Dark Side of the Rainbow

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Dark Side of the Rainbow (also known as Dark Side of Oz or The Wizard of Floyd) refers to the pairing of the 1973 Pink Floyd music album The Dark Side of the Moon with the visual portion of the 1939 film The Wizard of Oz. This produces moments where the film and the album appear to correspond with each other. The title of the music video-like experience comes from a combination of the album title and the film's song "Over the Rainbow". It is also a reference to the rainbow from a prism design on the cover of the Pink Floyd album. Band members and others involved in making of the album state that any relationship between the two works of art is merely a coincidence.

Contents

[edit] History

Although the Dark Side of the Rainbow has become famous, its origin is murky. In 1994, fans of Pink Floyd discussed the phenomenon on the Usenet message board alt.music.pink-floyd. Even at that point, knowledge of who first thought of combining the two works, and why, was already lost.

Since then, several waves of attention rippled through popular culture. In August 1995, a newspaper in Fort Wayne, Indiana, published the first mainstream media article[1] about the "synchronicity", citing alt.music.pink-floyd. (Note that the term "synchronicity" is used here to mean: The apparent or alleged purposeful parallels in timing between two different creative objects, in order to create a single new object, or to enhance the experience of one of them; rather than the philosophical meaning of Synchronicity, in which the coincidence would be unintended by the creators.) Soon afterward, several fans began creating websites in which they touted the experience and tried to catalog comprehensively the corresponding moments. A second wave of awareness began in April 1997 when a Boston radio DJ discussed Dark Side of the Rainbow on the air, leading to further mainstream media articles and a segment on MTV news.[2]

In July 2000, the cable channel Turner Classic Movies aired a version of Oz with the Dark Side album as an alternate soundtrack.[3] Turner Entertainment has owned the rights to the film since 1986.

Several music groups have also alluded to the phenomenon. In February 2003, the reggae cover-band group Easy Star All-Stars released a cover album of The Dark Side of the Moon entitled Dub Side of the Moon, which features instructions on how to synchronize the record with The Wizard of Oz. In June 2003, the alternative rock band Guster released an album containing the song "Come Downstairs & Say Hello," which opens with the lines "Dorothy moves/To click her ruby shoes/Right in tune/With Dark Side of the Moon." On the DVD commentary track of Tenacious D in The Pick of Destiny, Jack Black states at one point that "if you start playing Dark Side Of The Moon at this point in the film... it doesn’t sound very good at all!", and "If you play this film next to The Wizard Of Oz, you'll probably end up watching Wizard instead" before laughing.

In 2004, the late night show Saturday Night Live featured a parody of the Wizard of Oz. At the end, Darrel Hammond steps onstage and says, "Now, if you want a truly awesome experience, rewind this sketch to the beginning, light up a fatty, and put on Dark Side of the Moon. Trust me, it's mind blowing." After saying this, "Money" begins to play in the background.

In the 2005 film The Muppets' Wizard of Oz, Pepe the Prawn can be heard to say Those of you who have Dark Side of the Moon, press play now.

Dark Side of the Rainbow has also turned up in the funny pages. In June 2006, a "Born Loser" newspaper comic strip built a punch-line around a headache the main character developed while listening to the Dark Side of the Moon and watching The Wizard of Oz simultaneously.

In 2007, a Mr. Deity comedy skit made a play on Dark Side of the Rainbow by saying "Put a copy of Dark Side on, and then start reading the Book of Revelation about 35 seconds in.", after saying "Is that not the trippiest thing you ever read?" (referring to the Book of Revelation). On the episode of The Colbert Report that aired 10/3/07, Stephen Colbert introduced his guest, former Apollo 13 astronaut Jim Lovell, as someone who "had seen the Dark Side of the Moon." Colbert promised to ask him if "he saw it while listening to the Wizard of Oz soundtrack."

[edit] Synchronicity

Fans have compiled more than one hundred moments[4] of perceived interplay between the film and album, including further links that occur if the album is repeated through the entire film. This synergy effect has been described as an example of synchronicity, defined by the psychologist Carl Jung as a phenomenon in which coincidental events "seem related but are not explained by conventional mechanisms of causality."[5], although most accounts assume that the effect was deliberate on Pink Floyd's part. Detractors[6] argue that the phenomenon is the result of the mind's tendency to think it recognizes patterns amid disorder by discarding data that does not fit. Psychologists refer to this tendency as apophenia. Under this theory, a Dark Side of the Rainbow enthusiast will focus on matching moments while ignoring the greater number of instances where the film and the album do not correspond.

[edit] Coincidence versus intent

Pink Floyd band members have repeatedly insisted that the reputed phenomenon is coincidence. In an interview for the 25th anniversary of the album, guitarist/vocalist David Gilmour denied that the album was intentionally written to be synchronized with Oz, saying "Some guy with too much time on his hands had this idea of combining Wizard of Oz with Dark Side of the Moon."[7]

On an MTV special about Pink Floyd in 2002, the band dismissed any relationship between the album and the movie, saying that there were no means of reproducing the film in the studio at the time they recorded the album.

In a 2003 interview with Rolling Stone, Dark Side of the Moon engineer Alan Parsons said of the supposed effect:

"It was an American radio guy who pointed it out to me. It's such a non-starter, a complete load of eyewash. I tried it for the first time about two years ago. One of my fiancee's kids had a copy of the video, and I thought I had see what it was all about. I was very disappointed. The only thing I noticed was that the line "balanced on the biggest wave" came up when Dorothy was kind of tightrope walking along a fence. One of the things any audio professional will tell you is that the scope for the drift between the video and the record is enormous; it could be anything up to twenty seconds by the time the record's finished. And anyway, if you play any record with the sound turned down on the TV, you will find things that work." [8]

[edit] Replicating the effect

 This section may contain original research or unverified claims. Please improve the article by adding references. See the talk page for details. (June 2008)

Real or imagined, the effect is usually created by pausing a CD of the album at the very beginning, starting the DVD or tape of the film with the TV volume muted, and un-pausing the CD when the black-and-white MGM lion roars for the third time. (Note some versions have a color lion also. The black and white lion is the right one to use for the best results.) A minority of devotees argue that un-pausing the CD on the first roar produces a superior alignment. The effect can be repeated during the film by restarting the CD when the 'Cowardly Lion', during his initial scene, roars for the third time.

Another synch point is the appearance of credits for producer Mervyn LeRoy exactly as songs transition from "Speak to Me" to "Breathe". However, this does not match the starting point of the 'third roar'.[9] When using this, the screaming from "Breathe" begins right as LeRoy's name appears.

A vinyl recording can also be used by cuing up the beginning of the record at the third roar of the MGM lion and dropping the needle when pressing play. At the end of 'The Great Gig in the Sky', and side one of the record, the farm house in the movie falls out of the sky landing on the screen turning it black. This is where one pauses the movie, and turns the record over to side two. (It is also a good place to start if the record becomes out of synch.)

If the music and movie become unsynched when using a cd, the one hour point of the movie corresponds to 2:14 of Great Gig in the Sky (using LeRoy's credit as a marker). This means the movie is 8 seconds ahead of the CD (2:14 of Great Gig in the Sky is 16:52 into the CD. The CD is playing a second time, and the entire length is 43 minutes exactly.)

Most users have explored this phenomenon using the original or 1994 re-issue editions of the album in CD format.

Another factor that could affect the quality of the perceived synch is the version of the film used. The NTSC version, used in the United States, runs 101 minutes while the PAL version, used in Europe, runs 98 minutes. (This is caused by the 576i speedup, a side effect of the most commonly used method to transfer 35 mm movies which runs at 24 frames per seconds to PAL, which runs at 25 frames a second.) Most users who have made websites touting the effect appear to be based in the USA. When using a PAL version of the DVD, digitally speeding up the album by 4.16% (or slowing down the DVD by 4%- this can be achieved on certain DVD playback software and hardware) prior to starting fixes any problems with syncing.

[edit] Variations on the theme

The fame of the Dark Side of the Moon and The Wizard of Oz synchronicity has prompted some fans to search for correspondences using many other albums or films. Opportunities for perceived syncs between the tonal content of any music and any film's images appear to be common, but the sheer frequency of lyrical connections that are the hallmark of Dark Side of the Rainbow are rare.

Perhaps the oldest variant involves neither Dark Side of the Moon nor The Wizard of Oz. Since the mid-1990s, some websites devoted to the Dark Side of the Rainbow have also made note of a claimed synchronicity between the "Jupiter and Beyond the Infinite" third act in the 1968 film 2001: A Space Odyssey and the lengthy Pink Floyd song "Echoes" from the 1971 album Meddle. Again the correspondences are primarily tonal rather than lyrical; among them, both the track and the sequence are approximately 23 minutes. Director Stanley Kubrick asked Pink Floyd to score the film, and Roger Waters has said he regrets having turned down the offer.[10] It may also be a coincidence that the Pink Floyd compilation Echoes: The Best of Pink Floyd was released in 2001.

There has also been variations on what to do once Dark Side Of The Moon finishes. The most common is to put the record on repeat and play it through 2 1/2 times. It should be noted that if the album is played on repeat, it seems to "re-sync" itself with the respective scenes; and at the end of the film when Dorothy finally awakens, the lyric can be heard, "Home, home again. I like to be here when I can." It is of note that the final chapter in the original L. Frank Baum novel is entitled "Home Again." Other suggestions include playing later Pink Floyd albums after Dark Side of the Moon finishes.

[edit] References

  1. ^ RB SAVAGE's Home Page
  2. ^ MTV News Segment | Synchronicity Arkive
  3. ^ Chicago Sun Times "Dark Side of Oz" (July 3, 2000)
  4. ^ "Pink Floyd - The Wizard of Oz - The Definitive List". http://members.cox.net/stegokitty/dsotr_pages/printable.htm. 
  5. ^ synchronicity - Definition from the Merriam-Webster Online Dictionary
  6. ^ The Straight Dope Mailbag: The Straight Dope Mailbag: Does the music in Pink Floyd's Dark Side of the Moon coincide with the plot of The Wizard of Oz?
  7. ^ http://members.cox.net/stegokitty4/sounds/dv_dsotmwo-oz.mp3
  8. ^ Harris, John (March 12, 2003). ""Dark Side" at 30: Alan Parsons: Pink Floyd". Rolling Stone. http://www.rollingstone.com/artists/pinkfloyd/articles/story/5937469/dark_side_at_30_alan_parsons. Retrieved on 2008-11-29. 
  9. ^ "The Wizard of Floyd -- Synchronization Guide". http://www.bobandtom.com/frames/wizard.htm. 
  10. ^ (Shaffner, Nicholas (1991). Saucerful of Secrets: The Pink Floyd Odyssey. Harmony Books. p. 142. ISBN 0-517-57608-2. )

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