Kafka on the Shore

From Wikipedia, the free encyclopedia

Kafka on the Shore
Cover of English translation
Author	Haruki Murakami
Original title	海辺のカフカ Umibe no Kafuka'
Translator	J. Philip Gabriel
Country	Japan
Language	Japanese
Genre(s)	Novel
Publisher	Harvill Press (UK)/Alfred A. Knopf (US)
Publication date	2002
Published in English	January 2005
Media type	print (hardback & paperback)
Pages	656 pp
ISBN	1-84343-110-6

Kafka on the Shore (海辺のカフカ ,Umibe no Kafuka^?) is a novel by Japanese author Haruki Murakami (2002). John Updike described it as a "real page-turner, as well as an insistently metaphysical mind-bender".^[1] Since its 2005 English language release (2006 PEN/Book-of-the-Month Club Translation Prize-winning translation by Philip Gabriel), the novel has received mostly positive reviews and critical acclaim, including a spot on the New York Times 10 Best Books of 2005 and the World Fantasy Award.^[2][3]

[edit] Plot summary

Comprising two distinct but interrelated plots, the narrative runs back and forth between the two, taking up each plotline in alternating chapters.

The odd chapters tell the 15 year old Kafka's story as he runs away from his father's house to escape an Oedipal curse and to embark upon a quest to find his mother and sister.^[4] After a series of adventures, he finds shelter in a quiet, private library in Takamatsu, run by the distant and aloof Miss Saeki and the androgynous Oshima. There he spends his days reading the unabridged Richard Francis Burton translation of A Thousand and One Nights and the collected works of Natsume Sōseki until the police begin inquiring after him in connection with a brutal murder.

The even chapters tell Nakata's story. Due to his uncanny abilities, he has found part-time work in his old age as a finder of lost cats (a clear reference to The Wind-Up Bird Chronicle). The case of one particular lost cat puts him on a path that ultimately takes him far away from his home, ending up on the road for the first time in his life. He befriends a truck-driver named Hoshino. Hoshino takes him on as a passenger in his truck and soon becomes very attached to the old man.

Nakata and Kafka are on a collision course throughout the novel, but their convergence takes place as much on a metaphysical plane as it does in reality and, in fact, that can be said of the novel itself. Due to the Oedipal theme running through much of the novel, Kafka on the Shore has been called a modern Greek tragedy.

[edit] Major themes

Kafka on the Shore demonstrates Murakami's typical blend of popular culture, quotidian detail, magical realism, suspense, humor, an involved and at times confusing plot, and potent sexuality.^[5] It also features an increased emphasis on Japanese religious traditions, particularly Shintoism.^[6] The main characters are significant departures from the typical protagonist of a Murakami novel, such as Toru Watanabe of Norwegian Wood and Toru Okada of The Wind-Up Bird Chronicle, who are typically 30-ish and rather humdrum personalities.^[4] However, many of the same themes re-occur in Kafka on the Shore as were first developed in these and other previous novels.

The power and beauty of music as a communicative medium is a central theme of the novel—the very title comes from a pop song Kafka is given on a record in the library.^[7][8] The music of Beethoven, specifically the Archduke Trio is also used as a redemptive metaphor.^[9] Among other prominent themes are: the virtues of self-sufficiency and efficiency, the relation of dreams and reality, the specter of the heritage of World War II, the threat of fate, the uncertain grip of prophecy, and the power of nature.

Hegel has an influence on the book and is referenced directly at one point.^[10] Thesis, antithesis, synthesis in particular plays a role.

[edit] Characters

[edit] Humans

• Kafka Tamura: Clearly named in honor of the Czech writer Franz Kafka, Kafka is a "cool, tall, fifteen-year-old boy lugging a backpack and a bunch of obsessions" and the son of the famous sculptor Koichi Tamura. His mother and sister left the family almost before he became conscious of them. He occasionally interacts with a hectoring, exhortative alter ego "The boy named Crow" (as told in the story, although jackdaw is closer to Czech meaning). Crow tells himself throughout the novel that he must be "the toughest fifteen-year-old in the world."

• Satoru Nakata: A "mentally defective sexagenarian", in the words of John Updike.^[1] Nakata lost many of his mental faculties when, as one of sixteen schoolchildren out on a mushroom-gathering field-trip toward the end of World War II, he was rendered unconscious following a mysterious flash of light in the sky . Unlike the other children, who lost consciousness briefly, Nakata remained unconscious for many weeks, and, upon finally awakening, found that his memory and his ability to read had disappeared, as well as his higher intellectual functions. In their place, Nakata found he was able to communicate with cats.

• Oshima: A 21-year-old, transsexual gay male. He is a librarian and a owner of a mountain retreat who becomes close to Kafka throughout the course of the novel; also a haemophiliac.

• Hoshino: A truck driver in his mid-twenties. He befriends Nakata, due to his resemblance to his own grandfather, and transports and assists Nakata towards his uncertain goal.

• Miss Saeki: The manager of a private library, where Oshima works and where Kafka lives through much of the novel. She was previously a singer, and performed the song "Kafka on the Shore", which unites many of the novel's themes and gives it its title. She may also be Kafka's mother.

• Sakura: A young woman Kafka meets on the bus who helps him later on. She may be his sister.

• Johnnie Walker: A cat killer who plans to make a flute out of cats' souls. He may also be Kafka's father, the renowned sculptor Koichi Tamura. His name is taken from Johnnie Walker, a brand of Scotch whisky, and he dresses to appear like the man featured in the brand's logo.

• Colonel Sanders: A "concept" who takes the form of a pimp or hustler. He is named after, and appears similar to, Harland Sanders, the founder and face of Kentucky Fried Chicken.

[edit] Cats

• Goma: A lost cat owned by Mrs. Koizumi.

• Kawamura: A cat who was addled by a bicycle. Nakata cannot understand him.

• Mimi: An intelligent Siamese cat.

• Okawa: A tabby cat.

• Toro: A black cat.

[edit] Understanding the Novel

After the novel's release, Murakami's Japanese publisher set up a website allowing readers to submit questions regarding the meaning of the book. 8,000 questions were received and Murakami responded personally to about 1,200 of them.^[11] In an interview posted on his English language website, Murakami states that the secret to understanding the novel lies in reading it multiple times: "Kafka on the Shore contains several riddles, but there aren't any solutions provided. Instead, several of these riddles combine, and through their interaction the possibility of a solution takes shape. And the form this solution takes will be different for each reader. To put it another way, the riddles function as part of the solution. It's hard to explain, but that's the kind of novel I set out to write".^[11]

[edit] References

[edit] External links

• Exorcising Ghosts Page with plenty of links to reviews
• Official Haruki Murakami Website
• New Yorker Review by John Updike
• Kafka on the Shore Reviews at Metacritic.com
• Review of Kafka on the Shore, The Oxonian Review of Books
• Review of Kafka on the Shore, Shogokawada.com
• Review of Kafka on the Shore, Mottled Review
• Review of Kafka on the Shore, Complete-review.com
• Kafka on the Shore, reviewed by Ted Gioia (The New Canon)

[edit] Interviews

• Interview with Murakami on Kafka on the Shore, Book Browse