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Les Paul
Background information
Birth name	Lester William Polsfuss
Born	June 9, 1915 (1915-06-09) (age 93) Waukesha, Wisconsin, US
Genre(s)	Jazz, blues, Rock n roll
Occupation(s)	Musician, songwriter, inventor
Instrument(s)	Guitar, banjo, harmonica
Years active	1928 – Present
Website	www.lespaulonline.com
Notable instrument(s)
Gibson Les Paul

Les Paul (born Lester William Polsfuss on June 9, 1915) is an American jazz guitarist and inventor. He is a pioneer in the development of the solid-body electric guitar which "made the sound of rock and roll possible."^[1] His many recording innovations include overdubbing, delay effects such as "sound on sound" and tape delay, phasing effects, and multitrack recording.

Contents 1 Biography 1.1 "The Log" 1.2 The Les Paul Trio 1.3 Les Paul and "the Les Paul" 1.4 Multitrack recording innovations 1.5 Top 40 with Mary Ford 1.6 Radio and television programs 1.7 The "Les Paulverizer" 1.8 Later career 2 Honors 2.1 Documentary and museum exhibit 2.2 Tribute concerts 3 Playing style 4 Family 5 Compositions 6 Discography 6.1 Hit singles 6.2 Albums 7 References 8 See also 9 External links

[edit] Biography

He was born in Waukesha, Wisconsin to George and Evelyn Polsfuss.^[2] The family name was first simplified by his mother to Polfuss before he took his stage name of Les Paul. He also used the nickname "Red Hot Red".

Paul first became interested in music at the age of eight, when he began playing the harmonica. After an attempt at learning to play the banjo, he began to play the guitar. By 13, Paul was performing semi-professionally as a country-music guitarist. At the age of 17, Paul played with Rube Tronson's Texas Cowboys, and soon after he dropped out of high school to join Wolverton's Radio Band in St. Louis, Missouri on KMOX.

In the 1930s, Paul worked in Chicago in radio, where he performed jazz music. Paul's first two records were released in 1936. One was credited to Rhubarb Red, Paul's hillbilly alter ego, and the other was as an accompanist for blues artist Georgia White.

In January 1948, Paul was injured in a near-fatal automobile accident in Oklahoma, which shattered his right arm and elbow. Doctors told Paul that there was no way for them to rebuild his elbow in a way that would let him regain movement, and that his arm would remain in whatever position they placed it in permanently. Paul then instructed the surgeons to set his arm at an angle that would allow him to cradle and pick the guitar. It took him a year and a half to recover.

[edit] "The Log"

Paul was dissatisfied with the acoustic guitars that were sold in the mid 1930s and began experimenting with a few designs for an electric model on his own. Famously, he created "The Log," which was nothing more than a length of common 4" by 4" lumber with bridge, guitar neck, and pickup attached. For the sake of appearance, he attached the body of an Epiphone hollow-body guitar, sawn lengthwise with The Log in the middle. This solved his two main problems: feedback, as the acoustic body no longer resonated with the amplified sound, and sustain, as the energy of the strings was not dissipated in generating sound through the guitar body.

[edit] The Les Paul Trio

In 1938, Paul moved to New York as part of a trio that included Jim Atkins (older half-brother of guitarist Chet Atkins) and bassist/percussionist Ernie Newton. They landed a featured spot with Fred Waring's Pennsylvanians radio show. Paul moved to Hollywood in 1943, where he formed a new trio. As a last-minute replacement for Oscar Moore, Paul played with Nat King Cole and other artists in the inaugural Jazz at the Philharmonic concert in Los Angeles on July 2, 1944. Also that year, Paul's trio appeared on Bing Crosby's radio show. Crosby went on to sponsor Paul's recording experiments. The two also recorded together several times, including a 1945 number one hit, "It's Been A Long, Long Time." In addition to backing Crosby and artists like The Andrews Sisters, Paul's trio also recorded a few albums of their own on the Decca label in the late 1940s.

[edit] Les Paul and "the Les Paul"

Paul's innovative guitar, "The Log", built in 1939, was one of the first solid-body electric guitars.^[3] (Leo Fender also independently created his own solid-body electric guitar around the same time and Adolph Rickenbacher had marketed a solid-body guitar in the 30s). Gibson Guitar Corporation designed a guitar incorporating Paul's suggestions in the early fifties, and presented it to him to try. He was impressed enough to sign a contract for what became the "Les Paul" model (originally only in a "gold top" version), and agreed never to be seen playing in public, or be photographed, with anything other than a Gibson guitar.

The arrangement persisted until 1961, when declining sales prompted Gibson to change the design without Paul's knowledge, creating a much thinner, lighter, and more aggressive-looking instrument with two cutaway "horns" instead of one. Paul said he first saw the "new" Gibson Les Paul in a music store window, and disliked it. Though his contract required him to pose with the guitar, he said it was not "his" instrument, and asked Gibson to remove his name from the headstock. (Others claimed that Paul ended his endorsement contract with Gibson during his divorce, to avoid having his wife to get his endorsement money.) Gibson renamed the guitar "SG" (which stands for "Solid Guitar"), and it also became one of the company's best sellers.

The original Gibson Les Paul guitar design regained popularity when Eric Clapton began playing the instrument a few years later (although he also played an SG and an ES-335). Paul resumed his relationship with Gibson, and has endorsed the original Les Paul guitar design ever since (though his personal Gibson Les Pauls are much modified by him — Paul always uses his own self-wound pickups and customized switching on his guitars). To this day, various models of Gibson Les Paul guitar are used all over the world, by both novice and professional guitarists. A less expensive version of the Les Paul guitar is also manufactured for Gibson's lower-priced Epiphone brand.

[edit] Multitrack recording innovations

In 1947, Capitol Records released a recording that had begun as an experiment in Paul's garage, entitled "Lover (When You're Near Me)", which featured Paul playing eight different parts on electric guitar, some of them recorded at half-speed, hence "double-fast" when played back at normal speed for the master. ("Brazil", similarly recorded, was the B-side.) This was the first time that multi-tracking had been used in a recording. These recordings were made not with magnetic tape, but with shellac disks. Paul would record a track onto a disk, then record himself playing another part with the first. He built the multi-track recording with overlaid tracks, rather than parallel ones as he did later. There is no record of how few "takes" were needed before he was satisfied with one layer and moved onto the next.

Paul even built his own disc-cutter assembly, based on auto parts. He favored the flywheel from a Cadillac for its weight and flatness. Even in these early days, he used the shellac disk setup to record parts at different speeds and with delay, resulting in his signature sound with echoes and birdsong-like guitar riffs. When he later began using magnetic tape, the major change was that he could take his recording rig on tour with him, even making episodes for his 15-minute radio show in his hotel room.

[edit] Top 40 with Mary Ford

Electronics engineer Jack Mullin had been assigned to a US Army Signals unit stationed in France in WWII. On a mission in Germany near the end of the war, he acquired and later shipped home a German Magnetophon (tape recorder) and 50 reels of I.G. Farben plastic recording tape. Mullen rebuilt and developed the machine back in the US with the intention of selling it to the movie industry, and held a series of demonstrations which quickly became the talk of the US audio industry. Mullen's second demonstration was witnessed by Murdo MacKenzie, technical director for the Bing Crosby radio show.

Within a short time Crosby had hired Mullen to record and produce his radio shows and master his studio recordings on tape, and he invested US$50,000 in local electronics firm Ampex. With Crosby's backing Mullen and Ampex created the Ampex Model 200, the world's first commercially-produced reel-to-reel audio tape recorder. Crosby gave Les Paul the second Model 200 to be produced and Les immediately saw its potential both for special effects, like echo and flanging, and its suitability for multitrack recording, for which he is considered the father. Using this machine, Paul developed his tape multitrack system by adding an additional recording head and extra circuitry, allowing multiple tracks to be recorded separately and asynchronously on the same tape. Paul's invention was quickly developed by Ampex into commercially-produced two-track and three-track recorders, and these machines were the backbone of the professional recording studio, radio and TV industry in the 1950s and early 1960s.

In 1954, Paul continued to develop this technology by commissioning Ampex to build the first eight track tape recorder, at his expense. The machine took three years to get working properly, and Paul says that by the time it was functional his music was out of favor and so he never had a hit record using it. His design, later known as "Sel-Sync," (Selective Synchronization) in which a specially-modified recording head could either record a new track or play back a previously-recorded one, was the core technology for multi-track recording for the next thirty years.

Like Crosby, Paul and Ford also used the now-ubiquitous recording technique known as close miking, where the microphone is less than six inches from the singer's mouth. This produces a more intimate, less reverberant sound than is heard when a singer is a foot or more from the microphone. When implemented using a cardioid-patterned microphone, it emphasizes low-frequency sounds in the voice due to a cardioid microphone's proximity effect and can give a more relaxed feel because the performer isn't working so hard. The result is a singing style which diverged strongly from un-amplified theater-style singing, as might be heard in musical comedies of the 1930s and 40s.

In the early 1950s, Paul made a number of revolutionary recordings with his wife, Mary Ford, who sang. These records were unique for their heavy use of overdubbing, which he did by recording to disc and bouncing from one disc to the other. The couple's hits included "How High the Moon", "Bye Bye Blues", "The World Is Waiting for the Sunrise", and "Vaya Con Dios". These songs featured Mary harmonizing with herself, giving the vocals a very novel sound.

[edit] Radio and television programs

Paul had hosted a 15-minute radio program, The Les Paul Show, on NBC in 1950, featuring his trio (himself, Ford, and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humour between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented dazzling re-interpretations of such jazz and pop selections as "In the Mood," "Little Rock Getaway," "Brazil," and "Tiger Rag." Several recordings of these shows survive among old-time radio collectors today.

The show also appeared on television a few years later with the same format but excluding the trio and retitled The Les Paul & Mary Ford Show with Vaya Con Dios as a theme song. Sponsored by Listerine, it was only five minutes (one or two songs) long, and was therefore used as an interlude or fill-in in programming schedules. Since Les created the entire show himself, including audio and video, he has maintained the original recordings and is in the process of restoring them to up-to-date quality.^[4]

[edit] The "Les Paulverizer"

During his radio shows, Paul introduced the legendary "Les Paulverizer" device, which multiplies anything fed into it, like a guitar sound or a voice. This even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster. Later Paul made the myth real for his stage show, using hidden equipment which over the years has become smaller and more visible. Currently he uses a small box attached to his guitar; it is not known how much of the device remains off-stage. He typically lays down one track after another on stage, in-sync, and then plays over the repeating forms he has recorded. With newer digital sound technology, such an effect (loop pedal) is available commercially in a stomp box. To this day, no one knows exactly how the Les Paulverizer works.

[edit] Later career

In the late 1960s, Paul went into semi-retirement, although he did return to the studio occasionally. He and Mary Ford (born Iris Colleen Summers) had divorced in December 1964, as she could no longer tolerate the itinerant lifestyle their act required of them. Paul's most recognisable recordings from then through the mid-1970s were an album for London Records, Les Paul Now (1967), on which he updated some of his earlier hits; and, backed by some of Nashville's celebrated studio musicians, a meld of jazz and country improvisation with fellow guitar virtuoso Chet Atkins, Chester and Lester (1976), for RCA Victor.

By the late 1980s, Paul had returned to active live performance. In 2006, at the age of 90, he won two Grammys at the 48th Annual Grammy Awards for his album Les Paul & Friends: American Made World Played. He also performs every Monday night, accompanied by a trio which includes pianist John Colianni, at the Iridium Jazz Club on Broadway in New York City, despite the arthritis that has stilled all but two of the fingers on his left hand.^[5][6]

[edit] Honors

In 1978, Les Paul and Mary Ford were inducted into the Grammy Hall of Fame. Paul received a Grammy Trustees Award for his lifetime achievements in 1983. In 1988, Paul was inducted into the Rock and Roll Hall of Fame by Jeff Beck, who said, "I've copied more licks from Les Paul than I'd like to admit." In 1991, the Mix Foundation established an annual award in his name; the Les Paul Award which honors "individuals or institutions that have set the highest standards of excellence in the creative application of audio technology."^[7] Les Paul was inducted into the National Inventors Hall of Fame in May 2005 for his development of the solid-body electric guitar. In 2006, Paul was inducted into the National Broadcasters Hall of Fame. He was named an honorary member of the Audio Engineering Society.^[8]

[edit] Documentary and museum exhibit

A biographical, feature length documentary, titled Chasing Sound: Les Paul at 90, made its world premiere on May 9, 2007 at the Downer Theater in Milwaukee, Wisconsin. Paul appeared at the event and spoke briefly to the enthusiastic crowd. The film is being distributed by Koch Entertainment and was broadcast on PBS on July 11, 2007 as part of its American Masters series^[9][10] and was broadcast on October 17, 2008 on BBC Four as part of its Guitar Night. The premiere coincided with the final part of a three part documentary by the BBC broadcast on BBC ONE entitled The Story of the Guitar.

In June 2008, an exhibit showcasing his legacy and featuring items from his personal collection opened at Discovery World in Milwaukee .^[11] The exhibit was facilitated by a group of local musicians under the name Partnership for the Arts and Creative Excellence (PACE)^[12]. Paul played a concert in Milwaukee to coincide with the opening of the exhibit.^[13]

Paul's hometown, Waukesha, Wisconsin is planning a permanent exhibit to be called "The Les Paul experience".^[14]

[edit] Tribute concerts

In July 2005, a 90th-birthday tribute concert was held at Carnegie Hall in New York City. After performances by Steve Miller, Peter Frampton, Jose Feliciano and a number of other contemporary guitarists and vocalists, Les was presented with a commemorative guitar from the Gibson Guitar Corporation.^[15]

On November 15, 2008, Les Paul received the American Music Masters award through the Rock and Roll Hall of Fame at a tribute concert in the State Theater in Cleveland. Among more than a dozen guest performers were Duane Eddy, Ace Frehley, Eric Carmen, Lonnie Mack, and Slash.

[edit] Playing style

His innovative talents extended into his unique playing style, including licks, trills, chording sequences, fretting techniques and timing which set him apart from his contemporaries and inspired most of the guitarists of the present day.^{[16] [17] [18] [19]}

[edit] Family

Paul is the godfather of rock guitarist Steve Miller of the Steve Miller Band, to whom Paul gave his first guitar lesson.^[20] Paul resides in Mahwah, New Jersey.

[edit] Compositions

Les Paul's compositions include "Johnny is the Boy for Me", "Walkin' and Whistlin' Blues", "Danger, Men at Work", "Waitin' So Long", "Golden Sands", "Dance Hall Blues", "Big Eyed Gal", "Deep in the Blues", "Mammy's Boogie", "Hip-Billy Boogie", "Don'cha Hear Them Bells", "Come Back to Me", "Cowpokin'", "Les's Country Blues", "Ham 'N' Grits", "Song in Blue", "Magic Melody", "Pacific Breeze", "All I Need is You", "Hawaiian Charms", "Take a Warning", "Mountain Railroad", "Move Along, Baby (Don't Waste My Time)", and "Suspicion", a song he composed in 1948, which was recorded by Tex Williams, Jo Stafford, and the Ray Noble Orchestra.

[edit] Discography

[edit] Hit singles

• "It's Been a Long, Long Time" - Bing Crosby & The Les Paul Trio (1945)
• "Rumors Are Flying" - Andrews Sisters & Les Paul (1946)
• "Lover (When You're Near Me)" (1948)
• "Brazil" (1948)
• "What Is This Thing Called Love?" (1948)
• "Nola" (1950)
• "Goofus" (1950)
• "Little Rock 69 Getaway" (1950/1951)
• "Tennessee Waltz" - Les Paul & Mary Ford (1950/1951)
• "Mockingbird Hill" - Les Paul & Mary Ford (1951)
• "How High The Moon" - Les Paul & Mary Ford (1951)
• "I Wish I Had Never Seen Sunshine" - Les Paul & Mary Ford (1951)
• "The World Is Waiting for the Sunrise" - Les Paul & Mary Ford (1951)
• "Just One More Chance" - Les Paul & Mary Ford (1951)
• "Jazz Me Blues" (1951)
• "Josephine" (1951)
• "Whispering" (1951)
• "Jingle Bells" (1951/1952)
• "Tiger Rag" - Les Paul & Mary Ford (1952)
• "I'm Confessin' (That I Love You)" - Les Paul & Mary Ford (1952)
• "Carioca" (1952)
• "In the Good Old Summertime" - Les Paul & Mary Ford (1952)
• "Smoke Rings" - Les Paul & Mary Ford (1952)
• "Meet Mister Callaghan" (1952)
• "Take Me In Your Arms And Hold Me" - Les Paul & Mary Ford (1952)
• "Lady of Spain" (1952)
• "My Baby's Coming Home" - Les Paul & Mary Ford (1952)
• "Bye Bye Blues" - Les Paul & Mary Ford (1953)
• "I'm Sitting On Top Of The World" - Les Paul & Mary Ford (1953)
• "Sleep" (Fred Waring's theme song) (1953)
• "Vaya Con Dios" - Les Paul & Mary Ford (1953)
• "Johnny (Is The Boy For Me)" - Les Paul & Mary Ford (1953)
• "Don'cha Hear Them Bells" - Les Paul & Mary Ford (1953)
• "The Kangaroo" (1953)
• "I Really Don't Want To Know - Les Paul & Mary Ford (1954)
• "I'm A Fool To Care - Les Paul & Mary Ford (1954)
• "Whither Thou Goest - Les Paul & Mary Ford (1954)
• "Mandolino - Les Paul & Mary Ford (1954)
• "Hummingbird" - Les Paul & Mary Ford (1955)
• "Amukiriki (The Lord Willing)" - Les Paul & Mary Ford (1955)
• "Magic Melody" - Les Paul & Mary Ford (1955)
• "Texas Lady" - Les Paul & Mary Ford (1956)
• "Moritat" (Theme from "Three Penny Opera") (1956)
• "Nuevo Laredo" - Les Paul & Mary Ford (1956)
• "Cinco Robles (Five Oaks)" - Les Paul & Mary Ford (1957)
• "Put A Ring On My Finger" - Les Paul & Mary Ford (1958)
• "Jura (I Swear I Love You)" - Les Paul & Mary Ford (1961)

[edit] Albums

• Feedback (1944) - compilation
• Les Paul Trio (1946) - compilation
• Hawaiian Paradise (1949)
• The Hit Makers! (1950)
• The New Sound (1950)
• Les Paul's New Sound, Volume 2 (1951)
• Bye Bye Blues! (1952)
• Gallopin' Guitars (1952) - compilation
• Les and Mary (1955)
• Time to Dream (1957)
• Lover's Luau (1959)
• The Hits of Les and Mary (1960) - compilation
• Bouquet of Roses (1962)
• Warm and Wonderful (1962)
• Swingin' South (1963)
• Fabulous Les Paul and Mary Ford (1965)
• Les Paul Now! (1968)
• Guitar Tapestry
• Lover
• The Guitar Artistry of Les Paul (1971)
• The World is Still Waiting for the Sunrise (1974) - compilation
• The Best of Les Paul with Mary Ford (1974) - compilation
• Chester and Lester (1976) - with Chet Atkins
• Guitar Monsters (1977) - with Chet Atkins
• Les Paul and Mary Ford (1978) - compilation
• Multi Trackin' (1979)
• All-Time Greatest Hits (1983) - compilation
• The Very Best of Les Paul with Mary Ford (1983) - compilation
• Tiger Rag (1984) - compilation
• Famille Nombreuse (1992) - compilation
• The World Is Waiting (1992) - compilation
• The Best of the Capitol Masters: Selections From "The Legend and the Legacy" Box Set (1992) - compilation
• All-Time Greatest Hits (1992) - compilation
• Their All-Time Greatest Hits (1995) - compilation
• Les Paul: The Legend and the Legacy (1996; a four-CD box set chronicling his years with Capitol Records)
• 16 Most Requested Songs (1996) - compilation
• The Complete Decca Trios -- Plus (1936-1947) (1997) - compilation
• California Melodies (2003)
• Les Paul & Friends: American Made World Played (2005)
• Les Paul And Friends: A Tribute To A Legend (2008)

[edit] References

[edit] See also

Wikimedia Commons has media related to: Les Paul

• Gibson Les Paul
• Electric Guitar
• History of multitrack recording

[edit] External links

• Official Les Paul Site
• Les Paul Receives 2007 National Medal of Arts
• Les Paul, Topics, Wisconsin Historical Society
• NBC radio shows by Les Paul, Mary Ford, and bassist/percussionist Ed Stapleton. At the Internet Archive. Free mp3 files of eleven of their radio shows including their audition show.