No Country for Old Men (film)

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No Country for Old Men

Theatrical release poster
Directed by Joel Coen
Ethan Coen
Produced by Joel Coen
Ethan Coen
Scott Rudin
Written by Novel:
Cormac McCarthy
Screenplay:
Joel Coen
Ethan Coen
Starring Tommy Lee Jones
Javier Bardem
Josh Brolin
Woody Harrelson
Kelly Macdonald
Music by Carter Burwell
Cinematography Roger Deakins
Editing by Roderick Jaynes
Distributed by Miramax Films (US)
Paramount Vantage (non-US)
Release date(s) United States:
November 9, 2007
(limited)
November 21, 2007
(wide)
Australia:
December 26, 2007
United Kingdom:
January 18, 2008
Running time 122 min.
Country United States
Language English
Spanish
Budget US$25 million
Gross revenue $162,113,336

No Country for Old Men is a 2007 crime thriller film adapted for the screen and directed by Joel and Ethan Coen, and starring Tommy Lee Jones, Javier Bardem, and Josh Brolin. Adapted from the Cormac McCarthy novel of the same name,[1][2] No Country for Old Men tells the story of a botched drug deal and the ensuing cat-and-mouse drama, as three men crisscross each other's paths in the desert landscape of 1980 West Texas. The film examines the themes of fate and circumstance the Coen brothers have previously explored in Blood Simple and Fargo.

No Country for Old Men has been highly praised by critics. Roger Ebert of the Chicago Sun-Times called it "as good a film as the Coen brothers...have ever made."[3] Guardian journalist John Patterson said the film proved "that the Coens' technical abilities, and their feel for a landscape-based Western classicism reminiscent of Anthony Mann and Sam Peckinpah, are matched by few living directors."[4] The film was honored with numerous awards, garnering three British Academy of Film awards, two Golden Globes, and four Academy Awards for Best Picture, Best Director (Joel and Ethan Coen), Best Adapted Screenplay and Best Supporting Actor (Javier Bardem).

Contents

[edit] Plot

 The plot summary in this article is too long or detailed compared to the rest of the content. Please edit the article to focus on discussing the work rather than merely reiterating the plot. (March 2009)

West Texas in June 1980 is desolate, wide-open country, and Ed Tom Bell (Tommy Lee Jones) laments the increasing violence in a region where he, like his late father before him, has risen to the office of sheriff.

Anton Chigurh (Javier Bardem) strangles a sheriff's deputy with his own handcuffs, steals his patrol car, pulls over another vehicle and murders the driver with a cattle gun.

Llewelyn Moss (Josh Brolin), hunting near the Rio Grande, discovers a group of corpses, vehicles and a lone dying Mexican, the aftermath of a heroin deal gone awry. He also finds two million dollars in a satchel not far from the massacre and drives home. Moss cannot sleep and returns with water for the dying man, but he's set upon by a pair in a jeep who chase him into the river. Moss barely escapes, his boots lost and his truck abandoned.

Chigurh tours the crime scene with a pair of well-dressed gangsters. He grabs Moss's truck's registration plate, receives their transponder, and kills them.

Moss fears the money's owners will trace his truck in the morning and insists that his wife Carla Jean (Kelly Macdonald) stay with her mother in Odessa, Texas. Chigurh arrives as predicted and breaks into the Moss trailer using his cattle gun, finding nothing of use but a bottle of milk and the latest phone bill.

Hiding in a Del Rio motel, Moss stashes the satchel in a ventilation duct and goes out for new boots. Upon his return, he realizes he's been followed and spends the night elsewhere.

Chigurh calls a number from the Moss phone bill and talks briefly to Carla Jean's mother in Odessa. His entry to Del Rio almost immediately yields a transponder signal that allows him to trace the money. Meanwhile, Moss has returned to the motel to rent another room connected to the ventilation duct. That night, Chigurh bursts into Moss's original room and slaughters the interlopers. Searching for the satchel, he notices the vent cover, unscrews it from the wall using a dime, and discovers he's too late; Moss makes his way to a border town hotel with the satchel.

The owner of the cash (Stephen Root) hires Carson Wells (Woody Harrelson) to find Chigurh and the funds.

Moss finally discovers the radio transponder hidden in the money. Moments later, Chigurh blows out his lock, and the two engage in an intense firefight that spills onto the streets. In the aftermath, Moss is left badly wounded. Making his way to the border on foot, he tosses the satchel into the underbrush of the Rio Grande. Chigurh treats a shotgun wound with stolen meds and gruesome courage.

Wells finds Moss in a Mexican hospital and fails to persuade him to give up on the cash, so he leaves his number. He manages to locate the satchel, but before he can retrieve it, Chigurh finds him. The antagonists spar verbally until the phone rings. Chigurh shoots Wells, carefully keeping his boots out of the blood, and answers the phone. He promises Moss that he'll spare Carla Jean if he brings him the money. Moss's defiant response is to exit the hospital.

Moss calls Carla Jean to set up a meeting in an El Paso motel where he can give her the money and fly her out. Chigurh murders the funds' owner. Carla Jean, worried for Moss's safety, contacts Bell and gives him the location of the meet. At the Odessa bus station, Carla Jean's mother spills her destination city to a natty Mexican. Chigurh guesses that Moss will go to the nearest airport -- El Paso's.

The Mexicans get to Moss first. Hours later, Carla Jean arrives and learns of her late husband's fate from Bell, who returns to the crime scene to find that the lock to Moss's room is blown out. Behind the door hides Chigurh, armed. Gun drawn, Bell enters the room. All is quiet, so he relaxes, holsters his gun, then notices the vent cover has been removed with a dime; the ventilation duct is empty.

Sometime later, Bell visits his Uncle Ellis (Barry Corbin), an ex-lawman, wheelchair-bound from an in-service wound. He criticizes Bell's plans to "quit" in response to being "overmatched," retelling the story how Uncle Max was shot dead in 1909. For Ellis, believing it's all about you is "vanity."

Carla Jean returns from her mother's funeral to find Chigurh lying in wait. He recalls the pledge he made to her husband that could have spared her, then offers her a chance to save her life by calling a coin toss. Carla Jean will not play, instead reminding him that the choice is his alone.

Chigurh comes out of her house and doublechecks the bottoms of his boots before he drives away. As he navigates the quiet, sunny streets, a station wagon runs a red light; he suffers a compound fracture to his arm but manages to walk away before the authorities arrive.

Now retired, Bell shares with his wife Loretta (Tess Harper) two disquieting dreams. In the first, he lost "some money" that his late father had given him; in the second, his father rode past him on a snowy mountain pass, going ahead to make a fire in the surrounding cold darkness. Whenever Bell got there, he knew his father would be waiting.

[edit] Themes and style

While No Country for Old Men is a "doggedly faithful" adaptation of McCarthy's 2005 novel and its themes, the film also revisits themes which the Coens had explored in their earlier movies Blood Simple and Fargo.[5] The novel's motifs of chance, free-will, and predestination are familiar territory for the Coen brothers, who presented similar threads and tapestries of "fate [and] circumstance" in earlier works including Raising Arizona, which featured another seemingly unkillable maniacal hitman, albeit less serious in tone.[6][7] Numerous critics cited the importance of chance to both the novel and the film, focusing on Chigurh's fate-deciding coin flipping,[8] but noted that the nature of the film medium made it difficult to include the "self-reflective qualities of McCarthy’s novel."[9]

In The Village Voice, Scott Foundas writes that "Like McCarthy, the Coens are markedly less interested in who (if anyone) gets away with the loot than in the primal forces that urge the characters forward... In the end, everyone in No Country for Old Men is both hunter and hunted, members of some endangered species trying to forestall their extinction."[10] Roger Ebert writes that "the movie demonstrates how pitiful ordinary human feelings are in the face of implacable injustice."[3]

New York Times critic A.O. Scott points out that Chigurh, Moss, and Bell each "occupy the screen one at a time, almost never appearing in the frame together, even as their fates become ever more intimately entwined."[11]

Variety critic Todd McCarthy describes Chigurh's modus operandi:

“ Death walks hand in hand with Chigurh wherever he goes, unless he decides otherwise ... if everything you've done in your life has led you to him, he may explain to his about-to-be victims, your time might just have come. 'You don't have to do this,' the innocent invariably insist to a man whose murderous code dictates otherwise. Occasionally, however, he will allow someone to decide his own fate by coin toss, notably in a tense early scene in an old filling station marbled with nervous humor.[12] ”

[edit] Production

Producer Scott Rudin bought the book rights to McCarthy's novel and suggested a film adaptation to the Coen Brothers, who at the time were attempting to adapt the novel To the White Sea by James Dickey.[13] By August 2005, the Coen Brothers agreed to write and direct a film adaptation of No Country for Old Men, having identified with how the novel provided a sense of place and also how it played with genre conventions. Joel Coen said of the unconventional approach, "That was familiar, congenial to us; we're naturally attracted to subverting genre. We liked the fact that the bad guys never really meet the good guys, that McCarthy did not follow through on formula expectations."[13][14] The Coens also identified the appeal of the novel to be its "pitiless quality". Ethan Coen explained, "That's a hallmark of the book, which has an unforgiving landscape and characters but is also about finding some kind of beauty without being sentimental." The adaptation was to be the second of McCarthy's work, following the 2000 film All the Pretty Horses.[15]

[edit] Writing

The brothers kept the script faithful to the book, only pruning the story where necessary.[13] The script was so faithful to the novel that Ethan described the screenwriting process by saying, "[O]ne of us types into the computer while the other holds the spine of the book open flat."[4] A teenage runaway who appeared late in the book and the backstory related to Bell were both removed.[16] Also changed from the source material was Carla Jean Moss' reaction when finally faced with the imposing figure of Chigurh. As Kelly MacDonald explained to CanMag: "The ending of the book is different. She reacts more in the way I react. She kind of falls apart. In the film she's been through so much and she can't lose any more. It's just she's got this quiet acceptance of it."[17]

The writing is also notable for its minimal use of dialogue, relying mostly on imagery and editing to create the film's dramatic tension.[citation needed] Josh Brolin discussed his initial nervousness with having so little dialogue to work with:

I mean it was a fear, for sure, because dialogue that’s what you kind of rest upon as an actor, you know? [...] Drama and all the stuff is all dialogue motivated. You have to figure out different ways to convey ideas. You don’t want to over-compensate because the fear is that you’re going to be boring if nothing’s going on. You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn’t need to be there. So yeah, I was a little afraid of that in the beginning.[18]

[edit] Casting

Actors Javier Bardem and Tommy Lee Jones entered talks to join the cast in February 2006.[19] Jones was the first actor to be officially cast in No Country for Old Men. The Coen Brothers felt that Jones fit the role since they wanted to avoid sentimentality and not have the audiences perceive the character to be a Charley Weaver.[13] Praising Tommy Lee Jones' credentials, the Coen brothers said, "He's from San Saba, Texas, not far from where the movie takes place. He's the real thing regarding that region." Joel Coen further outlined the directors' reasons for hiring Tommy Lee Jones in interview with Emanuel Levy:

There are just very, very few people who can carry a role like this one [...] Sheriff Bell is the soul of the movie and also, in a fundamental way, the region is so much a part of Sheriff Bell, so we needed someone who understood it [...] It’s a role that also requires a kind of subtlety that only a really, really great actor can bring to it. Again, the list of these is pretty short, so when you put those two criteria together, you come up with Tommy Lee Jones. Being a Texan, the region is a part of his core.[20]

Josh Brolin joined the cast shortly after in April, prior to the start of production.[21] Robert Rodriguez and Quentin Tarantino filmed Brolin's first audition for the movie on a Panavision Genesis camera during lunch while filming Grindhouse. However, Brolin was initially overlooked for the role of Llewelyn. Other actors had been offered the role, including Heath Ledger, who turned down the offer to take time off from acting.[22] According to Brolin, the Coens' only response to the audition tape was, "Who lit it?"[23] Brolin said it was only due to his agents' persistence that he eventually got a callback:

What I found out now was their last casting session, they were focused on a couple of actors. They called me the night before and they said, basically, no harm, no foul. ‘Leave us alone, have him come down.’ I studied a few scenes and I came down and I met them, and there was really no reaction in the meeting. I walked out thinking, ‘It was great meeting the Coens. I’m a big fan. That’s cool.’ And by the time I got home I found out they wanted me to do it.[18]

Brolin broke his collarbone in a motorcycle accident a few days before filming was due to begin; however he and his doctor lied about the extent of his injury to the Coens and they let him continue in the role.[24]

The Coens later wrote a short tongue-in-cheek piece for Esquire magazine called "Josh Brolin, the Casting Mistake of the Year," in which they claimed to have believed that they had cast James Brolin in the role of the aging Vietnam vet, and upon realizing their mistake were forced to reset the movie in the year 1980, and attempted, unsuccessfully, to recast Tommy Lee Jones' role with Shia LaBeouf.[25]

Kelly Macdonald's agent originally wasn't sure she was right for the part of Moss' wife, and Macdonald is reported as having to "fight for the role".[26] Her persistence paid off though, as she was nominated for a BAFTA for best supporting actress.

[edit] Shooting

The project was a co-production between Miramax Films and Paramount's classics-based division in a 50/50 partnership, and production was scheduled for May 2006 in New Mexico and Texas. With a total budget of $25 million, production was slated to take place in the cities of Las Vegas, Albuquerque and Santa Fe, New Mexico, as well as in the state of Texas. Filmmakers estimated spending between $12 and $17 million of the budget in New Mexico.[27] A movie set of a border checkpoint was built at the intersection of Interstate 25 and New Mexico State Highway 65.[28] The bulk of the film was shot in New Mexico, and primarily there in Las Vegas, which doubled as the border towns of Eagle Pass and Del Rio, Texas. The U.S.-Mexico border crossing bridge was actually a freeway overpass in Las Vegas. Other scenes were filmed around Marfa and Sanderson in West Texas, and the scene in the town square was filmed in Piedras Negras, Coahuila in Mexico.[29]

Cinematographer Roger Deakins, collaborating with the Coen Brothers for the ninth time, spoke of his approach to the film's look: "The big challenge on No Country for Old Men is making it very realistic, to match the story. It's early days, but I'm imagining doing it very edgy and dark, and quite sparse. Not so stylized."[30]

[edit] Directing

One of the Coen brothers' influences was the works of director Sam Peckinpah. In an interview for The Guardian, they said "Hard men in the south-west shooting each other – that's definitely Sam Peckinpah's thing. We were aware of those similarities, certainly."[4] In an interview in the Sydney Morning Herald, the Coens discussed choreographing and directing the film's violent scenes: " 'That stuff is such fun to do,' the brothers chime in at the mention of their penchant for blood-letting. 'Even Javier would come in by the end of the movie, rub his hands together and say, 'OK, who am I killing today?' adds Joel. 'It's fun to figure out,' says Ethan. 'It's fun working out how to choreograph it, how to shoot it, how to engage audiences watching it.'"[31]

Josh Brolin discussed the brothers' directing style in interview, saying that the Coens "Only really say what needs to be said. They don’t sit there as directors and manipulate you and go into page after page to try to get you to a certain place. They may come in and say one word or two words, so that was nice to be around in order to feed the other thing. What should I do right now? I’ll just watch Ethan go humming to himself and pacing. Maybe that’s what I should do, too.'"[18]

[edit] Musical score and sound

Unusual for a thriller, the Coens worked against Hollywood convention and minimized the score used in the film, leaving large sections devoid of music. The concept was Ethan's, who persuaded a skeptical Joel to go with that idea. There is some music in the movie, scored by the Coens' longtime composer, Carter Burwell, but after finding that "most musical instruments didn’t fit with the minimalist sound sculpture he had in mind [...] he used singing bowls, standing metal bells traditionally employed in Buddhist meditation practice that produce a sustained tone when rubbed." The movie contains a "mere" 16 minutes of music, with several of those in the end credits. The music in the trailer was called "Diabolic Clockwork" by Two Steps From Hell. Sound editing and effects were provided by another longtime Coens collaborator, Skip Lievsay, who used a mixture of emphatic sounds (gun shots) and ambient noise (engine noise, prairie winds) in the mix. The cattle gun used by Chigurh was in fact voiced by a pneumatic nail gun.[32]

[edit] Title

The title of the book and the film is taken from the opening line of 20th-century Irish poet and dramatist William Butler Yeats' poem "Sailing to Byzantium."[33]

[edit] Cast and characters

  • Tommy Lee Jones as Sheriff Ed Tom Bell: A laconic, soon-to-retire small-town sheriff. In September 2008, Jones announced that he was going to sue Paramount Pictures for $10 million, which he claims he is owed for his work on the film. Jones claimed he was not paid the correct bonuses and had expenses wrongly deducted.[34]
  • Josh Brolin as Llewelyn Moss: A welder and Vietnam veteran who flees with two million dollars in drug money that he finds in an open field in Texas.
  • Javier Bardem as Anton Chigurh: A sociopathic assassin hired to recover the drug money. The character was a recurrence of the "Unstoppable Evil" archetype found in the Coen Brothers' work, though the brothers wanted to avoid one-dimensionality, particularly a comparison to The Terminator.[16] The Coen Brothers sought to cast someone "who could have come from Mars" to avoid a sense of identification. The brothers introduced the character in the beginning of the film in a manner similar to the opening of the 1976 film The Man Who Fell to Earth.[13] Chigurh has been perceived as a "modern equivalent of Death from Ingmar Bergman's 1957 film The Seventh Seal".[35] Chigurh's distinctive look was derived from a 1979 photo from a book supplied by Jones which featured photos of brothel patrons on the Texas-Mexico border.[36] Describing his "extraordinary moptop haircut," Bardem said, "You don't have to act the haircut. The haircut acts by itself." He also reportedly said after seeing himself with the new hairdo for the first time, "Oh no, now I won't get laid for two months." Bardem signed on because he had been a Coens fan ever since he saw their debut, Blood Simple.[37]
  • Kelly Macdonald as Carla Jean Moss: Llewelyn Moss' wife. Despite having severe misgivings about her husband's plans to keep the money, she still supports him. Macdonald said that what attracted her to the character of Moss was that she "wasn't obvious. She wasn't your typical trailer trash kind of character. At first you think she's one thing and by the end of the film, you realize that she's not quite as naïve as she might come across"[17]
  • Woody Harrelson as Carson Wells: A cocky bounty hunter and retired colonel hired to intercept Chigurh and recover the drug money.
  • Tess Harper as Loretta Bell: Bell's wife, provides reassurance in his darker moods.
  • Barry Corbin as Ellis: A retired sheriff shot in the line of duty and now wheelchair-bound. He acts as a straight-talking sounding board to his nephew, Bell.
  • Beth Grant as Agnes: Carla Jean's mother and the mother-in-law of Moss. She provides a little comic relief despite the fact that she is dying from "the cancer".
  • Stephen Root as Man who hires Wells: A mysterious figure who apparently was involved in the financing of the drug deal and the search for the money. He hired Wells, Chigurh and the Mexicans.
  • Gene Jones as Thomas Thayer: Elderly rural gas station clerk with good fortune, as his call on Anton's coin flip saves his life.
  • Garret Dillahunt as Wendell: Bell's inexperienced deputy sheriff, Wendell assists in the investigation and provides comic relief.
  • Brandon Smith as INS official: Stern guard in sunglasses who lets Moss through the border once he learns he was in the Vietnam War.

[edit] Release

[edit] Theatrical run

No Country for Old Men premiered in Competition at the Cannes Film Festival on May 19, 2007.[38] The film commercially opened in limited release in 28 theaters in the United States on November 9, 2007, grossing $1,226,333 over the opening weekend. The film expanded to a wide release in 860 theaters in the United States on November 21, 2007, grossing $7,776,773 over the first weekend. The film subsequently increased the number of theaters to 2,037.[39] The film opened in Australia on December 26, 2007, and in the United Kingdom (limited release) and Ireland on January 18, 2008.[40] As of February 13th, 2009, the film has grossed $74,283,000 domestically (United States).[39]

[edit] Home media

Buena Vista Home Entertainment released the movie on DVD and in the high definition Blu-ray format on March 11, 2008 in the US. The only extras are three behind–the–scenes featurettes.[41]

The Region 2 DVD (courtesy of Paramount) was released on June 2. If purchased from Play.com the DVD comes with a set of limited edition art cards. HMV is selling the DVD in an exclusive Steelbook case. The film was released on Blu-ray Disc in the UK on September 8, 2008.

A 3-disc Special Editon with Digital Copy was released on DVD and Blu-Ray on April 7, 2009.

[edit] Reception

As of October 22, 2008, the review aggregator Rotten Tomatoes recorded that 199 of 211 (94%) critics gave the film positive reviews,[42] while another review aggregator, Metacritic, records an average score of 91%, based on 37 reviews.[43] The film was widely discussed as a possible candidate for several Oscars,[44][45][46] before going on to receive eight nominations, eventually winning four Academy Awards in 2008. Javier Bardem, in particular, has received considerable praise for his performance in the film. Roger Ebert gave the movie a four star review saying that it was "a masterful evocation of time, place, character, moral choices, immoral certainties, human nature and fate."[47] Walter Chaw of Film Freak Central also praised the film as an effective adaptation of the source novel, declaring "...the Coens have distilled the essence of McCarthy's gash-deep nostalgia for the illusory, ephemeral past... and packaged it in the very best moments of their own well of extraordinary visions".[48] Two minority, dissenting voices were Jonathan Rosenbaum (Chicago Reader) and Pulitzer Prize-winning critic Stephen Hunter (The Washington Post). Rosenbaum gave it 1.5 out of 5 stars, saying while admiring the film's aesthetics, questioned its moral culpability: for him, the Coens expend great energy on depicting horror, while encouraging us to "hypocritically shake our heads at the sadness of it all".[49] Hunter gave it 2.5 out of 5 stars and also acknowledged the Coens's film craft, but "just [didn't] like it very much": "Nobody goes to the movies for the irony. They go for the satisfaction."[50]

David Stratton and Margaret Pomeranz both gave the film five stars. Stratton remarked "this magnificent film represents the best work the Coen Brothers have done since Fargo. Like that movie classic, this is a cold-blooded thriller with a darkly humorous edge" and "Hitchcock wouldn’t have done the suspense better." Pomeranz said "it resonates within me. It's got such a sense of place and language."[51] Time magazine's Richard Corliss named the film one of the Top 10 Movies of 2007, ranking it at #1. Corliss praised Bardem’s performance as “mesmerizing” and “astonishing”, and the film as “dry, funny, beautifully acted, thrillingly cinematic.”[52] Corliss’ fellow Time writer Richard Schickel ranked the film #2 on his own Top 10 list, saying that the film returned the Coen brothers “to their best emotional territory of Fargo and Miller's Crossing, a place where comic innocence and unmediated violence explosively coexist. You don't know whether to laugh or cry, but you cannot avert your eyes from the resulting chaos.”[53]

[edit] Reviews

[edit] Top ten lists

The film appeared on more critics' top ten lists (354) than any other film of 2007, and was more critics' #1 film (90) than any other.[54] Some of the notable critics' placement of No Country for Old Men are:[55]

[edit] Awards and nominations

See also: List of No Country for Old Men awards and nominations

No Country for Old Men was nominated for eight Academy Awards and won four, including Best Picture.[46] Additionally, Javier Bardem won Best Performance by an Actor in a Supporting Role; the Coen Brothers won Achievement in Directing (Best Director) and Best Adapted Screenplay. Other nominations included Best Film Editing (the Coen Brothers as Roderick Jaynes), Best Cinematography (Roger Deakins), Best Sound Editing and Best Sound Mixing.[58]

The film was nominated for four Golden Globe Awards, winning two at the 65th Golden Globe Awards.[59] Javier Bardem won Best Performance by an Actor in a Supporting Role in a Motion Picture and the Coen Brothers won Best Screenplay – Motion Picture. The film was also nominated for Best Motion Picture – Drama, and Best Director (Coen Brothers). Earlier in 2007 it was nominated for the Palme d'Or at the Cannes Film Festival.[60] The Screen Actors Guild gave a nomination nod to the cast for its "Outstanding Performance".[61] The film won top honors at the Directors Guild of America Awards for Joel and Ethan Coen. The film was nominated for nine Orange British Academy Film Awards's in 2008 and won in three categories; Joel and Ethan Coen winning the award for Best Director, Roger Deakins winning for Best Cinematography and Javier Bardem winning for Best Supporting Actor.[62] It has also been awarded the David di Donatello for Best Foreign Film.

Consonant with the positive critical response, No Country for Old Men received widespread formal recognition from numerous North American critics' associations (New York Film Critics Circle, Toronto Film Critics Association, Washington D.C. Area Film Critics Association, National Board of Review, New York Film Critics Online, Chicago Film Critics Association, Boston Society of Film Critics, Austin Film Critics Association, and San Diego Film Critics Society).[63][64][65][66][67] The American Film Institute listed it as an AFI Movie of the Year for 2007, and the Australian Film Critics Association and Houston Film Critics Society both voted it best film of 2007.[68]

[edit] References

  1. ^ Thompson, Gary (November 9, 2007). "Creep in the heart of Texas". Philadelphia Daily News. http://www.philly.com/dailynews/columnists/gary_thompson/11139467.html. Retrieved on 2008-01-04. 
  2. ^ Schwarzbaum, Lisa (November 7, 2007). "No Country for Old Men". EW.com. http://www.ew.com/ew/article/0,,20158940,00.html. Retrieved on 2008-01-04. 
  3. ^ a b Roger Ebert Chicago Sun-Times, November 8, 2007.
  4. ^ a b c Patterson, John (2007-12-21). "'We've killed a lot of animals'". Guardian. Film/Interviews. http://film.guardian.co.uk/interview/interviewpages/0,,2230352,00.html. Retrieved on 2007-12-27. 
  5. ^ Stratton, David. "No Country for Old Men interview". At the Movies. http://www.abc.net.au/atthemovies/txt/s2099585.htm. 
  6. ^ Weitner, Sean (November 14, 2007). "Review of No Country For Old Men". Flak Magazine. http://www.flakmag.com/film/nocountry.html. Retrieved on 2007-12-21. 
  7. ^ "Both book and movie offer glimpses of a huge, mysterious pattern that we and the characters can't quite see — that only God could see, if He hadn't given up and gone home." Burr, Ty (November 9, 2007). "The Coen brothers' cat and mouse chase in the sweet land of liberty". The Boston Globe. http://boston.com/movies/display?display=movie&id=10477. Retrieved on 2007-12-21. 
  8. ^ McCarthy, Todd (May 18, 2007). "No Country for Old Men: Cannes Film Festival Review". Variety.com. http://www.variety.com/index.asp?layout=Cannes2007&jump=review&reviewid=VE1117933677. Retrieved on 2007-12-21. 
  9. ^ Morefield, Kenneth R. "Christian Spotlight on the Movies: No Country for Old Men". Christian Spotlight. http://www.christiananswers.net/spotlight/movies/2007/nocountryforoldmen2007.html. Retrieved on 2007-12-21. 
  10. ^ Scott Foundas, 'Badlands', Village Voice, November 6, 2007.
  11. ^ Scott, A. O. (2007-11-09), "He Found a Bundle of Money, And Now There's Hell to Pay", New York Times: Performing Arts/Weekend Desk (1), http://movies.nytimes.com/2007/11/09/movies/09coun.html 
  12. ^ McCarthy, Todd (2007-05-28), "No Country for Old Men (Movie review)", Variety 407 (2): 19, http://www.variety.com/index.asp?layout=cannes2007&jump=review&reviewid=VE1117933677&cs=1 
  13. ^ a b c d e Kenneth Turan (2007-05-18). "Coens' Brutal Brilliance Again on Display". Los Angeles Times. 
  14. ^ Michael Fleming (2005-08-28). "Rudin books tyro novel". Variety. http://www.variety.com/article/VR1117928172.html?categoryid=1236&cs=1. Retrieved on 2007-12-23. 
  15. ^ Nicholas Addison Thomas (2005-10-09). "A mesmerizing tale of desperation". The Free Lance-Star. 
  16. ^ a b Michael Phillips (2007-05-21). "Coen brothers revisit Unstoppable Evil archetype". Chicago Tribune. 
  17. ^ a b Topel, Fred. "Kelly MacDonald on No Country for Old Men". CanMag. http://www.canmag.com/nw/9642-no-country-for-old-men-kelly-macdonald. 
  18. ^ a b c Murray, Rebecca. "Josh Brolin Discusses No Country for Old Men". about.com. http://movies.about.com/od/nocountryforoldmen/a/countryjb111307.htm. 
  19. ^ Michael Fleming (2006-02-01). "'Country' time for Coens". Variety. http://www.variety.com/article/VR1117937286.html?categoryid=13&cs=1. Retrieved on 2007-12-23. 
  20. ^ "No Country for Old Men: Joel and Ethan Coen Interview". Emanuel Levy. http://www.emanuellevy.com/article.php?articleID=5798. 
  21. ^ Michael Fleming (2006-08-26). "Coens' 'Country' man". Variety. http://www.variety.com/article/VR1117942126.html?categoryid=1238&cs=1&p=0. Retrieved on 2007-12-23. 
  22. ^ No Country for Old Men (2007) - Trivia, Internet Movie Database
  23. ^ Tallerico, Brian. "Josh Brolin — No Country For Old Men Interview". thedeadbolt.com. http://www.thedeadbolt.com/interviews/joshbrolin2_interview.php. 
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Sister project Wikiquote has a collection of quotations related to: No Country for Old Men (film)
Awards
Preceded by
The Departed		 Academy Award for Best Picture
2007		 Succeeded by
Slumdog Millionaire
v • d • e
Works of Cormac McCarthy
Novels
Screenplays
Plays
Adaptations
The Gardener's Son (1977) • All the Pretty Horses (2000) • No Country for Old Men (2007) • The Road (2009)
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Academy Award for Best Picture

A Beautiful Mind (2001) · Chicago (2002) · The Lord of the Rings: The Return of the King (2003) · Million Dollar Baby (2004) · Crash (2005) · The Departed (2006) · No Country for Old Men (2007) · Slumdog Millionaire (2008)
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