Accordion

From Wikipedia, the free encyclopedia

Jump to: navigation, search
For other uses, see Accordion (disambiguation).
Accordion
A piano accordion (top) and a Russian Bayan (bottom)

A piano accordion (top) and a Russian Bayan (bottom)
Keyboard instrument
Other names Accordeon (Danish, for free-bass models), Akkordeon (German), Accordéon (French), Bajan (Russian), Fisarmonica (Italian), Akordeon, Harmonia (Polish), Harmonika (Danish (for standard bass models[1]), Hungarian, Icelandic)
Hornbostel-Sachs Classification 412.132
(Free-reed aerophone)
Developed Early 19th century
Playing range
Related instruments

Hand-pumped: Bandoneón, Concertina, Flutina, Garmon, Trikitixa, Indian harmonium

Foot-pumped: Harmonium, Reed organ

Mouth-blown: Melodica, Harmonica, Laotian Khene, Chinese Shêng, Japanese Shō

Electronic reedless instruments: Electronium, MIDI accordion, Roland Virtual Accordion

Combination acoustic/electronic instruments: Cordavox, Duovox
Musicians

Accordionists (list of accordionists).
More articles


The accordion is a portable box-shaped musical instrument of the hand-held bellows-driven free-reed aerophone family, sometimes referred to as a squeezebox. A person who plays the accordion is called an accordionist. It is played by compressing or expanding a bellows, while pressing buttons or keys, causing valves called pallets to open which allow air to flow across strips of brass or steel called reeds that vibrate to produce sound inside the body.[notes 1]

The instrument is sometimes considered a "one-man-band", as it needs no accompanying instrument; the performer normally plays the melody on buttons or keys on the right-hand manual, and the accompaniment—consisting of bass and pre-set chord buttons—on the left-hand manual.

It is often used in folk music in Europe, North America and South America. It is commonly associated with busking. Some popular music acts also make use of the instrument. Additionally, the accordion is sometimes used in both solo and orchestra performances of classical music.

The oldest name for this group of instruments is actually "harmonika", from the Greek 'harmonikos', meaning 'harmonic, musical'. Today, native versions of the name "accordion" are more often used - it is a reference to the type of accordion patented by Cyrill Demian, which concerned "automatically coupled chords on the bass side"[2].

Contents

[edit] Construction

Accordions are made in a large number of different configurations and types; there is not yet one standard accordion. As such, what may be technically possible to do with one accordion could be impossible with another:

  • Some accordions are bisonoric, meaning they produce different pitches depending on the direction of bellows movement.
  • Others are unisonoric and produce the same pitch regardless of the direction of bellows movement.
  • Some accordions use a chromatic buttonboard for the right-hand manual.
  • Others use a diatonic buttonboard for the right-hand manual.
  • Yet others simply use a piano-style musical keyboard for the right-hand manual.
  • Some accordions are capable of playing in different registers than others.
  • Additionally, different accordion craftsmen and technicians may tune the same registers in a slightly different manner, essentially 'personalizing' the end result, such as an organ technician might voice a particular instrument.

As such, the boundaries of what defines an accordion are perceivably broad.

[edit] Universal components

[edit] Bellows
Accordion bellows controlled sounds
A sample of effects that can be achieved with the bellows. - 949 KB.
Problems listening to this file? See media help.

The bellows is the most recognisable part of the instrument, and the primary means of articulation. Similar to a violin's bow, the production of sound in an accordion is in direct proportion to the motion of the player. It is located between the right- and left-hand manuals, and is made from pleated layers of cloth and cardboard, with added leather and metal.[3]. It is used to create pressure and vacuum, driving air across the internal reeds and producing sound by their vibration, applied pressure increasing the volume.

The keyboard touch is not expressive and does not affect dynamics: all expression is effected through the bellows: some bellows effects as illustrated in the side box:

  1. Bellows used for volume control/fade
  2. Repeated change of direction ("bellows shake")
  3. Constant bellows motion while applying pressure at intervals
  4. Constant bellows motion to produce clear tones with no resonance
  5. Using the bellows with the silent air button gives the sound of air moving, which is sometimes used in contemporary compositions particularly for this instrument.

[edit] Body

The accordion's body consists of two wood boxes joined together by a bellows, respectively housing reed chambers for the right- and left-hand manuals. Each side has grilles in order to facilitate the transmission of air in and out of the instrument, and to allow the sound to better project. The grille for the right-hand manual is usually larger and is often shaped for decorative purposes. The right-hand manual is normally used for playing the melody and the left-hand manual for playing the accompaniment, however skilled players can reverse these roles.[notes 2]

The size and weight of an accordion varies depending on its type, layout and playing range, which can be as small as to have only two rows of basses and a single octave on the right-hand manual, for children, to the standard 120 bass accordion and through to large and heavy 160 bass button free-bass converter models.

[edit] Pallet mechanism

The accordion is an aerophone, thus the manual mechanism of the instrument either enables the air flow, or disables it[notes 3]:

An illustration of the pallet mechanism in Piano Accordions. As the key is pressed down the pallet is lifted, allowing for air to enter the tone chamber in either direction and excite the reeds; air flow direction depends on the direction of bellows movement. Note that this is a side view of a Piano Accordion keyboard, so a similar effective mechanical pallet movement is used for buttons, both on 'button accordions' and also on the 'bass mechanisms', including the Stradella machine.

[edit] Variable components

There is a wide range of instruments that bear the name 'Accordion': the different types have varying components. All instruments have reed ranks of some format; not all have switches.

[edit] Right-hand manual systems

Different systems exist for the right-hand manual of an accordion, which is normally used for playing the melody. Some use a button layout arranged in one way or another, others use a piano-style keyboard. Each system has different claimed benefits[4] by those who prefer it. They are also used to define one accordion or another as a different "type":

[edit] Left-hand manual systems

Typical 120-button Stradella bass system. This is the left-hand manual system to be found on most unisonoric accordions today.

Different systems are also in use for the left-hand manual, which is normally used for playing the accompaniment. These almost always use distinct bass buttons and often have buttons with concavities or studs to help the player navigate the layout despite not being able to see the buttons while playing. There are two general categories:

  • The Stradella bass system, also called standard bass, which is arranged in a circle of fifths and uses single buttons for chords.
  • The [ Belgian bass system] in use in Belgium,North of France,South of Netherlands also arranged in circle of fifths but in reverse order.This system has 3 rows of bass,3rows of chord buttons allowing easier fingering for playing melodies,combined chords,better use of fingers 1and5,some more space between buttons.This system was poorly traded outside of native Belgium.
  • Various free-bass systems for greater access to playing melodies on the left-hand manual and to forming one's own chords. These are often chosen for playing classical music.

[edit] Reed ranks & switches

Main article: Accordion reed ranks & switches
The reeds of an early 20th century button accordion, with closeup.
Accordion register switches.

Inside the accordion are the reeds that generate the instrument tones. These are organized in different sounding "ranks", which can be further combined into producing differing timbres. All but the smaller accordions are equipped with switches that control which combination of reed ranks can be brought into operation, organized from high to low registers. Each register stop enables different sound timbres. See the accordion reed ranks & switches article for further explanation and audio samples.

All but the very small accordions usually have treble switches; the larger and more expensive accordions often also have bass switches.

[edit] Straps

The larger piano and chromatic button accordions are usually heavier than other smaller squeezeboxes, and are equipped with two shoulder straps to make it easier to balance the weight and increase bellows control while sitting, and avoid dropping the instrument while standing. Other accordions, such as the diatonic button accordion, have only a single shoulder strap and a right hand thumb strap. All accordions have a leather strap (mostly adjustable) on the left-hand manual to keep the player's hand in position while drawing the bellows. There are also straps above and below the bellows to keep it securely closed when the instrument is not playing.

[edit] Unusual accordions

Garmon player.

Various hybrid accordions have been created between instruments of different buttonboards and actions. Many remain curiosities, only a few have remained in use. For example:

  • The Schrammel accordion, used in Viennese chamber music and Klezmer, which has the treble buttonboard of a chromatic button accordion and a bisonoric bass buttonboard, similar to an expanded diatonic button accordion.
  • The schwyzerörgeli or Swiss organ, which has a (usually) 3-row diatonic treble and 18 unisonoric bass buttons in a bass/chord arrangement (actually a subset of the Stradella system), that travel parallel to the bellows motion.
  • The Trikitixa of the Basque people has a 2-row diatonic, bisonoric treble and a 12-button diatonic unisonoric bass.
  • In Scotland, the favoured diatonic accordion is the instrument known as the British Chromatic Accordion. While the right hand is bisonoric, the left hand follows the Stradella system. The elite form of this instrument is generally considered to be the German manufactured "Shand Morino", produced by Hohner with the input of the late Sir Jimmy Shand.[5]

[edit] History

8-key bisonoric diatonic accordion (c. 1830s)

The accordion's basic form is believed to have been invented in Berlin in 1822 by Christian Friedrich Ludwig Buschmann, although one instrument has been recently discovered that appears to have been built in 1816 or earlier by Friedrich Lohner of Nürnberg in the German State of Bavaria.[notes 4]

The accordion is one of several European inventions of the early 19th century that used free reeds driven by a bellows. An instrument called accordion was first patented in 1829 by Cyrill Demian in Vienna[notes 5]. Demian's instrument bore little resemblance to modern instruments; it only had a left hand buttonboard, with the right hand simply operating the bellows. One key feature for which Demian sought the patent was the sounding of an entire chord by depressing one key. His instrument also could sound two different chords with the same key; one for each bellows direction (a bisonoric action).

At that time in Vienna, mouth harmonicas with "Kanzellen" (chambers) had already been available for many years, along with bigger instruments driven by hand bellows. The diatonic key arrangement was also already in use on mouth-blown instruments. Demian's patent thus covered an accompanying instrument: an accordion played with the left hand, opposite to the way that contemporary chromatic hand harmonicas were played, small and light enough for travelers to take with them and use to accompany singing. The patent also described instruments with both bass and treble sections, although Demian preferred the bass-only instrument owing to its cost and weight advantages[citation needed].

The first pages in Adolph Müller's accordion book.

The musician Adolph Müller described a great variety of instruments in his 1833 book, Schule für Accordion. At the time, Vienna and London had a close musical relationship, with musicians often performing in both cities in the same year, so it is possible that Wheatstone was aware of this type of instrument and may have used them to put his key-arrangement ideas into practice.

Jeune's flutina resembles Wheatstone's concertina in internal construction and tone color, but it appears to complement Demian's accordion functionally. The flutina is a one-sided bisonoric melody-only instrument whose keys are operated with the right hand while the bellows is operated with the left. When the two instruments are combined, the result is quite similar to diatonic button accordions still manufactured today.

Further innovations followed and continue to the present. Various buttonboard and keyboard systems have been developed, as well as voicings (the combination of multiple tones at different octaves), with mechanisms to switch between different voices during performance, and different methods of internal construction to improve tone, stability and durability.

[edit] Use in various music genres

Main article: Accordion music genres

The accordion has traditionally been used to perform folk or ethnic music, popular music, and transcriptions from the operatic and light-classical music repertoire. [6] Today the instrument is sometimes heard in contemporary pop styles, such as rock, pop-rock, etc., [7] and occasionally even in serious classical music concerts, as well as advertisements.

[edit] Use in traditional music

Main article: Accordion music genres#Use in traditional music

Invented in 1829, its popularity spread rapidly: it has mostly been associated with the common people, and was spread by Europeans who emigrated around the world. The accordion in both button and piano forms became a favorite of folk musicians[8] and has been integrated into traditional music styles all over the world: see the list of traditional music styles that incorporate the accordion.

[edit] Use in popular music

Main article: Accordion music genres#Use in popular music

The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.

Most Vaudeville theaters closed during the Great Depression, but accordionists during 1930s-1950s taught and performed for radio. During the 1950s-1980s the accordion appeared on television[9]. In the late 1950s and early 1960s, the accordion declined in popularity.

In popular music, it is now generally considered exotic and old-fashioned to include the accordion, especially in music for advertisements. Some popular acts do use the instrument in their distinctive sounds. See the list of popular music acts that incorporate the accordion. In 1993, durring their MTV Unplugged performance performance, Nirvana's Krist Novoselic used accordion while covering The Vaselines song Jesus Wants Me for a Sunbeam.

Perhaps the most famous accordionist in popular music is "Weird Al" Yankovic, who has used the accordion in every album he has recorded, most extensively on his debut album.

[edit] Use in classical music

Main article: Accordion music genres#Use in classical music

Although best known as a folk instrument, it has grown in popularity among classical composers. The earliest surviving concert piece is Thême varié très brillant pour accordéon methode Reisner, written in 1836 by Miss Louise Reisner of Paris. Other composers, including the Russian Piotr Ilyich Tchaikovsky, the Italian Umberto Giordano, and the American Charles Ives (1915), wrote works for the diatonic button accordion.

The first composer to write specifically for the chromatic accordion was Paul Hindemith.[10] In 1922 the Austrian, Alban Berg, included an accordion in Wozzeck, Op. 7. Other notable composers have written for the accordion during the first half of the 20th century[11].

[edit] Use in heavy metal music

This section requires expansion.

Just as in rock and pop, the accordion is occasionally used in heavy metal music, most frequently by folk metal bands such as Korpiklaani, Finntroll, and Turisas.

[edit] Accordion jokes

While the accordion is a versatile instrument and is widely played throughout the world, it is not universally respected. The 1954 Edition of Grove's Dictionary of Music and Musicians describes the accordion as producing "quite the most unpleasant musical sound ever devised by the inventor's and the instrument maker's ingenuity".[12] The instrument has been the butt of jokes at least since 1866, when the French painter and cartoonist, Honoré Daumier (1808-1879), created by zincography a picture published in Le Journal Amusant of an accordionist and a man playing snooker who stated in the caption: "One does not yet have the right to kill the people who play this instrument, but there is hope that we will soon get it."[13][14]

A more recent 1986 jibe is one from Gary Larson, author of The Far Side, who drew a cartoon with the dialogues: "Welcome to heaven, here's your harp. Welcome to hell, here's your accordion."[15]

[edit] Manufacturing process

 Please help improve this article or section by expanding it. Further information might be found on the talk page. (October 2008)

The best accordions are always fully hand-made, especially in the aspect of reeds; completely hand-made reeds have a far better tonal quality than even the best automatically-manufactured reeds. Some accordions have been modified by individuals striving to bring a more pure sound out of low-end instruments, such as the ones improved by Yutaka Usui[16], a Japanese-born craftsman.

The manufacture of an accordion is only a partly automated process. In a sense, all accordions are handmade, since there is always some hand assembly of the small parts required. The general process involves making the individual parts, assembling the subsections, assembling the entire instrument, and final decorating and packaging.[17]

[edit] Other audio samples
Accordion chords
Chords being played on an accordion. – 145 KB
Problems listening to this file? See media help.
Accordion tones
Audio clip of the same octave cycled through five different timbres (Piano Accordion). – 676 KB
Problems listening to this file? See media help.
Dansbanan
A track by Detektivbyrån samples the distinct sound of an accordion. – 232 KB
Problems listening to this file? See media help.

[edit] Accordion organizations

[edit] Notes

  1. ^ To see the accordion's place among the families of musical instruments, see Henry Doktorski's "Taxonomy of Musical Instruments" (The Classical Free-Reed, Inc.). Also on this page is Diarmuid Pigott's "The Free-Reed Family of Aerophones."
  2. ^ Guido Deiro claimed to be the first accordionist to play a solo with the left hand: Sharpshooter's March (1908). See Guido Deiro, "Guido Deiro's Own Story of Sharpshooters March," The Pietro Musicordion, Volume 6, Number 2 (May-June 1948).
  3. ^ Illustration made with reference from a similar illustration that can be found in both Det levende bælgspil (p. 9) by Jeanette & Lars Dyremose (2003), and Harmonikaens historie (p. 35a) by Bjarne Glenstrup (1972, The University of Copenhagen, Faculty of Music).
  4. ^ This is the accordion owned by Fredrik Dillner of Sweden which was built by F. Lohner of Nürnberg, in the German State of Bavaria in 1816 or earlier. See Interview With Fredrik Dillner - The Owner Of What May Be The World's Oldest Accordion (Probably Built In 1816 Or Earlier)
  5. ^ A summary and pictures of this patent can be found at Demian's accordion patent (The Classical Free-Reed, Inc.)

[edit] References

  1. ^ Dyremose, Jeanette & Lars, Det levende bælgspil (2003), p.132 - Origin of the instrument's name and native names in Danish, French, German, Italian and Russian.
  2. ^ Dyremose, Jeanette & Lars, Det levende bælgspil (2003), p.133
  3. ^ How To Repair Bellows
  4. ^ Dan Lindgren, Piano Accordion vs. Chromatic Button Accordion Online PDF
  5. ^ p.98, Howard, Rob (2003) An A to Z of the Accordion and related instruments Stockport: Robaccord Publications ISBN 0-9546711-0-4
  6. ^ Henry Doktorski, CD booklet notes for "Guido Deiro: Complete Recorded Works, Vol. 1," Archeophone Records (2007).
  7. ^ Sometimes in modern pop music the accordion is not actually played, but its sound is heard by use of a MIDI instrument and sampled sound module.
  8. ^ Christoph Wagner, "A Brief History of How the Accordion Changed the World," CD booklet notes for Planet Squeezebox, performed by various artists, (Roslyn, New York: Ellipsis Arts, 1995), 6.
  9. ^ Myron Floren and Randee Floren, Accordion Man, with a forward by Lawrence Welk (The Stephen Greene Press, Brattleboro, Vermont: 1981)
  10. ^ See Accordion Composers in German
  11. ^ Henry Doktorski, "The Classical Squeezebox: A Short History of the Accordion and Other Free-Reed Instruments in Classical Music," The Classical Free-Reed, Inc. (1997).
  12. ^ Blom, E. (ed.)(1954): Grove's Dictionary of Music and Musicians, 5th ed. New York, St. Martin's Press, Vol. 5 p. 919
  13. ^ L'Accordeon, dit soufflet a musique," Le Journal Amusant, Paris (1866). This image was reproduced in "How to Play Diatonic Button-Accordion," by Henry Doktorski, published by Santorella Publications (2007).
  14. ^ View the Daumier cartoon
  15. ^ See the Larson cartoon
  16. ^ Yutaka Usuai, Japanese-born accordion craftsman.
  17. ^ How Accordions Are Made see this site

[edit] External links

Sister project Wikimedia Commons has media related to: accordions
Sister project Wikibooks has a book on the topic of
v • d • e
Squeezeboxes
Accordions
Concertinas
Retrieved from "http://en.wikipedia.org/wiki/Accordion"
Personal tools