* ? ^^^^^ ai art article articles buddhism centricity color concept consciousness definition design filosofia lifehacks metaphysics mind perception philosophy psychology qualia read research science thinking ux

My tags:

From Wikipedia, the free encyclopedia

The plural word 'Qualia' (pronounced /ˈkwɑːliə/), singular 'quale' (pronounced /ˈkwɑːleɪ/, roughly KWAH-leh), from the Latin for ‘what sort’ or ‘what kind’, is a term of art used in philosophy for sensory occurrences of all kinds. The word itself originates with the American philosopher of the early twentieth century, Clarence Irving Lewis, who considered them distinct from the properties of objects.^[1] To carry the definition further than the non-committal phrase ‘sensory occurrences’ is at once to enter into controversial territory.^[2]

Contents 1 The problem of definition 2 Arguments for the existence of qualia 2.1 The Bat argument 2.2 The Inverted Spectrum Argument 2.3 The Zombie Argument 2.4 The Explanatory Gap Argument 2.5 The Knowledge Argument 2.6 The Non-Epistemic Argument 3 Critics of qualia 3.1 Daniel Dennett 3.2 Paul Churchland 3.3 Gary Drescher 3.4 David Lewis 3.5 Marvin Minsky 3.6 Michael Tye 4 Proponents of Qualia 4.1 E. J. Lowe 4.2 J. B. Maund 4.3 Moreland Perkins 4.4 Antti Revonsuo 4.5 Howard Robinson and William Robinson 4.6 John R. Smythies and C. L. Hardin 4.7 Edmond Wright 5 Scientific perspectives 6 Other Issues 6.1 Indeterminacy 6.2 Causal efficacy 7 See Also 8 References 9 Further reading 10 External links

[edit] The problem of definition

To illustrate: one might be tempted to give as examples of qualia ‘the pain of a headache, the taste of wine, or the redness of an evening sky’. But this list of examples already prejudges a central issue in the current debate on qualia. An analogy will make this clear. Suppose someone wants to know the nature of the liquid crystal pixels on a television screen, those tiny elements that provide all the distributions of colour that go to make up the picture. It would not suffice as an answer to say that they are the ‘redness of an evening sky’ as it appears on the screen. We would protest that their real character was being ignored. One can see that relying on the list above assumes that we must tie sensations not only to the notion of given objects in the world (the ‘head’, ‘wine’, ‘an evening sky’), but also to the properties with which we characterize the experiences themselves (‘redness’, for example).

Nor is it satisfactory to print a little red square as here, for, since each person has a slightly different registration of the light-rays,^[3] it confusingly suggests that we all have the same response. Imagine in a television shop seeing ‘a red square’ on twenty screens at once, each slightly different — something of vital importance would be overlooked if a single example were to be taken as defining them all.

Yet it has been argued whether or not identification with the external object should still be the core of a correct approach to sensation, for there are many who state the definition thus because they regard the link with external reality as crucial. If sensations are defined as 'raw feels', there arises a palpable threat to the reliability of knowledge. The reason has been given that, if one sees them as neurophysiological happenings in the brain, it is difficult to understand how they could have any connection to entities, whether in the body or the external world. It has been declared, by John McDowell for example, that to countenance qualia as a ‘bare presence’ prevents us ever gaining a certain ground for our knowledge.^[4] The issue is thus fundamentally an epistemological one: it would appear that access to knowledge is blocked if one allows the existence of qualia as fields in which only virtual constructs are before the mind.

His reason is that it puts the entities about which we require knowledge behind a ‘veil of perception’, an occult field of ‘appearance’ which leaves us ignorant of the reality presumed to be beyond it. He is convinced that such uncertainty propels into the dangerous regions of relativism and solipsism: relativism sees all truth as determined by the single observer; solipsism (from the Latin solus, ‘single’, ipse ‘self’), in which the single observer is the only creator of and legislator for his or her own universe, carries the assumption that no one else exists. These accusations constitute a powerful ethical argument against qualia being something going on in the brain, and these implications are probably largely responsible for the fact that in the twentieth century it was regarded as, not only freakish, but also dangerously misguided to uphold the notion of sensations as going on inside the head. The argument was usually strengthened with mockery at the very idea of ‘redness’ being in the brain: the question was — and still is^[5]— ‘How can there be red neurons in the brain?’ which strikes one as a justifiable appeal to common sense.

To maintain a philosophical balance, the argument for 'raw feels' needs to be set side by side with the claim above. Viewing sensations as 'raw feels' implies that initially they have not yet — to carry on the metaphor — been 'cooked', that is, unified into 'things' and 'persons', which is something the mind does after the sensation has responded to the blank input, that response driven by motivation, that is, initially by pain and pleasure, and subsequently, when memories have been implanted, by desire and fear. Such a 'raw-feel' state has been more formally identified as 'non-epistemic' (Greek for 'no-knowledge'; the term has been coined by Arthur W. Collins^[6]). In support of this view, the theorists cite a range of empirical facts. The following can be taken as representative. There are brain-damaged persons, known as ‘agnosics’ (literally ‘not-knowing’) who still have vivid visual sensations but are quite unable to identify any entity before them, including parts of their own body. There is also the similar predicament of persons, formerly blind, who are given sight for the first time — and consider what it is a newborn baby must experience. A German psychologist of the nineteenth century, Hermann von Helmholtz, proposed a simple experiment to demonstrate the non-epistemic nature of qualia: his instructions were to stand in front of a familiar landscape, turn your back on it, bend down and look at the landscape between your legs — you will find it difficult in the upside-down view to recognize what you found familiar before.^[7]

These examples suggest that a ‘bare presence’, that is, knowledgeless sensation that is no more than evidence, may really occur. Present supporters of the non-epistemic theory thus regard sensations as only data in the sense that they are ‘given’ (Latin datum, ‘given’) and fundamentally involuntary, which is a good reason for not regarding them as basically mental. In the last century they were called ‘sense-data’ by the proponents of qualia, but this led to the confusion that they carried with them reliable proofs of objective causal origins. For instance, one supporter of qualia was happy to speak of the redness and bulginess of a cricket ball as a typical ‘sense-datum’,^[8] though not all of them were happy to define qualia by their relation to external entities (see Roy Wood Sellars^[9]). The modern argument, following Sellars’ lead, centres on how we learn under the regime of motivation to interpret the sensory evidence in terms of ‘things’, ‘persons’ and ‘selves’ through a continuing process of feedback.

The definition of qualia thus is governed by one’s point of view, and that inevitably brings with it philosophical and neurophysiological presuppositions. The question, therefore, of what qualia can be raises profound issues in the philosophy of mind, since some materialists want to deny their existence altogether: on the other hand, if they are accepted, they cannot be easily accounted for as they raise the difficult problem of consciousness. There are committed dualists who believe that the mental and the material are two distinct aspects of reality. In contrast, there are tough-minded direct realists for whom the thought of qualia is unscientific as there appears to be no way of making them fit within the modern scientific picture; and there are committed proselytizers for a final truth who reject them as forcing knowledge out of reach. It is no surprise that, in the last century, qualiaphobes (who reject qualia on what they consider is a scientific basis) have been in the ascendent over qualiaphiles (who propose them). There is, however, a third position, that of maintaining that qualia are material, however challenging the scientific explanation might be.^[10]

[edit] Arguments for the existence of qualia

Since it is by definition difficult or impossible to convey qualia verbally, it is difficult to demonstrate them directly in an argument; a more tangential approach is needed. Arguments for qualia generally come in the form of thought experiments designed to lead one to the conclusion that qualia exist.

[edit] The Bat argument

Although it does not actually mention the word "qualia", Thomas Nagel's paper What Is it Like to Be a Bat?^[11] is often cited in debates over qualia. Nagel argues that consciousness has an essentially subjective character, a what-it-is-like aspect. He states that "an organism has conscious mental states if and only if there is something that it is to be that organism — something it is like for the organism."^[12] Nagel also suggests that the subjective aspect of the mind may not ever be sufficiently accounted for by the objective methods of reductionistic science. He claims that "[i]f we acknowledge that a physical theory of mind must account for the subjective character of experience, we must admit that no presently available conception gives us a clue how this could be done."^[13] Furthermore, he states that "it seems unlikely that any physical theory of mind can be contemplated until more thought has been given to the general problem of subjective and objective."^[13]

[edit] The Inverted Spectrum Argument

The inverted spectrum thought experiment, originally developed by John Locke^[14] invites us to imagine that we wake up one morning, and find that for some unknown reason all the colors in the world have been inverted. Furthermore, we discover that no physical changes have occurred in our brains or bodies that would explain this phenomenon. Supporters of the existence of qualia argue that, since we can imagine this happening without contradiction, it follows that we are imagining a change in a property that determines the way things look to us, but that has no physical basis.^[15][16] In more detail:

1. Metaphysical identity holds of necessity
2. If something is possibly false, it is not necessary
3. It is conceivable that qualia could have a different relationship to physical brain-states
4. If it is conceivable, then it is possible
5. Since it is possible for qualia to have a different relationship with physical brain-states, they cannot be identical to brain states (by 1).
6. Therefore, qualia are non-physical.

The argument thus claims that if we find the inverted spectrum plausible, we must admit that qualia exist (and are non-physical). Some philosophers find it absurd that an armchair argument can prove something to exist, and the detailed argument does involve a lot of assumptions about conceivability and possibility, which are open to criticism. Perhaps it is not possible for a given brain state to produce anything other than a given quale in our universe, and that is all that matters.

The idea that an inverted spectrum would be undetectable in practice is also open to criticism on more scientific grounds (see main article).^[15][16]

[edit] The Zombie Argument

A similar argument holds that it is conceivable that there could be physical duplicates of people, called "zombies", without any qualia at all. Similar criticisms about conceivability versus possibility can be made.^{[17] [18]}

[edit] The Explanatory Gap Argument

Joseph Levine's paper Conceivability, Identity, and the Explanatory Gap takes up where the criticisms of conceivability arguments, such as the Inverted Spectrum argument and the Zombie argument, leave off. Levine agrees that conceivability is flawed as a means of establishing metaphysical realities, but points out that even if we come to the metaphysical conclusion that qualia are physical, there is still an explanatory problem.

"While I think this materialist response is right in the end, it does not suffice to put the mind-body problem to rest. Even if conceivability considerations do not establish that the mind is in fact distinct from the body, or that mental properties are metaphysically irreducible to physical properties, still they do demonstrate that we lack an explanation of the mental in terms of the physical"

However, such an epistemological or explanatory problem might indicate an underlying metaphysical issue — the non-physicality of qualia, even if not proven by conceivability arguments is far from ruled out.

"In the end, we are right back where we started. The explanatory gap argument doesn't demonstrate a gap in nature, but a gap in our understanding of nature. Of course a plausible explanation for there being a gap in our understanding of nature is that there is a genuine gap in nature. But so long as we have countervailing reasons for doubting the latter, we have to look elsewhere for an explanation of the former.^[19]

[edit] The Knowledge Argument

In an article "Epiphenomenal Qualia" (1982),^[20] Frank Jackson offers what he calls the "Knowledge Argument" for qualia. One example runs as follows:

Mary the colour scientist knows all the physical facts about colour, including every physical fact about the experience of colour in other people, from the behavior a particular colour is likely to elicit to the specific sequence of neurological firings that register that a colour has been seen. However, she has been confined from birth to a room that is black and white, and is only allowed to observe the outside world through a black and white monitor. When she is allowed to leave the room, it must be admitted that she learns something about the colour red the first time she sees it — specifically, she learns what it is like to see that colour

This thought experiment has two purposes. First, it is intended to show that qualia exist. If we agree with the thought experiment, we believe that Mary gains something after she leaves the room — that she acquires knowledge of a particular thing that she did not possess before. That knowledge, Jackson argues, is knowledge of the quale that corresponds to the experience of seeing red, and it must thus be conceded that qualia are real properties, since there is a difference between a person who has access to a particular quale and one who does not.

The second purpose of this argument is to refute the physicalist account of the mind. Specifically, the Knowledge Argument is an attack on the physicalist claim about the completeness of physical truths. The challenge posed to physicalism by the Knowledge Argument runs as follows:

1. Before her release, Mary was in possession of all the physical information about colour experiences of other people.
2. After her release, Mary learns something about the colour experiences of other people.
   Therefore,
3. Before her release, Mary was not in possession of all the information about other people's colour experiences, even though she was in possession of all the physical information.
   Therefore,
4. There are truths about other people's colour experience that are not physical.
   Therefore,
5. Physicalism is false.

First Jackson argued that qualia are epiphenomenal: not causally efficacious with respect to the physical world. Jackson does not give a positive justification for this claim — rather, he seems to assert it simply because it defends qualia against the classic problem of dualism. Our natural assumption would be that qualia must be causally efficacious in the physical world, but some would ask how we could argue for their existence if they did not affect our brains. If qualia are to be non-physical properties (which they must be in order to constitute an argument against physicalism), some argue that it is almost impossible to imagine how they could have a causal effect on the physical world. By redefining qualia as epiphenomenal, Jackson attempts to protect them from the demand of playing a causal role.

Later, however, he rejected epiphenomenalism. This, he argues, is due to the fact that when Mary first sees red, she says "wow", so it must be Mary's qualia that causes her to say "wow". This contradicts epiphenomenalism. Since the Mary's room thought experiment seems to create this contradiction, there must be something wrong with it. This is often referred to as the "there must be a reply" reply.

[edit] The Non-Epistemic Argument

Those who hold to qualia being in a thoroughgoing sense ‘raw feels’, that is, non-epistemic effects of a complex causal path emanating from the sense-organs (whether or not they respond to input from outside or inside the body) place them theoretically in a quite different account of the nature of consciousness.

The relation of qualia to the input is defined by those who propose this view in a way that is critical for the theory. They are emphatically not representations of entities, such as things and persons, existing out beyond the sense-organs. It is essential to the theory that no direct similarity (to confine the explanation to the visual field) is claimed between what appears within the field and any external entity or property that might be detected by the sense-organs, that is, for instance, no red in the brain matches a red light-ray or an red external object. There is,however, an indirect similarity, which Roy Wood Sellars was the first to delineate.^[21]

The key notion is that of what he called a ‘differential correlation’ between the input and the state of the field, in that they were similar in the way they varied and in no other way. In order to grasp this notion, consider what the similarity is between the sound-track down the side of a strip of film and the sound you hear in the cinema: clearly there is no direct similarity — one is a white strip varying in width, the other is a sound heard from loudspeakers — but they do co-vary, close variations in width corresponding to high frequencies, more open ones to low frequencies, and the widest sections matching the loudest sounds and the narrowest matching the softest.

In the current debate this co-variation is being called ‘structural isomorphism’ (there being a ‘same’ [iso-] ‘shape’ [-morph] in the structure). You can witness it in many an advertisement on television, for advertising firms are fond of making visual changes on the screen co-vary with sounds from the loudspeaker (e.g. successions of letters appearing to music). A more homely example: consider the movements of a person’s mouth in relation to the sounds of their speech; there is no similarity between those movements and the sounds, but that does not prevent deaf persons using the blank evidence as a guide to what is being said.

The consequences are claimed to be significant. One objection thought to be powerful against the notion of qualia was that it forced us to see the visual field as an inner screen being looked at by a homunculus who himself would have a screen in his head, and so on ad infinitum in a vicious regress. This objection, characterized as the ‘Cartesian theatre’, is often employed by Daniel Dennett.^[22]

Yet it can be argued that the field in the brain bears no direct resemblance to what the eyes register, in that in the brain there are no eyes and no light-rays, though what occurs certainly varies with the light-rays’ frequency and distribution, not perfectly, because all kinds of neural adjustments are made on the way to the final states. No homunculus is required, the reason being that the experience, not being itself a matter of light-rays, is a direct one. As Thomas Hobbes put it, we take notice of sense ‘by sense itself’.^[23] So there is no visible ‘screen’.

Any colour experience the brain produces bears no direct likeness to the light-rays arriving at the retinas. This entails that there is no sensory colour in the external world to be copied. One can draw a parallel with a snake that has sensory organs for picking up infra-red rays: there is no sensory heat in the external world nor is there real heat in the snake’s brain. They are similar in no more than their co-variation.

One further surprising outcome of this argument for qualia is that there cannot be a picture in the brain resembling an external scene, the unexpected reason being that actual pictures are not coloured in the sensory manner; they merely reflect uncoloured light-rays of different frequencies and intensities. This goes for paintings, photographs, television screens and so on, so they are ruled out as naïve analogies for the visual field. It is worth noting that television is not ruled out as a sophisticated analogy for the causal linkage between input and sensory registration as long as a structurally isomorphic link is held to (which entails that there is no copying of given 'things' and 'persons'), and the idea of a homunculus watching a screen is rejected.

The visual array is thus seen as an involuntary registration tied to an input of light-rays that bear evidence but not information about their sources. On this theory, qualia are thus no more than ‘natural signs’ in H. P. Grice’s sense, strictly comparable to seeing a dark cloud on the horizon as a sign of rain (Grice 1967). Philosophers who hold to this view see the Knowledge Argument as nugatory on both sides, since there is no given knowledge in qualia, whether of entities or of properties. One unusual entailment of this view is that we sense the real, but perceive only our stubbornly hypothetical, and hence experimental, 'entities'. As perceptions are always open to correction from others, as well as to surprising proofs of inadequacy from the real, there is no danger of solipsism. In particular, it may be one's own self that is corrected by others in a way that one has to concede. As hypothetical interpretations, entities-as-perceptions cannot be considered to be uncontroversial if viewed as direct causes of what is 'objectified'; entities are only our own mutually adjustable guides to action. The Causal Theory of Perception, which takes objects-as-singular to exist, is thus regarded as mistaken, while a Causal Theory of Sensing is assumed within the theory.

If qualia thus present only evidence and not information, the question must then be put of how we come to assume that we perceive objects and familiar properties. Sellars, and more recently the psychologist Ernst von Glasersfeld, influenced by Jean Piaget, see perception as an affair of continual adaptation.^[24][25]. According to them, it is our motivations that enforce unitary selections from the sensory evidence and simultaneously place them in memory tagged with fear or desire, this performed in the hope that purposive action will be guided successfully by them.

A demonstration: a child touches a hot radiator and the memory module immediately unifies elements from the qualia fields and places them in memory, marked with fear: perhaps at first it is only all ribbed appearances that become fearful ‘entities’, but further experience will refine that judgement. In time the infant will come to experience ‘perturbations’ of its initial perceiving which, in an evolutionary manner, will enforce adjustments. Finally the child approaches what von Glasersfeld calls a ‘viable’ relationship with the evidence in that action with regard to ‘the’ percept produces results in most cases that satisfy motivation. At the entrance into language the child is enabled to receive suggestions for updating its understandings from others, including the formation of (now) his or her own selfhood, and, in dialogue, propose updatings for others so that they can adjust their motivational satisfactions. This is why von Glasersfeld is able to assert that all our perceptual recognitions are attended with ‘attentional pulses’, that knowledge is always powered by motivation however much familiarity lulls us into the complacent view that we are seeing given entities, as is currently argued.^{[26] [27]} This persuades us to see the word ‘mind’ less in its form as a noun (‘the mind’) and more in its form as a verb (‘Mind the step!’). Glasersfeld's use of the word 'viable' for all our objectifications stresses the ineffaceable tentativeness of them all.

Another advantageous corollary is that, since perceptions are created by imagination, there is no difficulty is seeing how they can work apparently across time, as in 'the specious present'. In the middle of a well-known melody we can have an anticipatory perception of the rest of it without committing the theorist to the notion of sensing into the future. Together we behave with the projected logical 'singularity' as if it is timelessly applicable, yet in every informative statement it is taken up only to be adjusted, to be taken up (so adjusted) again. One might make the analogy with the square root of minus one in a mathematical calculation, or with a catalyst in chemistry, in that we make use of it over and over again, only to abandon it each time. The square root of minus one has a further similarity in that, strictly speaking, it does not exist: similarly the ideal Object-as-Singular does not exist although what all our differing selections of 'it' are from -- does.

Knowledge is thus theorized as a co-operative venture. Although we are all sensing differently (because no one’s sense-organs perfectly match in range and sensitivity of response) and perceiving differently (because nor do our learning histories perfectly match), we all have to behave as if they did. If we did not, we could never get that minimal overlap of interpretations that allows a correction to go through. This is why a correction, especially of the self, can be such an uncanny surprise. No self is thus separate from the total venture of language, and, hence, it would seem that accusations of relativism and solipsism have no purchase on this theory. On the contrary it is claimed that it is the direct realists who are the relativists in being tempted to take the apparent immediacy of a purely ‘singular’ entity as given in the way that they see ‘it’; they also veer towards solipsism in not seeing the inescapable intersubjectivity in all identifications, especially of the self.

One further advantage of the theory is that qualia, being strictly independent of the motivations of consciousness (recall the case of agnosics), are seen as not actually mental at all, but are part of the real, and thus, however strange they may be, are open to scientific inquiry.

[edit] Critics of qualia

[edit] Daniel Dennett

In Consciousness Explained (1991) and "Quining Qualia" (1988),^[28] Daniel Dennett offers an argument against qualia that attempts to show that the above definition breaks down when one tries to make a practical application of it. In a series of thought experiments, which he calls "intuition pumps", he brings qualia into the world of neurosurgery, clinical psychology, and psychological experimentation. His argument attempts to show that, once the concept of qualia is so imported, it turns out that we can either make no use of it in the situation in question, or that the questions posed by the introduction of qualia are unanswerable precisely because of the special properties defined for qualia.

In Dennett's updated version of the inverted spectrum thought experiment, "alternative neurosurgery", you again awake to find that your qualia have been inverted — grass appears red, the sky appears orange, etc. According to the original account, you should be immediately aware that something has gone horribly wrong. Dennett argues, however, that it is impossible to know whether the diabolical neurosurgeons have indeed inverted your qualia (by tampering with your optic nerve, say), or have simply inverted your connection to memories of past qualia. Since both operations would produce the same result, you would have no means on your own to tell which operation has actually been conducted, and you are thus in the odd position of not knowing whether there has been a change in your "immediately apprehensible" qualia.

Dennett's argument revolves around the central objection that, for qualia to be taken seriously as a component of experience — for them to even make sense as a discrete concept — it must be possible to show that

a) it is possible to know that a change in qualia has occurred, as opposed to a change in something else;

or that

b) there is a difference between having a change in qualia and not having one.

Dennett attempts to show that we cannot satisfy (a) either through introspection or through observation, and that qualia's very definition undermines its chances of satisfying (b).

Supporters of qualia could point out that in order for you to notice a change in qualia, you must compare your current qualia with your memories of past qualia. Arguably, such a comparison would involve immediate apprehension of your current qualia and your memories of past qualia, but not the past qualia itself. Furthermore, modern functional brain imaging has increasingly suggested that the memory of an experience is processed in similar ways and in similar zones of the brain as those originally involved in the original perception. This may mean that there would be asymmetry in outcomes between altering the mechanism of perception of qualia and altering their memories. If the diabolical neurosurgery altered the immediate perception of qualia, you might not even notice the inversion directly, since the brain zones which re-process the memories would themselves invert the qualia remembered. On the other hand, alteration of the qualia memories themselves would be processed without inversion, and thus you would perceive them as an inversion. Thus, you might know immediately if memory of your qualia had been altered, but might not know if immediate qualia were inverted or whether the diabolical neurosurgeons had done a sham procedure (Ungerleider, 1995).

Dennett also has a response to the "Mary the color scientist" thought experiment. He argues that Mary would not, in fact, learn something new if she stepped out of her black and white room to see the color red. Dennett asserts that if she already truly knew "everything about color", that knowledge would include a deep understanding of why and how human neurology causes us to sense the "quale" of color. Mary would therefore already know exactly what to expect of seeing red, before ever leaving the room. Dennett argues that the misleading aspect of the story is that Mary is supposed to not merely be knowledgeable about color but to actually know all the physical facts about it, which would be a knowledge so deep that it exceeds what can be imagined, and twists our intuitions.

If Mary really does know everything physical there is to know about the experience of colour, then this effectively grants her almost omniscient powers of knowledge. Using this, she will be able to deduce her own reaction, and figure out exactly what the experience of seeing red will feel like.

Dennett finds that many people find it difficult to see this, so he uses the case of RoboMary to further illustrate what it would be like for Mary to possess such a vast knowledge of the physical workings of the human brain and colour vision. RoboMary is an intelligent robot who, instead of the ordinary colour camera-eyes, has a software lock such that she is only able to perceive black and white and shades in-between.

RoboMary can examine the computer brain of similar non-colour-locked robots when they look at a red tomato, and see exactly how they react and what kinds of impulses occur. RoboMary can also construct a simulation of her own brain, unlock the simulation's colour-lock and, with reference to the other robots, simulate exactly how this simulation of herself reacts to seeing a red tomato. RoboMary naturally has control over all of her internal states except for the colour-lock. With the knowledge of her simulation's internal states upon seeing a red tomato, RoboMary can put her own internal states directly into the states they would be in upon seeing a red tomato. In this way, without ever seeing a red tomato through her cameras, she will know exactly what it is like to see a red tomato.

Dennett uses this example to show us that Mary's all-encompassing physical knowledge makes her own internal states as transparent as those of a robot or computer, and it is almost straightforward for her to figure out exactly how it feels to see red.

Supporters of qualia could point out that RoboMary's simulation would constitute a direct experience, despite the fact that it wouldn't be caused by a real tomato.

Perhaps Mary's failure to learn exactly what seeing red feels like is simply a failure of language, or a failure of our ability to describe experiences. An alien race with a different method of communication or description might be perfectly able to teach their version of Mary exactly how seeing the colour red would feel. Perhaps it is simply a uniquely human failing to communicate first-person experiences from a third-person perspective. Dennett suggests that the description might even be possible using English. He uses a simpler version of the Mary thought experiment to show how this might work. What if Mary was in a room without triangles and was prevented from seeing or making any triangles? An English-language description of just a few words would be sufficient for her to imagine what it is like to see a triangle — she can simply and directly visualise a triangle in her mind. Similarly, Dennett proposes, it is perfectly, logically possible that the quale of what it is like to see red could eventually be described in an English-language description of millions or billions of words.

However, an obvious objection against the 'triangle experiment' is that conceiving a different representation of an already possessed sensible experience is not qualia's point; the point is you can never know the mind state for the never before experienced sensorial phenomena.

[edit] Paul Churchland

According to Paul Churchland, Mary might be considered to be like a feral child. Feral children have suffered extreme isolation during childhood. Technically when Mary leaves the room, she would not have the ability to see or know what the color red is. A brain has to learn and develop how to see colors. Patterns need to form in the V4 section of the visual cortex. These patterns are formed from exposure to wave lengths of light. This exposure is needed during the early stages of brain development. In Mary's case, the identifications and categorizations of color will only be in respect to representations of black and white.^[29]

Such a response is disputable, however, on empirical grounds. Accounts such as those of Oliver Sacks in An Anthropologist on Mars concerning Virgil, who has his sight bestowed upon him in his forties, challenge the developmental view of colour vision. It seems that whilst shapes must be visually learned through visual experience of shapes for the right concepts to be formed (i.e the right neural connections to develop/be preserved), the same is not true of colours. There are connotations of primary-secondary quality distinctions here. Experiments are not decisive, but some views on experience require a non developed ability - i.e. we need to be able to see something innately in order to get things off the ground - else we'd be trying to pull ourselves up by our bootstraps, as it were.

[edit] Gary Drescher

In his book Good and Real (2006), Gary Drescher compares qualia with "gensyms" (generated symbols) in Lisp. These are objects that Lisp treats as having no properties or components and which can only be identified as equal or not equal to other objects. Drescher explains, "we have no introspective access to whatever internal properties make the red gensym recognizably distinct from the green [...] even though we know the sensation when we experience it."^[30] Under this interpretation of qualia, Drescher responds to the Mary thought experiment by noting that "knowing about red-related cognitive structures and the dispositions they engender — even if that knowledge were implausibly detailed and exhaustive — would not necessarily give someone who lacks prior color-experience the slightest clue whether the card now being shown is of the color called red." This does not, however, imply that our experience of red is non-mechanical; "on the contrary, gensyms are a routine feature of computer-programming languages.^[31]

[edit] David Lewis

David Lewis has an argument that introduces a new hypothesis about types of knowledge and their transmission in qualia cases. Lewis agrees that Mary cannot learn what red looks like through her monochrome physicalist studies. But he proposes that this doesn't matter. Learning transmits information, but experiencing qualia doesn't transmit information; instead it communicates abilities. When Mary sees red, she doesn't get any new information. She gains new abilities — now she can remember what red looks like, imagine what other red things might look like and recognise further instances of redness. Lewis states that Jackson's thought experiment uses the 'Phenomenal Information Hypothesis' — that is, the new knowledge that Mary gains upon seeing red is phenomenal information. Lewis then proposes a different 'Ability Hypothesis' that differentiates between two types of knowledge: knowledge that (information) and knowledge how (abilities). Normally the two are entangled; ordinary learning is also an experience of the subject concerned, and people both learn information (for instance, that Freud was a psychologist) and gain ability (to recognise images of Freud). However in the thought experiment, Mary can only use ordinary learning to gain know-that knowledge. She is prevented from using experience to gain the know-how knowledge that would allow her to remember, imagine and recognise the colour red.

We have the intuition that Mary has been deprived of some vital data to do with the experience of redness. It is also uncontroversial that some things cannot be learned inside the room; for example, we do not expect Mary to learn how to ski within the room. Lewis has articulated that information and ability are potentially different things. In this way, physicalism is still compatible with the conclusion that Mary gains new knowledge. It is also useful for considering other instances of qualia; 'being a bat' is an ability, so it is know-how knowledge.^[32]

[edit] Marvin Minsky

The veteran artificial intelligence researcher Marvin Minsky thinks the problems posed by qualia are essentially issues of complexity, or rather of mistaking complexity for simplicity.

"Now, a philosophical dualist might then complain: "You've described how hurting affects your mind — but you still can't express how hurting feels." This, I maintain, is a huge mistake — that attempt to reify 'feeling' as an independent entity, with an essence that's indescribable. As I see it, feelings are not strange alien things. It is precisely those cognitive changes themselves that constitute what 'hurting' is — and this also includes all those clumsy attempts to represent and summarize those changes. The big mistake comes from looking for some single, simple, 'essence' of hurting, rather than recognizing that this is the word we use for complex rearrangement of our disposition of resources.^[33]

[edit] Michael Tye

Michael Tye is perhaps the most outstanding example of those in this debate who hold to our directly confronting the objects of perception. He is one for whom there are no qualia, no ‘veils of perception’ between us and the referents of our thought. He describes our experience of an object in the world as ‘transparent’. By this he means that no matter what private understandings and/or misunderstandings we may have of some public entity, it is still there before us in reality, which is eminently a commonsense assertion with which few lay persons would find fault. The idea that qualia intervene between ourselves and their origins he regards as ‘a massive error’; as he puts it, ‘it is just not credible that visual experiences are systematically misleading in this way’; ^[34] ‘the only objects of which you are aware are the external ones making up the scene before your eyes’.^[35] there are ‘no such things as the qualities of experiences’ for ‘they are qualities of external surfaces (and volumes and films) if they are qualities of anything’.^[36] This insistence permits him to take our experience as having a reliable base since there is no fear of losing contact with the real of public objects.

Naturally in his thought there is no question of qualia without information being contained within them; it is always ‘an awareness that’, always ‘representational’. The grain of wood always represented the age of the tree long before there were any human beings about to count them. He characterizes the perception of children as a misperception of referents that are undoubtedly as present for them as they are for grown-ups. As he puts it, they may not know that ‘the house is dilapidated’, but there is no scintilla of doubt about their seeing the house. After-images are dismissed as presenting no problem for the Transparency Theory because, as he puts it, after-images being illusory, there is nothing that one sees. Tye has the great merit of a philosopher that he examines the problem cases with fastidious care, using the argument that there is always information in the phenomenon as his base-line.

He presents his theory about phenomena as having five basic elements, for which he has coined the acronym PANIC— Poised, Abstract, Nonconceptual, Intentional Content.^[37] It is ‘Poised’ in the sense that the phenomenal experience is always presented to the understanding, whether or not the agent is able to apply a concept to it. Tye adds that the experience is ‘maplike’ in that, in most cases, it reaches through to the distribution of shapes, edges, volumes, etc. in the world — you may not be reading the ‘map’ but, as with an actual map there is a reliable match with what it is mapping. It is ‘Abstract’ because it is still an open question in a particular case whether you are in touch with a concrete object (someone may feel a pain in a ‘left leg’ when that leg has actually been amputated). It is ‘Nonconceptual’ because a phenomenon can exist although one does not have the concept by which to recognise it. Nevertheless, it is ‘Intentional’ in the sense that it represents something, again whether or not the particular observer is taking advantage of that fact; this is why Tye calls his theory ‘representationalism’. This last makes it plain that Tye believes that he has retained a direct contact with what produces the phenomena and is therefore not hampered by any trace of a ‘veil of perception’. (See also ^[38].)

[edit] Proponents of Qualia

[edit] E. J. Lowe

Jonathan Lowe, of Durham University, denies that holding to indirect realism (in which we have access only to sensory features internal to the brain) necessarily implies a Cartesian dualism. He agrees with Bertrand Russell that our ‘retinal images’, that is, the distributions across our retinas are connected to ‘patterns of neural activity in the cortex’ (Lowe 1986). He defends a version of the Causal Theory of Perception in which a causal path can be traced between the external object and the perception of it. He is careful to deny that we do any inferring from the sensory field, a view which he believes allows us to found an access to knowledge on that causal connection. In a later work he moves closer to the non-epistemic theory in that he postulates ‘a wholly non-conceptual component of perceptual experience’,^[39] but he refrains from analysing the relation between the perceptual and the ‘non-conceptual’. Most recently he has drawn attention to the problems that hallucination raises for the direct realist and to the latter’s disinclination to enter the discussion on the topic.^[40]

[edit] J. B. Maund

John Barry Maund, an Australian philosopher of perception at the University of Western Australia, is noteworthy in being the first to draw attention to a key distinction which had been ignored in the current debate on qualia. Qualia are open to being described on two levels, a fact that he refers to as ‘dual coding’. Using the Television Analogy (which, as we have seen in Section 2.6, can be shorn of its objectionable aspects), he points out that, if asked what we see on a television screen there are two answers that we might give:

The states of the screen during a football match are unquestionably different from those of the screen during a chess game, but there is no way available to us of describing the ways in which they are different except by reference to the play, moves and pieces in each game.^[41]

He has refined the explanation by shifting to the example of a ‘Movitype’ screen, often used for advertisements and announcements in public places. A Movitype screen consists of a matrix — or ‘raster’ as the neuroscientists prefer to call it (from the Latin rastrum, a ‘rake’; think of the lines on a TV screen as ‘raked’ across) — that is made up of an array of tiny light-sources]. A computer-led input can excite these lights so as to give the impression of letters passing from right to left, or even, on the more advanced forms now commonly used in advertisements, to show moving pictures. Maund’s point is as follows. It is obvious that there are two ways of describing what you are seeing. We could either adopt the everyday public language and say ‘I saw some sentences, followed by a picture of a Seven-Up can.’ Although that is a perfectly adequate way of describing the sight, nevertheless, there is a scientific way of describing it which bears no relation whatsoever to this commonsense description. One could ask the electronics engineer to provide us with a computer print-out staged across the seconds that you were watching it of the point-states of the raster of lights. This would no doubt be a long and complex document, with the state of each tiny light-source given its place in the sequence. The interesting aspect of this list is that, although its would give a comprehensive and point-by-point-detailed description of the state of the screen, nowhere in that list would there be a mention of ‘English sentences’ or ‘a Seven-Up can’.

What this makes clear is that there are two ways to describe such a screen, (1) the ‘commonsense’ one, in which publicly recognizable objects are mentioned, and (2) an accurate point-by-point account of the actual state of the field, but makes no mention of what any passer-by would or would not make of it. This second description would be non-epistemic from the common sense point of view, since no objects are mentioned in the print-out, but perfectly acceptable from the engineer’s point of view. Note that, if one carries this analysis across to human sensing and perceiving, this rules out Daniel Dennett’s claim that all qualiaphiles must regard qualia as ‘ineffable’, for at this second level they are in principle quite ‘effable’ — indeed, it is not ruled out that some neurophysiologist of the future might be able to describe the neural detail of qualia at this level.

Maund has also extended his argument particularly with reference of colour.^[42] Colour he sees as a dispositional property, not an objective one, an approach which allows for the facts of difference between person and person, and also leaves aside the claim that external objects are coloured. Colours are therefore ‘virtual properties’, in that it is as if things possessed them; although the naïve view attributes them to objects, they are intrinsic, non-relational inner experiences.

[edit] Moreland Perkins

Moreland Perkins’s book Sensing the World^[43] is unique in the philosophical debate on qualia because of the thoroughness with which he surveys the senses. Instead of concentrating on vision as is the common practice, he considers all the senses by turns and thus avoids many of the naïve assumptions that beset the discussion. He is unusual too in being a materialist who refuses to ignore the possibility of qualia being physical existents, albeit of as yet an unknown nature.

For him qualia are not to be identified with their objective sources: a smell, for instance, bears no direct resemblance to the molecular shape that gives rise to it, nor is a toothache actually in the tooth. He is also like Hobbes in being able to view the process of sensing as being something complete in itself; as he puts it, it is not like ‘kicking a football’ where an external object is required — it is more like ‘kicking a kick’, an explanation which entirely avoids the familiar Homunculus Objection, as adhered to, for example, by Gilbert Ryle. Ryle was quite unable even to entertain this possibility, protesting that ‘in effect it explained the having of sensations as the not having of sensations’.^[44] However, A. J. Ayer in a rejoinder correctly identified this objection as ‘very weak’ as it betrayed an inability to detach the notion of eyes, indeed any sensory organ, from the neural sensory experience.^[45]

[edit] Antti Revonsuo

Antti Revonsuo is a Finnish neuroscientist who wishes to transform the whole approach to qualia — and by implication, consciousness itself — by treating the problems from a ‘biological realist’ perspective.^[46] He is prepared to accept the notion of the phenomenal-as-real, together with aspects of it that the direct realists are still rejecting, namely, that the organism with sensory access to its world (and that includes its own body) is equipped by evolution with a ‘virtual space’ in which sensory presentations in the brain enact a ‘world-simulation’. The phenomenal space is distinct from physical space, an idea that many find difficult to comprehend. Like John Smythies (see the next entry), he is nothing daunted by the strangeness of the high speculation that is necessitated at such an early stage of scientific inquiry.

The biological emphasis naturally places motivation as the key to the nature of mind, and it will be no surprise that he embraces the non-epistemic argument. For example, he notes the obvious fact that, as soon as attention (the focus of current motivation, that is, of fear or desire) is withdrawn from the current selection from the sensory field, that portion, hitherto conceptualized as of immediate relevance, ‘dissolves back into a bundle of features’ which we ignore precisely because we have lost interest in them. He characterizes the non-epistemic field thus: ‘qualities as such, without any organization, are barely worth having’, the reason being that, away from attention, they revert to their knowledge-less, information-less state, devoid of interest, of relevance to purpose. The old objections (such as the Homunculus Objection) he summarily disposes of: phenomena he describes as ‘self-presenting’ — it is naïve to carry over from our mundane assumptions about vision the idea that in the brain a separate ‘subject’ must be distinct from something objective it sees at a distance.

[edit] Howard Robinson and William Robinson

Howard Robinson is a philosopher who has concentrated his research within the philosophy of mind. Taking what has been through the latter part of the last century an unfashionable stance, he has consistently argued against those explanations of sensory experience that would reduce them to physical origins. He has never regarded the theory of sense-data as refuted, but has set out to refute in turn the objections which so many have considered to be conclusive. The version of the theory of sense-data he defends takes what is before consciousness in perception to be qualia as mental presentations that are causally linked to external entities, but which are not physical in themselves. Unlike the philosophers so far mentioned, he is therefore a dualist, one who takes both matter and mind to have real and metaphysically distinct natures. His books (particularly Matter and Sense and Perception^[47] are characterized by the thoroughness with which he deals with the arguments of opposing philosophers, thus setting a professional example that it would be well for his opponents to follow (for there has been a tendency to take for granted that the theory of sense-data is wholly obsolescent). In one of his most recent articles he takes the physicalist to task for ignoring the fact that sensory experience can be entirely free of representational character. He cites phosphenes as a stubborn example (phosphenes are flashes of neural light that result either from sudden pressure in the brain — as induced, for example, by intense coughing), and points out that it is grossly counter-intuitive to argue that these are not visual experiences on a par with open-eye seeing.

William Robinson (no relation) takes a very similar view to that of his namesake. In his most recent book, Understanding Phenomenal Consciousness,^[48] he is unusual as a dualist in calling for research programs that investigate the relation of qualia to the brain. The problem is so stubborn, he says, that too many philosophers would prefer ‘to explain it away’, but he would rather have it explained and does not see why the effort should not be made. However, he does not expect there to be a straightforward scientific reduction of phenomenal experience to neural architecture; on the contrary he regards this as a forlorn hope. The ‘Qualitative Event Realism’ that Robinson espouses sees phenomenal consciousness as caused by brain events but not identical with them, being non-material events.

It is noteworthy that he refuses to set aside the vividness — and commonness — of mental images, both visual and aural, standing here in direct opposition to Daniel Dennett, who has difficulty in crediting the experience in others. He is similar to Moreland Perkins in keeping his investigation wide enough to apply to all the senses.

[edit] John R. Smythies and C. L. Hardin

Both these researchers have addressed themselves to the scientific aspects of qualia, the former a neurophysiologist and the latter a philosopher. John Raymond Smythies is remarkable, not only in his longevity combined with active research (he was born in 1922), but in his stubborn advocacy of inner sensory experience from a scientific point of view, from his early defence in Analysis of Perception (1956) to The Walls of Plato’s Cave (2004), and his most recent article in The Case for Qualia (2008).^[49]

Such a unique and unpopular stance has led to neglect of his work by many professional philosophers, which bears witness to their disinclination to pursue the notion of qualia when it appears to give rise to such surprising hypotheses. Accepting the material reality of qualia has driven him to propose an n-dimensional theory, and, unsurprisingly, this has been considered to be ‘freakish’ in the currently dismissive sense. However, it is worth making a comparison here. In recent articles about cosmology and theoretical physics in the New Scientist it has been regarded as exciting and stimulating to entertain notions such as the 11 dimensions of String Theory, the creation from nothing in the Big Bang, the paradoxes of the quantum world, and, most recently, the proposal that our 3-dimensional material world is a hologram projected from a 2-dimensional base. Such high speculation is taken to be perfectly in order at the outset of new inquiry in physics: there is no reason that it should not also be in neurophysiological research, especially when qualia can be argued to be a form of material existence about which we know so little. It can be seen that the resistance to such high speculation is actually unscientific, for it is from such imaginative leaps that advance in science comes about. The distinguished physicist and cosmologist Bernard Carr published a very similar n-dimensional hypothesis of brain-consciousness relations in phenomenal and physical space as a new paradigm shift needed in physics to account for the experimental findings of parapsychology.^[50]

Larry Hardin has written a valuable guide for philosophers, actually called Color for Philosophers,^[51] which has become a classic of its kind, winning the Johnsonian Prize in the year of its publication. It surveys and assesses a mass of current scientific information relevant to the qualia problem, bringing to notice a large number of facts for which it is difficult to account if one rejects the theory of presentations interior to the brain. For example, it documents the phenomenon of metamerism, which is the presentation of the same sensory colour by combinations of light-rays of different frequencies; there is also the fact of the noticeable variations of colour response from person to person. Both of these deliverances of science raise problems for those who wish to argue for ‘commonsense’ identification of colour with external surfaces, etc.

[edit] Edmond Wright

Edmond Wright is a philosopher who considers the intersubjective aspect of perception.^[52][53] From Locke onwards it had been normal to frame perception problems in terms of a single subject S looking at a single entity E with a property p. However, if we begin with the facts of the differences in sensory registration from person to person, coupled with the differences in the criteria we have learned for distinguishing what we together call ‘the same’ things, then a problem arises of how two persons align their differences on these two levels so that they can still get a practical overlap on parts of the real about them — and, in particular, update each other about them.

Wright mentions being struck with the hearing difference between himself and his little son, discovering that his son could hear sounds up to nearly 20 kilohertz while his range only reached to 14 kHz or so. This implies that a difference in qualia could emerge in human action (for example, the son could warn the father of a high-pitched escape of a dangerous gas kept under pressure, the sound-waves of which would be producing no qualia evidence at all for the latter). The relevance for language thus becomes critical, for an informative statement can best be understood as an updating of a perception — and this may involve a radical re-selection from the qualia fields viewed as non-epistemic, even perhaps of the presumed singularity of ‘the’ referent, a fortiori if that ‘referent’ is the self. Here he distinguishes his view from that of Revonsuo, who too readily makes his ‘virtual space’ ‘egocentric’.

Wright’s particular emphasis has been on what he asserts is a core feature of communication, that, in order for an updating to be set up and made possible, both speaker and hearer have to behave as if they have identified ‘the same singular thing’, which, he notes, partakes of the structure of a joke or a story.^[52] Wright says that this systematic ambiguity seems to opponents of qualia to be a sign of fallacy in the argument (as ambiguity is in pure logic) whereas, on the contrary, it is sign — in talk about ‘what’ is perceived — of something those speaking to each other have to learn to take advantage of. In extending this analysis, he has been led to argue for an important feature of human communication being the degree and character of the faith maintained by the participants in the dialogue, a faith that has priority over what has before been taken to be the key virtues of language, such as ‘sincerity’, ‘truth’ and ‘objectivity’. Indeed, he considers that to prioritize them over faith is to move into superstition.

[edit] Scientific perspectives

V.S. Ramachandran and William Hirstein^[54] proposed three laws of qualia (with a fourth later added), which are "functional criteria that need to be fulfilled in order for certain neural events to be associated with qualia" by philosophers of the mind:

1. "Qualia are irrevocable and indubitable. You don't say 'maybe it is red but I can visualize it as green if I want to'. An explicit neural representation of red is created that invariably and automatically 'reports' this to higher brain centres.
2. "Once the representation is created, what can be done with it is open-ended. You have the luxury of choice, e.g., if you have the percept of an apple you can use it to tempt Adam, to keep the doctor away, bake a pie, or even just to eat. Even though the representation at the input level is immutable and automatic, the output is potentially infinite. This isn't true for, say, a spinal reflex arc where the output is also inevitable and automatic. Indeed, a paraplegic can even have an erection and ejaculate without an orgasm.
3. "Short-term memory. The input invariably creates a representation that persists in short-term memory — long enough to allow time for choice of output. Without this component, again, you get just a reflex arc.
4. "Attention. Qualia and attention are closely linked. You need attention to fulfil criterion number two; to choose. A study of circuits involved in attention, therefore, will shed much light on the riddle of qualia.^[55]

This 3 Laws paper also was the first to propose the theoretical idea of 'effing' the ineffable (though they didn't call it such).^[56] They proposed that the phenomenal nature of qualia could be communicated (as in "oh THAT is what salt tastes like") if brains could be appropriately connected with a "cable of neurons". If this turned out to be possible this would scientifically prove or objectively demonstrate the existence and the nature of qualia. This idea of effing the ineffable is being further developed in the Consciousness is Representational and Real camp at canonizer.com.

[edit] Other Issues

[edit] Indeterminacy

It is possible to apply a criticism similar to Nietzsche's criticism of Kant's "thing in itself" to qualia: Qualia are unobservable in others and unquantifiable in us. We cannot possibly be sure, when discussing individual qualia, that we are even discussing the same phenomena. Thus, any discussion of them is of indeterminate value, as descriptions of qualia are necessarily of indeterminate accuracy. Qualia can be compared to "things in themselves" in that they have no publicly demonstrable properties; this, along with the impossibility of being sure that we are communicating about the same qualia, makes them of indeterminate value and definition in any philosophy in which proof relies upon precise definition. On the other hand, qualia could be considered akin to Kantian phenomena since they are held to be seemings of appearances. Revonsuo, however, considers that, within neurophysiological inquiry, a definition at the level of the fields may become possible (just as we can define a television picture at the level of liquid crystal pixels).

[edit] Causal efficacy

The position known as epiphenomenalism, which states that consciousness lies outside the physical world, and does not have any causal power over it, is often regarded as unlikely,^[57] if only because our own consciousness seem to be causally active. In order to avoid epiphenomenalism, one who believes that qualia are nonphysical would need to embrace something like interactionist dualism; or perhaps emergentism, the claim that there are as yet unknown causal relations between the mental and physical. This in turn would imply that qualia can be detected by an external agency through their causal powers.

[edit] See Also

• David Chalmers
• Consciousness
• Form constant
• Hard problem of consciousness
• Mind body problem
• Philosophy of mind
• Dualism (philosophy of mind)
• Synesthesia (coupling of two senses)

[edit] References

[edit] Further reading

Wikibooks has a book on the topic of Consciousness Studies

• Allix, Louis (2004) Perception et réalité: essai sur la nature du visible. Paris: CNRS Éditions.
• Alter, Torin, and Walter, Sven (eds.) (2007) Phenomenal Concepts and Phenomenal Knowledge: New Essays on Consciousness and Physicalism. New York and Oxford: Oxford University Press.
• Armstrong, D. M. (1961) Perception and the Physical World. London: Routledge and Kegan Paul.
• Austin, J. L. (1962) Sense and Sensibilia. Oxford; Oxford University Press.
• Baker, M. J. (1979) Perceiving, Explaining and Acting. New York: Vantage Press.
• Block, Ned (1980) “Are absent qualia possible?” Philosophical Review, 89:2, 257-74.
• Block, Ned (1995) “Mental paint”, in Reflections and Replies: Essays on the Philosophy of Tyler Burge, Martin Hahn and Bjørn Ramberg. Cambridge MA: MIT Press. See also http://www.nyu.edu/gsas/dept/philo/faculty/block/papers/mentalpaint.pdf/
• Brewer, Bill (1999) Perception and Reason. Oxford: Clarendon Press.
• Broad, C. D. (1923) The Mind and its Place in Nature. London: Kegan Paul, Trench and Trubner.
• Brown, Harold (1987) Observation and Objectivity. New York: Oxford University Press.
• Carruthers, Peter (2000) Phenomenal Consciousness: a Naturalistic Theory. Cambridge: Cambridge University Press.
• Chalmers, David (1996) The Conscious Mind. Oxford: Oxford University Press.

• Chalmers, David (ed.). (2002) Philosophy of Mind: Classical and Contemporary Readings, Oxford University Press.
• Churchland, Paul. (1992) "Knowing Qualia: A Reply to Jackson", Chapter 4 in A Neurocomputational Perspective, MIT Press, pp. 67–76. Reprinted in The Nature of Consciousness, 1997, edited by Ned Block, Owen Flanagan, and Guven Guzeldere.
• Clark, Austen (1993) Sensory Qualities. Oxford: Clarendon Press.
• Dancy, Jonathan (1988) Perceptual Knowledge. Oxford: Oxford University Press.

• Dennett, D. C. (1988) "Quining qualia", in Consciousness in Contemporary Science, edited by A. Marcel & E. Bisiach, Oxford University Press. Online text
• Dennett, D. C. (1991) Consciousness Explained. Little, Brown, and Company.
• Dennett, D. C. (1996) "Facing Backwards on the Problem of Consciousness", Journal of Consciousness Studies, vol. 3, no. 1, pp. 4–6. Online text
• Dennett, D. C. (1998) "The Unimagined Preposterousness of Zombies", in Brainchildren: Essays on Designing Minds, MIT Press and Penguin. Online abstract
• Drake, Durant (1925) Mind and its Place in Nature. New York: Macmillan.
• Dretske Fred I. (1969) Seeing and Knowing. London: Routledge and Kegan Paul.
• Dretske, Fred I. (1987) Naturalizing the Mind. Cambridge MA: MIT Press.

• Edelman, G. (1990) The Remembered Present: A Biological Theory of Consciousness, Basic Books.
• Edelman, G. and Tononi, G. (2000) Consciousness: How Matter becomes Imagination. London: Allen Lane, The Penguin Press.
• Farah, Martha J. (2000) The Cognitive Neuroscience of Vision. Oxford: Blackwell.
• Foster, J. (2000) The Nature of Perception. Oxford: Oxford University Press.
• Garnett, A. Campbell (1965) The Perceptual Process. London: George Allen & Unwin.
• Gendler, Tamar Szabó, and Hawthorne, John (eds.) (2006) Perceptual Experience. Oxford: Clarendon Press.
• Gram, Moltke S. (1983) Direct Realism: A Study of Perception. The Hague: Martinus Mijhoff.
• Gregory, R. L. (1993) “Hypothesis and illusion: Explorations in perception and science”, in New Representationalisms: Essays in the Philosophy of Perception, Edmond Wright (ed.). Aldershot: Avebury.
• Gunther, York H. (ed.) (2003) Essays on Nonconceptual Content. Cambridge MA: MIT Press.

• Harman, Gilbert. (1990) "The Intrinsic Quality of Experience", Philosophical Perspectives, 4, Action Theory and Philosophy of Mind, pp. 31–52.
• Harnad, Stevan. (2000) "Correlation vs. Causality: How/Why the Mind/Body Problem Is Hard", Journal of Consciousness Studies, vol. 7, no. 4, pp. 54–61. Online text
• Harrison, J. (1976) “Direct perception and the sense-datum theory”, in Contemporary British Philosophy, 4th Series: Personal Statements. London: George Allen & Unwin.
• Heller, Morton (ed.) (2000) Touch ,Representation, and Blindness. Oxford and New York: Oxford University Press.
• Hilbert, David R. (1987) Color and Color Perception: A Study in Anthropocentric Realism. Menlo Park CA: Center for the Study of Language and Information.
• Hirst, R. J. (1959) The Problems of Perception. London: George Allen and Unwin.
• Holman, E. L. (1979) The problem of theory-laden perception, Philosophical Studies, 35, 91-9.
• Horgan, T. (1987) "Supervenient Qualia", Philosophical Review, vol. 96, pp. 491–520.
• Huemer, Michael (2001) Skepticism and the Veil of Perception. Lanham, Boulder and New York: Rowman and Littlefield Piublishers, Inc.
• Jackson, Frank (1977) Perception: A Representative Theory. Cambridge: Cambridge University Press.
• Jackson, Frank. (1982) "Epiphenomenal Qualia", Philosophical Quarterly, vol. 32, pp. 127–36. Online text
• Jones, O. R. (1972) “After-images”, American Philosophical Quarterly, 9, 150-8.
• Kelley, David (1986) The Evidence of the Senses: a Realist Theory of Perception. Baton Rouge and London: Louisiana State University Press.
• Kirk, Robert (1994) Raw Feeling: A Philosophical Account of the Essence of Consciousness. Oxford: Clarendon Press.
• Kitcher, P. S. (1979) "Phenomenal Qualities", American Philosophical Quarterly, vol. 16, pp. 123–9.
• Kosslyn, S. M. (1980) Image and Mind. Cambridge MA: Harvard University Press.
• Kosslyn, S. M. (1994) Image and Brain: The Resolution of the Imagery Debate. Cambridge MA: MIT Press.
• Kripke, Saul. (1971) "Identity and Necessity", in Identity and Individuation, edited by M. K. Munitz, New York: New York University Press.
• Landesman, C. (1989) Color and Consciousness: An Essay in Metaphysics. Philadelphia: Temple University Press.
• Levine, Joseph (2001) Purple Haze: The Puzzle of Consciousness. Oxford and New York: Oxford University Press.
• Lewis, C. I. (1929) Mind and the World Order, New York: C. Scribner's Sons.
• Lewis, David. (1995) "Should a Materialist Believe in Qualia?" Australasian Journal of Philosophy, vol. 73, pp. 140–44.
• Lingis, Alphonso (1996) Sensation: Intelligibility in Sensibility. New York: Humanity Books.
• Llinas, Rodolfo (2001) I of the Vortex. Cambridge MA: MIT Press.
• Locke, Don (1967) Perception and our Knowledge of the External world. London: George Allen & Unwin.
• Lockwood, Michael (1989) Mind, Brain and the Quantum: The Compound “I”. Oxford: Blackwell.
• Ludlow, Peter, Nagasawa, Yujin, and Stoljar, Daniel (eds.) (2004) There’s Something about Mary: Essays on Phenomenal Consciousness and Frank Jackson’s Knowledge Argument. Cambridge MA: MIT Press.
• Lycan, William G. (1996) Consciousness and Experience. Cambridge MA: MIT Press.
• MacClachlan, D. L. C. (1989) Philosophy of Perception. Englewood Cliffs NJ: Prentice-Hall.
• Mandelbaum, M. (1966) Philosophy, Science and Sense Perception: Historical and Critical Studies. Baltimore MD: the Johns Hopkins University Press.
• Matson, Wallace I. (1976) Sentience. Berkeley CA: University of California Press.
• Mausfield, Rainer, and Heyer, Dieter (2004) Colour Perception: Mind and the Physical World. Oxford: Oxford University Press.
• Matthen, Mohan (2005) Seeing, Doing and Knowing: A Philosophical Theory of Sense Perception. Oxford: Clarendon Press.
• McGinn, Colin (1983) The Subjective View. Oxford: Clarendon Press.
• Millar, Alan (1991) Reasons and Experience. Oxford: Clarendon Press.
• Mundle, C. W. K. (1971) Perception: Facts and Theories. Oxford: Oxford University Press.
• Nagel, Thomas. (1979) "What is it Like to be a Bat?" Mortal Questions, Cambridge: Cambridge University Press, pp. 165–180.
• Noë, Alva (2005) Action in Perception. Cambridge MA: MIT Press.
• Noë, Alva and Thompson, Evan (eds.) (2002) Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge MA: MIT Press.
• Palmer, Stephen E. (2002) Vision Science: Photons to Phenomenology. Cambridge MA: MIT Press.
• Peacocke, C. (1983) Sense and Content: Experience, Thought and their Relations. Oxford: Clarendon Press.
• Pennycuick, J. (1971) In Contact with the Physical World. London: George Allen & Unwin.
• Pharoah, M. C. (online). Looking to systems theory for a reductive explanation of phenomenal experience and evolutionary foundations for higher order thought Retrieved Dec.14 2007.
• Pitcher G. (1971) A Theory of Perception. Princeton NJ: Princeton University Press.
• Price, H. H. (1932) Perception. London: Methuen.
• Ramachandran, V. S. and Blakeslee, Sandra (1999) Phantoms in the Brain: Human Nature and the Architecture of Mind. London: Fourth Estate.
• Richardson, John T. E. (1999) Imagery. Hove: Psychology Press Ltd.
• Rosenthal, David M. (2005) Consciousness and Mind. Oxford: Clarendon Press.
• Ross, Jacob J. (1970) The Appeal to the Given: A Study in Epistemology. London: George Allen & Unwin.
• Rundle, Bede (1972) Perception, Sensation and Verification. Oxford: Clarendon Press.
• Schwartz, Robert (1994) Vision: Variations on Some Berkleian Themes. Oxford: Blackwell.
• Schwartz, Robert (ed.) (2004) Perception. Oxford: Blackwell.
• Searle, John. (1997) The Mystery of Consciousness, New York: New York Review Books.
• Sellars , Roy Wood (1932) The Philosophy of Physical Realism. New York: Macmillan.
• Sellars, Wilfrid (1981) The Carus Lectures, The Monist, 64, 3-90.
• Smith, A. D. (2002) The Problem of Perception. Cambridge MA: Harvard University Press.
• Smith, Quentin, and Jokic, Aleksandar (eds.) Consciousness: New Philosophical Perspectives. Oxford: Clarendon Press.
• Soltis, J. F. (1966) Seeing, Knowing and Believing: A Study of the Language of Visual Perception. London: George Allen and Unwin.
• Stroud, Barry (2000) The Quest for Reality: Subjectivism and the Metaphysics of Colour. New York and Oxford: Oxford University Press.
• Thau, Michael (2002) Consciousness and Cognition. Oxford: Oxford University Press.
• Thompson, Evan 1995) Colour Vision: A Study in Cognitive Science and the Philosophy of Perception. London and New York: Routledge.
• Valberg, J. J. (1992) The Puzzle of Experience. Oxford: Clarendon Press.
• Vision, Gerald (1997) Problems of Vision: Rethinking the Causal Theory of Perception. New York and London: Oxford University Press.
• Warnock, G. J. (!955-6) “Seeing”, Proceedings of the Aristotelian Society, 55, 201-18.
• Warnock, G. J. (ed.) (1967) The Philosophy of Perception. Oxford: Oxford University Press.
• Westphal, Jonathan (1987) Colour: Some Philosophical Problems from Wittgenstein. Oxford: Blackwell.
• Wright, Edmond (1989) Querying “Quining Qualia”, Acta Analytica, 4, 9-31.
• Wright, Edmond (2008) The Case for Qualia, MIT Press, Cambridge, MA
• Wright, Edmond (2005) Narrative, Perception, Language, and Faith, Palgrave-Macmillan, Basingstoke

• Zeki, Semir (1999) Inner Vision: An Exploration of Art and the Brain. Oxford: Oxford University Press.

[edit] External links

• Online papers on qualia, by various authors, compiled by David Chalmers
• Absent Qualia, Dancing Qualia, Fading Qualia — by David Chalmers
• "Field Guide to the Philosophy of Mind"
  • The Knowledge Argument — by Torin Alter
  • Qualia Realism. — by William Robinson.
• Qualia! (Now Showing at a Theatre Near You) — By Eric Lormand. A response to Dennett.
• Quining Qualia — by Daniel Dennett
• The Stanford Encyclopedia of Philosophy:
  • Inverted Qualia — by Alex Byrne.
  • Qualia — by Michael Tye.
  • Qualia: The Knowledge Argument — by Martine Nida-Rümelin.
• Three Laws of Qualia — by Ramachandran and Hirstein (biological perspective).