art biography/cool black blackrock culture havales jazz music music_bio musica nina nina_simone ninasimone people simone to-read to_do wikip

My tags:

From Wikipedia, the free encyclopedia

Nina Simone
Nina Simone in 1969. The photo by Jack Robinson was used as the cover of Simone's posthumous compilation album Forever Young, Gifted & Black.
Background information
Born	February 21, 1933(1933-02-21)
Origin	North Carolina, United States
Died	April 21, 2003 (aged 70) Carry-le-Rouet (France)
Genre(s)	Jazz, Blues, soul, R&B, folk, gospel
Years active	1954-2003
Label(s)	RCA Victor, Philips, Bethlehem, Colpix, Legacy Recordings
Website	www.ninasimone.com

Eunice Kathleen Waymon, better known by her stage name Nina Simone (IPA: [ˈniːnə sɨˈmoʊn]) (February 21, 1933 – April 21, 2003), was a Grammy Award-nominated American singer, songwriter, pianist, arranger and civil rights activist.

Although she disliked being categorized, Simone is generally classified as a jazz musician. Simone originally aspired to become a classical pianist, but her work covers an eclectic variety of musical styles besides her classical basis, such as jazz, soul, folk, R&B, gospel, and pop music. Her vocal style is characterized by intense passion, a loose vibrato, and a slightly androgynous timbre, in part due to her unusually low vocal range which veered between the alto and tenor ranges (occasionally even reaching baritone lows). Sometimes known as The High Priestess of Soul, she paid great attention to the musical expression of emotions. Within one album or concert she could fluctuate between exuberant happiness or tragic melancholy. These fluctuations also characterized her own personality and personal life, worsened by bipolar disorder with which she was diagnosed in the mid-1960s, but was kept secret until 2004 after her death.^[1]

Simone recorded over 40 live and studio albums, the biggest body of her work being released between 1958 (when she made her debut with Little Girl Blue) and 1974. Songs she is best known for include "My Baby Just Cares for Me", "I Put a Spell on You", "I Loves You Porgy", "Feeling Good", "Don't Let Me Be Misunderstood", "Sinnerman", "To Be Young, Gifted and Black", "Ain't Got No/I Got Life" and "I Want a Little Sugar in My Bowl".

Her music and message made a strong and lasting impact on culture^[2], illustrated by the numerous contemporary artists who cite her as an important influence (among them Mary J. Blige, Elkie Brooks, Alicia Keys, Jeff Buckley, John Legend, Lauryn Hill and Peter Gabriel). Many hip hop and other modern artists sample and remix Simone's rhythms and beats on their tracks. In particular, Talib Kweli and Mos Def routinely pay tribute to her outstanding and soulful musical style. Many of her songs are featured motion picture soundtracks as well, including but not limited to, the The Big Lebowski (1998), Point of No Return (1993) Notting Hill (1999), The Thomas Crown Affair (1999), Before Sunset (2004), Inland Empire (2006), Sex and the City (2008), Revolutionary Road (2008), and Watchmen (2009).

Contents 1 Biography 1.1 Youth (1933–1954) 1.2 Early success (1954–1959) 1.3 Becoming "popular" (1959-1964) 1.4 Civil rights era (1964–1974) 1.5 Later life (1974–2003) 2 Musical style 2.1 Simone standards 2.2 Performing style 3 Personal life 3.1 Views on race and homosexuality 4 Legacy and influence 4.1 Music 4.2 Film 4.3 Honours 5 Discography 6 References 7 Further reading 8 External links

[edit] Biography

[edit] Youth (1933–1954)

Simone was born Eunice Kathleen Waymon in Tryon, North Carolina, one of eight children. She began playing piano at her local church and showed prodigious talent on this instrument. Her concert debut, a classical piano recital, was made at the age of ten. During her performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. Simone says she refused to play until her parents were moved back to the front.^[3][4] This incident contributed to her later involvement in the civil rights movement.

Simone's mother, Mary Kate Waymon (who lived into her late 90s) was a strict Methodist minister; her father, John Divine Waymon, was a handyman and sometime barber who suffered bouts of ill-health. Mrs. Waymon worked as a maid and her employer, hearing of Nina's talent, provided funds for piano lessons.^[5] Subsequently, a local fund was set up to assist in Eunice's continued education. At 17, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers to fund her own studying as a classical music pianist at New York City's Juilliard School of Music. With the help of a private tutor she studied for an interview to further study piano at the Curtis Institute, but she was rejected. Simone believed that this rejection was directly related to her being black, as well as being a woman.^[6] It further fueled her hatred of what she perceived as widespread and institutionalized racism present in the U.S. during the period.

[edit] Early success (1954–1959)

Simone played at the Midtown Bar & Grill on Pacific Avenue in Atlantic City to fund her study. The owner said that she would have to sing as well as play the piano in order to get the job. She took on the stage name "Nina Simone" in 1954 because she did not want her mother to know that she was playing "the devil's music". "Nina" (from "niña", meaning "little girl" in Spanish) was a nickname a boyfriend had given to her and "Simone" was after the French actress Simone Signoret, whom she had seen in the movie Casque d'or.^[7] Simone played and sang a mixture of jazz, blues and classical music at the bar, and by doing so she created a small but loyal fan base.^[8]

After playing in small clubs she recorded a rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess) in 1958, which was learned from a Billie Holiday album and performed as a favor to a friend. It became her only Billboard top 40 hit in the United States, and her debut album Little Girl Blue soon followed on Bethlehem Records. Simone would never benefit financially from the album; she sold the rights for $3000, missing out on more than $1 million of royalties (mainly because of the successful re-release of "My Baby Just Cares for Me" in the 1980s).^[9]

[edit] Becoming "popular" (1959-1964)

After the success of Little Girl Blue, Simone signed a contract with the bigger label Colpix Records, followed by a string of studio and live albums. Colpix relinquished all creative control, including the choice of material that would be recorded, to her in exchange for her signing with them. Simone, who at this point only performed pop music to make money to continue her classical music studies, was bold with her demand for control over her music because she was indifferent about having a recording contract. She would keep this attitude towards the record industry for most of her career.^[10]

[edit] Civil rights era (1964–1974)

Simone was convinced of the severity of racism in America by her friends Langston Hughes, James Baldwin and Lorraine Hansberry (author of the play Raisin in the Sun). In 1964, she changed record labels, from the American Colpix to the Dutch Philips, which also meant a change in the contents of her recordings. Simone had always included songs in her repertoire that hinted to her African-American origins (such as "Brown Baby" and "Zungo" on Nina at the Village Gate in 1962). But on her debut album for Philips, Nina Simone In Concert (live recording, 1964), Simone for the first time openly addresses the racial inequality that she believed was prevalent in the United States with the song "Mississippi Goddam". It was her response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama that killed four black children. The song was released as a single, being boycotted in certain southern states.^[11][2] With "Old Jim Crow" on the same album she reacts to the Jim Crow Laws.

From then onwards, a civil rights message was standard in Simone's recording repertoire, where it had already become a part of her live performances. Simone performed and spoke at many civil rights meetings, such as at the Selma to Montgomery marches.^[12] She covered Billie Holiday's "Strange Fruit" (on Pastel Blues (1965)), a song about the lynching of black men in the South, and sang the W. Cuney poem "Images" on Let It All Out (1966), about the absence of pride in the African-American woman. Simone wrote the song Four Women and sings it on Wild Is the Wind (1966). It is about four different stereotypes of African-American women.^[2]

Simone moved from Philips to RCA Victor in 1967. She sang "Backlash Blues", written by her friend Langston Hughes on her first RCA album, Nina Simone Sings The Blues (1967). On Silk & Soul (1967) she recorded Billy Taylor's "I Wish I Knew How It Would Feel to Be Free" and "Turning Point". The album Nuff Said (1968) contains live recordings from the Westbury Music Fair, April 7, 1968, three days after the murder of Martin Luther King, Jr. She dedicated the whole performance to him and sang "Why? (The King Of Love Is Dead)", a song written by her bass player directly after the news of King's death had reached them.^[13]

Together with Weldon Irvine, Simone turned the late Lorraine Hansberry's unfinished play "To Be Young, Gifted and Black" into a civil rights song. She performed it live on Black Gold (1970). A studio recording was released as a single, and the song became the official "National Anthem of Black America" and has been covered by Aretha Franklin (on 1972s Young, Gifted and Black) and Donny Hathaway.^[14][2]

[edit] Later life (1974–2003)

Simone left the United States in September 1970. She flew to Barbados, expecting her husband and manager, Andrew Stroud, to contact her when she had to perform again. However, Stroud interpreted Simone's sudden disappearance (and the fact that she left behind her wedding ring) as a cue for a divorce. As her manager, Stroud was also in charge of Simone's income. This meant that after their separation Simone had no knowledge about how her business was run, and what she was actually worth. Upon returning to the United States she also learned that she was wanted for unpaid taxes, causing her to go back to Barbados again to evade the authorities and prosecution.^[15] Simone stayed in Barbados for quite some time, and had a lengthy affair with the Prime Minister, Errol Barrow.^[16][17] A close friend, singer Miriam Makeba, convinced her to come to Liberia. After that she lived in Switzerland and the Netherlands, before settling in France in 1992.

She recorded her last album for RCA Records, It Is Finished, in 1974. It was not until 1978 that Simone was convinced by CTI Records owner Creed Taylor to record another album, Baltimore. While not a commercial success, the album did get good reviews and marked a quiet artistic renaissance in Simone's recording output.^[18] Her choice of material retained its eclecticism, ranging from spiritual songs to Hall & Oates' "Rich Girl". Four years later Simone recorded Fodder On My Wings on a French label. In the 1980s Simone performed regularly at Ronnie Scott's jazz club in London, where the album Live at Ronnie Scott's was recorded in 1984. Though her on-stage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her audiences by recounting sometimes humorous anecdotes related to her career and music and soliciting requests. Her autobiography, I Put a Spell on You, was published in 1992 and she recorded her last album, A Single Woman in 1993.

In 1993 Simone settled near Aix-en-Provence in Southern France. She had been ill with breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet, Bouches-du-Rhône on April 21, 2003, aged 70. Her funeral service was attended by singers Miriam Makeba and Patti Labelle, poet Sonia Sanchez, actor Ossie Davis and hundreds of others. Elton John sent a floral tribute with the message "We were the greatest and I love you".^[19] Simone's ashes were scattered in several African countries. She left behind a daughter, Lisa Celeste, now an actress/singer who took on the stagename Simone who has appeared on Broadway in Aida.^[20]

[edit] Musical style

[edit] Simone standards

Throughout her career, Simone gathered a collection of songs that would become standards in her repertoire (apart from the civil rights songs) and for which she is still remembered, even though most of these songs didn't do well on the charts at the time. These songs were self-written tunes, cover versions (usually with a new arrangement by Simone), or songs written especially for Simone. Her first hit song in America was a cover of George Gershwin's "I Loves You Porgy" (1958). It peaked at number 18 in the pop singles chart and number 2 on the black singles chart.^[21] In that same period Simone recorded "My Baby Just Cares for Me", which would become her biggest hit years later in 1987, when it was featured in a Chanel no. 5 perfume commercial. A music video was then created by Aardman Studios.^[22]

Well known songs from her Philips albums include "Don't Let Me Be Misunderstood" on Broadway-Blues-Ballads (1964), "I Put a Spell on You", "Ne Me Quitte Pas" (a Jacques Brel cover) and "Feeling Good" on I Put A Spell On You (1965), "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind (1966).^[23] Especially the songs "Don't Let Me Be Misunderstood", "Feeling Good" and "Sinnerman" (Pastel Blues, 1965) have great popularity today in terms of cover versions (most notably The Animals's version of the former song), sample usage and its use on various movie-, TV-series- and videogame soundtracks. "Sinnerman" in particular has been featured on movies like The Thomas Crown Affair and Inland Empire, and sampled by artists like Talib Kweli and Timbaland. The song "Don't Let Me Be Misunderstood" was sampled by Devo Springsteen on "Misunderstood" from Common's 2007 album "Finding Forever, and by little-known producers Rodnae and Mousa for the song "Don'tGetIt" on Lil Wayne's 2008 album "The Carter III".

Simone's years at RCA-Victor spawned a number of singles and album songs that were popular, particularly in Europe. In 1968 it was "Ain't Got No, I Got Life", a medley from the musical Hair from the album Nuff Said (1968) that became a surprise hit for Simone, reaching number 2 on the UK pop charts and introducing her to a younger audience.^[24] In 2006, it returned to the UK Top 30 in a remixed version by Groovefinder. The following single, the Bee Gees' "To Love Somebody" also reached the UK top 10 in 1969. "House of the Rising Sun" featured on Nina Simone Sings The Blues in 1967, but Simone had recorded the song earlier in 1961 (featuring on Nina At The Village Gate, 1962), predating versions by Dave Van Ronk and Bob Dylan.^[25][26] It was later picked up by The Animals and became their signature hit.

[edit] Performing style

Simone's regal bearing and commanding stage presence earned her the title "High Priestess of Soul". Her live performances were regarded not as mere concerts, but as happenings. In a single concert she could be a singer, pianist, dancer, actress, activist, as well as both therapist and patient all simultaneously.^[27] On stage, Simone moved from gospel to blues, jazz and folk, to numbers infused with European classical styling, and counterpoint fugues. She incorporated monologues and dialogues with the audience into the program, and often used silence as a musical element.^[28] Simone compared it to "mass hypnosis. I use it all the time"^[14] Throughout most of her live and recording career she was accompanied by percussionist Leopoldo Flemming and guitarist and musical director Al Schackman.^[29]

Simone had a reputation in the music industry for being volatile and sometimes difficult to deal with, a characterization with which she strenuously took issue. In 1995, she shot and wounded her neighbor's son with a pneumatic pistol after his laughter disturbed her concentration.^[30] She also fired a gun at a record company executive whom she accused of stealing royalties.^[31] It is now recognised that this 'difficulty' was the result of bipolar disorder. Simone reluctantly took medication for her condition from the mid-1960s on.^[32] All this was only known to a small group of intimates, and kept out of public view for many years, until the biography Break Down And Let It All Out written by Sylvia Hampton and David Nathan revealed this secret in 2004.

[edit] Personal life

This article or section is missing information about: personal life. This concern has been noted on the talk page where it may be discussed whether or not to include such information. (December 2008)

[edit] Views on race and homosexuality

Simone advocated violent revolution during the civil rights period as opposed to Martin Luther King's non-violent approach^[33], and hoped that the African Americans could, by so fighting, obtain a separate state.^[14]

Simone's fanbase and personal circle included many gay people. She was ambivalent about homosexuality:^[34] On the one hand her viewpoint was colored by a strict religious upbringing that opposed homosexuality; on the other hand, Simone was aware of widespread homosexuality within her fanbase and the entertainment industry.^[35] Many of the people close to her were gay, including her younger brother, the writers Lorraine Hansberry, Langston Hughes, and James Baldwin, and the founders of her European fanclub, David Nathan and Sylvia Hampton. The latter two stated in their biography of Simone that she had no problem with homosexuality.^[34][36]

[edit] Legacy and influence

[edit] Music

Nina Simone is often cited by artists from diverse musical fields as a source of inspiration. Musicians who have cited her as important for their own musical upbringing are among others Elkie Brooks, Talib Kweli, Mos Def, Mary J. Blige, Michael Gira, Lauryn Hill, Alicia Keys and Jeff Buckley.^{[2] [37] [38] [39]} John Lennon cited Simone's version of "I Put a Spell on You" as a source of inspiration for the Beatles song "Michelle".^[39] Musicians who have covered her work (or her specific renditions of songs) include Carola, Aretha Franklin, Marilyn Manson, Donny Hathaway, David Bowie, Elkie Brooks, Roberta Flack, Jeff Buckley, The Animals, Muse, Cat Power, Katie Melua, Timbaland, Feist, Lil Wayne, Shara Worden, and Michael Bublé. Simone's music has featured in soundtracks of various motion pictures and video games. Her music is frequently used in remixes, commercials and TV series.

[edit] Film

The documentary Nina Simone: La Legende (The Legend) was made in the '90s by French filmmakers.^[14] It was based on her autobiography I Put A Spell On You and features live footage from different periods of her career, interviews with friends and family, various interviews with Simone herself while she was living in the Netherlands, and on a trip to her birthplace. A significant amount of footage from The Legend was taken from an earlier 26-minute biographical documentary by Peter Rodis, released in 1969 and titled simply Nina.^[40]

Plans for a Nina Simone biographical film were released at the end of 2005. The movie will be based on Simone's autobiography I Put A Spell On You (1992) and will also focus on her relationship in later life with her assistant, Clifton Henderson, who died in 2006. TV writer Cynthia Mort (Will & Grace, Roseanne) is working on the script, and singer Mary J. Blige will play the lead role. The movie is scheduled for 2009.^[41]

[edit] Honours

On Human Kindness Day 1974 in Washington DC more than 10,000 people paid tribute to Simone.^[42][43] Simone received two honorary degrees in music and humanities from the University of Massachusetts and Malcolm X College.^[44] She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her.^[45] Only two days before her death, Simone was awarded an honorary diploma by the Curtis Institute, the school that had turned her down at the start of her career.^[46]

[edit] Discography

Year	Album	Type	Label	Billboard
1958	Little Girl Blue	Studio	Bethlehem Records
1959	Nina Simone and Her Friends	Studio	Bethlehem
1959	The Amazing Nina Simone	Studio	Colpix Records
1959	Nina Simone at Town Hall	Live and studio	Colpix
1960	Nina Simone at Newport	Live	Colpix	23 (pop)
1960	Forbidden Fruit	Studio	Colpix
1962	Nina at the Village Gate	Live	Colpix
1962	Nina Simone Sings Ellington	Live	Colpix
1963	Nina's Choice	Compilation	Colpix
1963	Nina Simone at Carnegie Hall	Live	Colpix
1964	Folksy Nina	Live	Colpix
1964	Nina Simone in Concert	Live	Philips Records	102 (pop)
1964	Broadway-Blues-Ballads	Studio	Philips
1965	I Put a Spell on You	Studio	Philips	99 (pop)
1965	Pastel Blues	Studio	Philips	8 (black)
1966	Nina Simone with Strings	Studio (strings added)	Colpix
1966	Let It All Out	Live and studio	Philips	19 (black)
1966	Wild Is the Wind	Studio	Philips	12 (black)
1967	High Priestess of Soul	Studio	Philips	29 (black)
1967	Nina Simone Sings the Blues	Studio	RCA Records	29 (black)
1967	Silk & Soul	Studio	RCA	24 (black)
1968	Nuff Said	Live and studio	RCA	44 (black)
1969	Nina Simone and Piano	Studio	RCA
1969	To Love Somebody	Studio	RCA
1970	Black Gold	Live	RCA	29 (black)
1971	Here Comes the Sun	Studio	RCA	190 (pop)
1972	Emergency Ward	Live and Studio	RCA
1974	It Is Finished	Live	RCA
1978	Baltimore	Studio	CTI Records	12 (jazz)
1980	The Rising Sun Collection	?	Enja
1982	Fodder on My Wings	Studio	Carrere
1984	Backlash	Live	StarJazz
1985	Nina's Back	Studio	VPI
1985	Live & Kickin	Live	VPI
1987	Let It Be Me	?	Verve
1987	Live at Ronnie Scott's	Live	Hendring-Wadham
1993	A Single Woman	Studio	Elektra Records	3 (top jazz)
	Additional
1969	A Very Rare Evening	Live	PM Records (Japan)
1975	The Great Show Live In Paris	Live	RCA?
1997	Released	Compilation	RCA Victor Europe
2003	Gold	Studio Remastered	Universal/UCJ
2003	Anthology	Compilation	RCA/BMG Heritage
2004	Nina Simone's Finest Hour	Compilation	Verve/Universal
2005	The Soul of Nina Simone	?	RCA DualDisc
2006	The Very Best of Nina Simone	Compilation	Sony BMG
2006	Remixed and Reimagined	Remix	Legacy/SBMG	5 (contemp.jazz)
2006	Songs to Sing: the Best of Nina Simone	Compilation/Live Compilation	Deluxe
2006	Forever Young, Gifted & Black: Songs of Freedom and Spirit	Remix	RCA
2008	To Be Free: The Nina Simone Story	Compilation	Sony Legacy

[edit] References

[edit] Further reading

• Brun-Lambert, David (in Dutch, translated from French original). Nina Simone, het tragische lot van een uitzonderlijke zangeres. Introduction by Lisa Celeste Stroud, afterword by Gerrit de Bruin. Zwolle: Sirene. ISBN 90-5831-425-1. 
• Feldstein, Ruth (March 2005). ""I Don't Trust You Anymore": Nina Simone, Culture, and Black Activism in the 1960s". Journal of American History 91 (4). 
• Hampton, Sylvia. Break Down and Let It All Out. David Nathan, introduction by Lisa Celeste Stroud. London: Sanctuary. ISBN 1-86074-552-0. 
• Simone, Nina; Stephen Cleary (2003) [1992]. I Put a Spell on You. introduction by Dave Marsh (2nd edition ed.). New York: Da Capo Press. ISBN 0-306-80525-1. 

[edit] External links

• Nina Simone - Official Site
• Nina Simone - Legacy Recordings Page
• L'hommage: Nina Simone - Tribute and Archival Site
• The Nina Simone Web - A comprehensive Nina Simone website
• Nina Simone at The Music Box - A collection of reviews
• [1] - Eunice Waymon-Nina Simone Memorial Project (Tryon, NC-based scholarship, statue & music festival)
• Nina Simone Biography at About.com

v • d • e Great American Songbook Songwriters Adair · Adams · Adler · Ager · Ahlert · Arlen · Bacharach · Basie · A. Bergman · M. Bergman · Berlin · Bernstein · Blake · Blane · Bloom · Bock · Bricusse · Brown · Burke · Cahn · Carleton · Carmichael · Cohan · Coleman · Comden · H. David · M. David · Dennis · DeRose · DeSylva · Dietz · Donaldson · Dubin · Duke · Ebb · Eliscu · Ellington · Evans · Fain · Fields · Freed · G. Gershwin · I. Gershwin · A. Green · J. Green · Guettel · Hamlisch · Hammerstein · Harbach · Harburg · Harnick · Hart · Henderson · Herman · Heyman · Jobim · Jones · Kander · Kern · Lane · Legrand · Leigh · Lerner · Levant · C. Lewis · S. Lewis · Jay Livingston · Jerry Livingston · Loesser · Loewe · Mancini · Mandel · Mann · Martin · McHugh · Mercer · Newley · Nilsson · Noble · Parish · Porter · A. Previn · D. Previn · Raksin · Raposo · Razaf · Rodgers · D. Rose · V. Rose · Ross · Schwartz · A. Sherman · R.B. Sherman · R.M. Sherman · Sissle · Sondheim · Stept · Stillman · Strayhorn · Strouse · Styne · Swift · Tiomkin · Troup · Van Heusen · Waller · Warren · Washington · Webb · Webster · Weill · Whiting · Wilder · Williams · Yellen · Youmans · Young Singers Alexandria · Allison · K. Allyson · E. Anderson · I. Anderson · Andrews · J. Andrews · Anka · Apaka · Armstrong · Astaire · Austin · Azama · M. Bailey · P. Bailey · Baker · Barber · Bassey · Bennett · Bergen · Berigan · Boone · Boswell · Bowlly · Brewer · Brice · Bublé · Calloway · V. Carr · Carroll · Carter · Cassidy · Channing · Charles · Chevalier · Christy · Cincotti · B. Clark · V. Clark · Cline · Clooney · Cole · Columbo · Como · Connick · Connor · Cook · Cornell · Crosby · Damone · Dandridge · Darin · Davis · Day · Daye · Dearie · DeShannon · Desmond · Dietrich · Downey · Drake · Durante · Eberle · Eberly · Eckstine · Eddy · Edwards · E. Ennis · S. Ennis · Etting · A. Faye · F. Faye · Feinstein · Fisher · Fitzgerald · Flint · Ford · Forrest · Four Freshmen · Franchi · Francis · Gambarini · Garland · Gilberto · Gormé · Goulet · Gray · Greco · Hall · Hanshaw · Hartman · Haymes · Hendricks · Herman · Hibbler · Hildegarde · Hilliard · Hi-Lo's · Ho · Holiday · Holman · Horn · Horne · Howard · Humes · Humperdinck · Hunter · Hyman · Jackie and Roy · James · Jefferson · Jeffries · Jolson · A. Jones · E. Jones · J. Jones · Jordan · Kallen · Keel · Kelly · Kenney · Kent · Kerr · Kiley · King · Kitt · Kral · Krall · C. Laine · F. Laine · Langford · Lanza · C. Lawrence · S. Lawrence · Lee · Lombardo · London · Longet · Lucas · Lund · Lupone · Lutcher · Lynn · Lynne · MacDonald · MacRae · Maggart · D. Martin · M. Martin · T. Martin · Mathis · McCorkle · McDonald · McRae · Mercer · Merman · Merrill · Merry Macs · Midler · Mills · Minnelli · Modernaires · Monheit · Monro · Monroe · Mooney · H. Morgan · J. Morgan · R. Morgan · Morse · Murphy · O'Connell · O'Day · O'Hara · Page · Paris · B. Peters · Peyroux · Piaf · Pied Pipers · Pizzarelli · Pleasure · Prysock · Rainey · Raitt · Raney · Reese · Reeves · Robeson · A. Ross · Rushing · Russell · Scott · Shore · Short · Simone · Simms · Sinatra · Singers Unlimited · Sloane · B. Smith · J. Smith · Kate Smith · Keely Smith · Sommers · Southern · Stafford · Starr · Staton · Stevens · Stewart · Streisand · Sullivan · Sutton · Suzuki · Swingle Singers · Syms · Thornton · Tilton · Todd · Tormé · Tracy · Tucker · Tunnell · Umeki · Vale · Vallée · Vaughan · Veloso · Wain · Ward · Warren · Warwick · Washington · Waters · Wayne · Whiting · Wiley · A. Williams · J. Williams · V. Williams · C. Wilson · N. Wilson · Wright

Persondata
NAME	Simone, Nina
ALTERNATIVE NAMES	Waymon, Eunice Kathleen; High Priestess of Soul
SHORT DESCRIPTION	Singer, songwriter, pianist
DATE OF BIRTH	February 21, 1933
PLACE OF BIRTH	Tryon, North Carolina, United States
DATE OF DEATH	April 21, 2003
PLACE OF DEATH	Carry-le-Rouet, Bouches-du-Rhône, France