Helen Levitt
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Helen Levitt (August 31, 1913 – March 29, 2009)[1][2] was an American photographer. She was particularly noted for "street photography" around New York City, and has been called "the most celebrated and least known photographer of her time."[3]
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[edit] Biography
Levitt grew up in Brooklyn. Dropping out of high school, she taught herself photography while working for a commercial photographer. While teaching some classes in art to children in 1937, Levitt became intrigued with the transitory chalk drawings that were part of the New York children's street culture of the time. She purchased a Leica camera and began to photograph these works as well as the children who made them. The resulting photographs were ultimately published in 1987 as In The Street: chalk drawings and messages, New York City 1938–1948.[4]
She associated with Walker Evans in 1938 and 1939. In 1943 Edward Steichen curated her first solo exhibition "Helen Levitt: Photographs of Children" at the Museum of Modern Art. She subsequently began to find press work as a documentary photographer.[citation needed]
In 1959 and 1960, Levitt received two Guggenheim Foundation grants to take color photographs on the streets of New York, and she returned to still photography.[4] In 1965 she published her first major collection, A Way of Seeing.[5] Much of her work in color from the 1960s was stolen in a 1970 burglary of her East 13th Street apartment. The remaining photos, and others taken in the following years, can be seen in the 2005 book Slide Show: The Color Photographs of Helen Levitt.[6] In 1976 she was a Photography Fellow of the National Endowment for the Arts.
In the late 1940s Levitt made two documentary films with Janice Loeb and James Agee: In the Street (1948) and The Quiet One (1948). Levitt, along with Loeb and Sidney Meyers, received an Academy Award nomination for the screenplay of The Quiet One. Levitt was active in film making for nearly 25 years; her final film credit is as an editor for John Cohen's documentary The End of an Old Song (1972).[7] Levitt's other film credits include the cinematography on The Savage Eye (1960),[8] which was produced by Ben Maddow, Meyers, and Joseph Strick, and also as an assistant director for Strick and Maddow's film version of Genet's play The Balcony (1963). In her biographical essay, Maria Hambourg writes that Levitt, "has all but disinherited this part of her work."[4]
She remained active as a photographer for nearly 70 years and lived in New York City. New York's "visual poet laureate"[citation needed] was notoriously private and publicity shy.
[edit] Published collections of Levitt's photographs
- Levitt, Helen; Agee, James (1989) [1965]. A Way of Seeing: Third Edition. Duke University Press. ISBN 9780822310051.
- Levitt, Helen (1987). In the Street: Chalk Drawings and Messages, New York City, 1938-1948. Duke University Press. ISBN 0822307715.
- Levitt, Helen; Hambourg, Maria Morris and Phillips, Sandra S. (1991). Phillips, Sandra S.. ed. Helen Levitt. San Francisco Museum of Modern Art. ISBN 0918471222.
- Levitt, Helen; Oles, James (1997). Helen Levitt: Mexico City. W. W. Norton & Company. ISBN 0393045498.
- Levitt, Helen; Prose, Francine (2001). Crosstown. powerHouse Books. ISBN 1576871037.
- Levitt, Helen; Gopnik, Adam (2004). Here and There. powerHouse Books. ISBN 1576871657.
- Levitt, Helen; Szarkowski, John (2005). Slide Show: The Color Photographs of Helen Levitt. powerHouse Books. ISBN 9781576872529.
- Levitt, Helen; Evans, Walker (March 2008). Helen Levitt. powerHouse Books. ISBN 9781576874295.
[edit] Filmography
- In the Street (1948)
- The Quiet One (1948)
- The Savage Eye (1960)
- The Balcony (1963)
- In the Year of the Pig (1968)
- The End of an Old Song (1972)
[edit] References
- ^ Loke, Margaret (March 30, 2009). "Helen Levitt, Who Froze New York Street Life on Film, Is Dead at 95". The New York Times. http://www.nytimes.com/2009/03/30/arts/design/30levitt.html. Retrieved on March 30, 2009.
- ^ Rourke, Mary (April 1, 2009). "Helen Levitt dies at 95; New York street photographer of poignant dramas". Los Angeles Times. http://www.latimes.com/news/obituaries/la-me-helen-levitt1-2009apr01,0,4443938.story. Retrieved on April 1, 2009.
- ^ Strauss, David Levi (October 1997). "Helen Levitt: International Center for Photography - exhibition". Artforum. http://findarticles.com/p/articles/mi_m0268/is_n2_v36/ai_20357665.
- ^ a b c Hambourg, Maria Morris (1991). "Helen Levitt: A Life in Part". in Phillips, Sandra S.. Helen Levitt. San Francisco Museum of Modern Art. pp. 45–63. ISBN 0918471222.
- ^ Levitt, Helen (1989). A Way of Seeing: Third Edition. Duke University Press. ISBN 9780822310051.
- ^ Levitt, Helen (2005). Slide Show: The Color Photographs of Helen Levitt. powerHouse Books. ISBN 9781576872529.
- ^ Mathews, Scott (2008-08-06). "John Cohen in Eastern Kentucky: Documentary Expression and the Image of Roscoe Halcomb During the Folk Revival". Southern Spaces. http://www.southernspaces.org/contents/2008/matthews/1a.htm.
- ^ Jackson, Benjamin T. (Summer 1960). "The Savage Eye". Film Quarterly 13 (4): 53–57.
[edit] External links
- 24 images at the lensculture website.
- Online portfolio and biography at the Laurence Miller Gallery website.
- Block, Melissa (2002). "Helen Levitt's Indelible Eye", audio interview from the All Things Considered radio program, 2002-01-17, National Public Radio.
- Boxer, Sarah (2004). "Capturing Little Dramas With a Click; Helen Levitt's Pictures Speak for Themselves," The New York Times, 2004-04-08.
- Dikant, Thomas (2003). "Helen Levitt: 10 Photographs". Philologie in Netz 25: 1–30. http://web.fu-berlin.de/phin/phin25/p25t1.htm. Critical study of ten of Levitt's photographs. Dikant also discusses the influences on Levitt, including Henri Cartier Bresson, Ben Shahn, and Walker Evans.
- Helen Levitt at the Internet Movie Database. Note that there is occasionally confusion of Levitt's film credits with those of Helen Slote Levitt.