning to the original band name), replacing Biafra first with Brandon Cruz, then with Jeff Penalty, then with "skip" . Dead Kennedys fans have criticized the new band, owing to Biafra's absence. Biafra himself has also openly criticized his former bandmates' legal tactics and reunion tours, most notably in the song "Those Dumb Punk Kids (Will Buy Anything)", which he performed with The Melvins.

[edit] Other bands

In 1988, Biafra, with Al Jourgensen and Paul Barker of the band Ministry, and Jeff Ward, formed Lard. The band became yet another side project for Ministry, with Biafra providing vocals and lyrics. According to a March 2009 interview with Jourgensen, he and Biafra are working on a new Lard album, which is being recorded in Jourgensen's El Paso studio[25]. While working on the film Terminal City Ricochet in 1989, Biafra did a song for the film's soundtrack with D.O.A. As a result, Biafra worked with D.O.A. on the album Last Scream of the Missing Neighbors. Biafra also worked with Nomeansno on the soundtrack, which led to their collaboration on the album The Sky Is Falling and I Want My Mommy the following year. Biafra also provided lyrics for the song "Biotech is Godzilla" for Sepultura's 1993 album Chaos A.D..

In 1999, Biafra and other members of the anti-globalization movement protested the WTO Meeting of 1999 in Seattle. Along with other prominent West Coast musicians, he formed the short-lived band the No WTO Combo to help promote the movement's cause. The band was originally scheduled to play during the protest, but the performance was canceled due to riots. The band performed a short set the following night at the Showbox in downtown Seattle (outside of the curfew area), along with the hiphop group Spearhead. No WTO Combo later released a CD of recordings from the concert, entitled Live from the Battle in Seattle.

As of late 2005, Biafra was performing with the band The Melvins under the name "Jello Biafra and the Melvins", though fans sometimes refer to them as "The Jelvins." Together they have released two albums, and have been working on material for a third collaborative release, much of which was premiered live at two concerts at the Great American Music Hall in San Francisco during an event called Biafra Five-O, commemorating Biafra's 50th birthday, the 30th anniversary of Dead Kennedys, and the beginning of legalized same-sex marriage in California. Biafra is also working with a new band known as Jello Biafra and his Axis of Merry Evildoers, which includes Ralph Spight of Victims Family on guitar and Billy Gould of Faith No More on bass. This group debuted during Biafra Five-O.

[edit] Alternative Tentacles

In June 1979, Biafra co-founded the record label Alternative Tentacles, with which the Dead Kennedys released their first single, "California Über Alles".[26] The label was created to allow the band to release albums without having to deal with pressure from major labels to change their music (although the major labels were not willing to sign the band due to their songs being deemed too controversial).[27] After dealing with Cherry Red in the UK and IRS Records in the US for their first album Fresh Fruit for Rotting Vegetables, the band released all later albums (and later pressings of Fresh Fruit) on Alternative Tentacles (with the exception of live albums released after the band's break-up, which the other band members compiled from recordings in the band partnership's vaults without Biafra's input or endorsement)[citation needed]. Biafra has been the owner of the company ever since its founding, though he does not receive a salary for his position (Biafra has referred to his position in the company as "absentee thoughtlord").[10]

Biafra is an ardent collector of unusual vinyl records of all kinds, from 50's and 60's ethno-pop recordings by the likes of Les Baxter and Esquivel to vanity pressings that have circulated regionally, to German crooner Heino; he cites his always growing collection as one of his biggest musical influences. In 1993 he gave an interview to RE/Search Publications for their second Incredibly Strange Music book focusing primarily on these records. His heavy interest in such recordings (often categorized as outsider music) eventually led to Biafra discovering the prolific (and schizophrenic) singer/songwriter/artist Wesley Willis, whom he signed to Alternative Tentacles in 1994, preceding Willis' major label deal with American Recordings. His collection grew so large that on October 1, 2005, Biafra donated a portion of his collection to an annual yard sale co-promoted by Alternative Tentacles and held at their warehouse in Emeryville, California.[28]

In 2006, along with Alternative Tentacles employee and The Frisk lead singer Jesse Luscious, Biafra began co-hosting The Alternative Tentacles Batcast, a downloadable podcast hosted by The show primarily focuses on interviews with artists and bands that are currently signed to the Alternative Tentacles label, although there are also occasional episodes where Biafra devoted the show to answering fan questions.

Alternative Tentacles most prolific band, however, were The Peeping Toms. Although not officially on the label, they receive much support from bands in the label and Jello himself. They continue to play today with local bands and can be found at Jello has been quoted on multiple occasions referring to The Peeping Toms as, "...a source of inspiration. I dream at night of being a member of this band."

[edit] Spoken word

Biafra first became a spoken word artist in January 1986, starting with a performance at University of California, Los Angeles. In his performance he combined his sense of humor with his political beliefs, much in the same way that he did with the lyrics to his songs. Biafra has held this career since, but did not begin recording spoken word records until after the disbanding of the Dead Kennedys.

His ninth spoken word album, In the Grip of Official Treason, was released in October 2006.

[edit] Politics

[edit] Mayoral campaign

In the autumn of 1979, Biafra ran for mayor of San Francisco as a prank, using the Jell-O ad campaign catchphrase, "There's always room for Jello", as his campaign slogan. Having entered the race before creating a campaign platform, Biafra later wrote his platform on a napkin while attending a Pere Ubu concert. As he campaigned, Biafra wore campaign t-shirts from his opponent Quentin Kopp's previous campaign and at one point vacuumed leaves off the front lawn of another opponent, current U.S. Senator Dianne Feinstein, to mock her publicity stunt of sweeping streets in downtown San Francisco for a few hours. Supporters committed equally odd actions; two well known signs held by supporters said "If he doesn't win I'll kill myself" and "What if he does win?"

His platform included unconventional points such as forcing businessmen to wear clown suits within city limits, erecting statues of Dan White all over town and allowing the parks department to sell eggs and tomatoes with which people could pelt them, and a citywide ban on cars (although the latter point was not considered abnormal by many voters at the time, as the city was suffering from serious pollution problems).[27] Biafra has expressed irritation that these parts of his platform attained such notoriety, preferring instead to be remembered for serious proposals such as legalizing squatting in vacant, tax-delinquent buildings and requiring police officers to keep their jobs by running for election voted on by the people of the neighborhoods they patrol.[29]

For those of them who have seen my candidacy as a publicity stunt or a joke, they should keep in mind that it is no more of a joke, and no less of a joke, than anyone else they care to name.[30]

He finished fourth out of a field of ten, receiving 3.5% of the vote (6,591 votes); the election ended in a runoff that did not involve him (Feinstein was declared the winner). In reaction to his campaign (and that of Sister Boom-Boom, a drag queen who also ran for mayor and handily won the third place spot above Biafra), San Francisco passed a resolution stating that candidates could run only under their given name.[31]

[edit] Presidential campaign

In 2000, the New York State Green Party drafted Biafra as a candidate for the Green Party presidential nomination, and a few supporters were elected to the party's nominating convention in Denver, Colorado. Despite the fact that his address to the convention was positively received, the party overwhelmingly chose Ralph Nader as the presidential candidate.

Biafra, along with a camera crew (dubbed by Biafra as "The Camcorder Truth Jihad"), later reported for the Independent Media Center at the Republican and Democratic conventions. Biafra detailed these events in his album Become The Media, which has resulted in him being credited with coining the slogan "Don't hate the media, become the media". Indymedia and related alternative media often use this line, or the now more apt "Don't hate the media, be the media."

[edit] Post-2000

After losing the 2000 nomination, Jello became highly active in Ralph Nader's presidential campaign, as well as in 2004 and 2008.

During the 2008 campaign Jello played at rallies[32] and answered questions for journalists in support of Ralph Nader. After Barack Obama won the general election, Jello wrote an open letter making suggestions on how to run his term as president.[33] Due to these involvements, along with a Draft movement,[34] Jello has been noted as a potential candidate for the 2012 election.

[edit] Personal life

Biafra married Therese Soder, aka Ninotchka, lead singer of San Francisco-area punk band The Situations on October 31, 1981.[35] Flipper vocalist/bassist Bruce Loose conducted the wedding, having paid to join the Universal Life Church as a minister just to conduct the ceremony, which took place in a graveyard.[36] The wedding reception, which members of Flipper, Black Flag, and D.O.A. attended, was held at director Joe Rees' Target Video studios.[37] The marriage ended in 1986.

[edit] Plaster cast

On April 29, 1991, Biafra was one of the clients of the famous Cynthia Plaster Caster. This entailed having a groupie provide oral sex while Cynthia Albritton poured dental cast over his erect penis, providing a "cast" for her collection from famous rock musicians.[38]

[edit] Personal attack

On May 7, 1994 people who believed Biafra was a sell out attacked him at the 924 Gilman Street club in Berkeley, California. Biafra claims that he was attacked by a man nicknamed Cretin, who crashed into him while slamdancing. The crash injured Biafra's leg, causing an argument between the two men. During the argument, Cretin pushed Biafra to the floor and five or six friends of Cretin assaulted Biafra while he was down, yelling "Sellout rock star, kick him", and attempting to pull out his hair.[39] Biafra was later hospitalized with serious injuries,[40] The attack derailed Biafra's plans for both a Canadian spoken-word tour and an accompanying album, and the production of Pure Chewing Satisfaction was halted. However, Biafra returned to the Gilman club a few months after the incident to perform a spoken-word performance as an act of reconciliation with the club.

[edit] Samples

[edit] Partial discography

For a more complete list, see the Jello Biafra discography.

[edit] Dead Kennedys

[edit] Spoken Word

[edit] Collaborations

[edit] Filmography

[edit] References and footnotes

  1. ^ a b Biafra, Jello. "Platform for 2000 Green Party Presidential Primary". March 7, 2000.
  2. ^ Corrections - New York Times
  3. ^ Julie Boucher Memorial Award for Intellectual Freedom
  4. ^ Alternative Tentacles - Bands
  5. ^ a b "Biography of Jello Biafra" (2001). Retrieved February 19, 2005.
  6. ^ Biafra, Jello. "Joey Ramone". Machine Gun in the Clown's Hand. San Francisco: Alternative Tentacles. 2002. MP3 link
  7. ^ a b V. Vale, Incredibly Strange Music, Vol. 2, RE/Search Publications, 1995
  8. ^ Keithley, Joe. I, Shithead. Arsenal Pulp Press, 2004.
  9. ^ Mason, Stewart. "Holiday In Cambodia: Song Review". Allmusic. Retrieved January 25, 2006.
  10. ^ a b Vander Molen, Jodi. "Jello Biafra Interview". The Progressive. February 2002.
  11. ^ Bondi, Vic. "Feeding Noise Back Into the System: Hardcore, Hip Hop, and Heavy Metal" (paper presented at the New England American Studies Association Conference, Brandeis University, Boston, MA, May 1, 1993). page 5.
  12. ^ Ackerman, Spencer. "Reagan's Punk Rock. Reagan Youth". The New Republic. June 14, 2004.
  13. ^ Biafra's spoken word work has been less influential to other artists than his music. However, Biafra's spoken word is often mentioned by Sean Kennedy as being a major influence on his work: "Episode 2". SKTFMTV. By Sean Kennedy. Perf. Sean Kennedy, Jello Biafra. Rantmedia.
  14. ^ Blush, Steven. American Hardcore: A Tribal History. Los Angeles: Feral House, 2001. p. 102–103 ISBN 0-922915-71-7
  15. ^ Drozdowski, Ted. "Bullshit detector". Providence Phoenix. Retrieved January 24, 2006.
  16. ^ This American Life #285. Radio program broadcast by WBEZ-Chicago, orig. 3/25/05.
  17. ^ Guarino alleged that a family claimed that the poster somehow harmed their children. This was the first ever instance of a musician being put on trial for obscenity. Many sources cite the trial for 2 Live Crew as the first, but that trial took place three years after Biafra's trial.
  18. ^ Biafra, Jello. The Far Right and the Censorship of Music: An Attack on Freedom of Expression. April 17, 1987.
  19. ^ Garofalo, Reebee. Rockin' Out: Popular Music in the USA. Boston: Allyn & Bacon, 1997. p.433–434 ISBN 0-205-13703-2
  20. ^ Chun, Kimberly. "Everything's Better With Jello". May 11, 2001.
  21. ^ "Jello Biafra Warns Of Bait-And-Switch Tactics In Fake Dead Kennedys Tour". January 14, 2002.
  22. ^ April 5, 2004.
  23. ^ “Music Industry News Network” January 16, 2001
  24. ^ California Court of Appeals “Dead Kennedys v. Jello Biafra”
  25. ^ "Al Jourgensen: Sex-O Olympic-O". 12 March 2009. Retrieved on 2009-03-12. .
  26. ^ In the Appeal Verdict of Dead Kennedys v. Jello Biafra, the label was legally formalized in 1981 but it existed informally since 1979. Biafra became the sole owner of the label in 1986.
  27. ^ a b Huey, Steve. "Jello Biafra". Allmusic. Retrieved February 20, 2005.
  28. ^ Alternative Tentacles News Page: Jello and AT Yard Sale Saturday, September 30, 2005, Retrieved May 10, 2006.
  29. ^ Biafra, Jello. "Running for Mayor". I Blow Minds for a Living. San Francisco: Alternative Tentacles. 1991.
  30. ^ Dead Kennedys: The Early Years (DVD). San Francisco, CA/Oaks, PA: Target Video/MVD, 2002.
  31. ^ Pfeiffer. "'You'd Look Nice as a Drawstring Lamp': Dead Kennedys, Cynicism and Discursive Space". Universität Gesamthochschule Siegen. 2000. p. 1
  32. ^
  33. ^
  34. ^
  35. ^ Soder can be heard singing background vocals on "Forest Fire" and "Winnebago Warrior" from the Dead Kennedys' album Plastic Surgery Disasters, and playing synthesiser on "Drug Me" from the Dead Kennedys' Fresh Fruit for Rotting Vegetables.
  36. ^ New Musical Express press clipping reproduced in Dead Kennedys: An Unauthorized Biography, Last Gasp, 1983.
  37. ^ Henry Rollins, Get In The Van: On The Road With Black Flag, 2.13.61 Publications, 1994
  38. ^ Albritton, Cynthia Official Website List of Castees and Failures Retrieved September 20, 2008 Requires Flash
  39. ^ Goldberg, Michael. "Jello Biafra Attacked". Rolling Stone. July 14, 1994 & July 28, 1994.
  40. ^ Allmusic, having had both his legs broken. However, the July 14 or 28th 1994 issue of Rolling Stone claims that his injuries included "extensive damage to the ligaments of one knee as well as a superficial head wound".

[edit] External links

NAME Biafra, Jello
ALTERNATIVE NAMES Boucher, Eric Reed (birth name)
SHORT DESCRIPTION Singer and activist
DATE OF BIRTH June 17, 1958(1958-06-17)
PLACE OF BIRTH Boulder, Colorado, United States
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