Fashion design
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Fashion design is the applied art dedicated to clothing and lifestyle accessories created within the cultural and social influences of a specific time. ' Fashion design differs from costume design due to its core product having a built in obsolescence usually of one to two seasons. A season is defined as either autumn/winter or spring/summer. Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 could be considered as fashion design.
Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a 'name' as their brand such as Calvin Klein, Ralph Lauren, or Chanel are likely to be designed by a team of individual designers under the direction of a designer director.
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[edit] History of fashion design
[edit] Culture beginnings
The first fashion designer who was not simply a dressmaker was Charles Frederick Worth. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him.
It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.
At this time in fashion history the division between haute couture and ready-to-wear was not sharply defined. The two separate modes of production were still far from being competitors, and, indeed, they often co-existed in houses where the seamstresses moved freely between made-to-measure and ready-made.
Around the start of the twentieth-century fashion magazines began to include photographs and became even more influential than in the past. In cities throughout the world these magazines were greatly sought-after and had a profound effect on public taste. Talented illustrators—among them Paul Iribe, George Lepape and George Barbier—drew exquisite fashion plates for these publications, which covered the most recent developments in fashion and beauty. Perhaps the most famous of these magazines was La Gazette du Bon Ton, which was founded in 1912 by Lucien Vogel and regularly published until 1925 (with the exception of the war years).
World War II created many radical changes in the fashion industry. After the war, Paris's reputation as the global center of fashion began to crumble and off-the-peg and mass-manufactured fashions became increasingly popular. A new youth style emerged in the Fifties, changing the focus of fashion forever. As the installation of central heating became more widespread the age of minimum-care garments began and lighter textiles and, eventually, synthetics, were introduced.
Faced with the threat of a factory-made fashion-based product, Parisian haute couture mounted its defenses, but to little effect, as it could not stop fashion leaking out onto the streets. Before long, whole categories of women hitherto restricted to inferior substitutes to haute couture would enjoy a greatly enlarged freedom of choice. Dealing in far larger quantities, production cycles were longer than those of couture workshops, which meant that stylists planning their lines for the twice-yearly collections had to try to guess more than a year in advance what their customers would want. A new power was afoot, that of the street, constituting a further threat to the dictatorship of the masters of coutures.
[edit] Late twentieth century
During the late twentieth century fashions began to criss-cross international boundaries with rapidity. Popular Western styles were adopted all over the world, and many designers from outside of the West had a profound impact on fashion. Synthetic materials such as Lycra, Spandex, and viscose became widely-used, and fashion, after two decades of looking to the future, once again turned to the past for integration. Currently, modern fashion has seen a reference to technology such as designers Hussein and Miuccia Prada who have introduced industrial textiles and modern technology into their fall collections.
[edit] Types of fashion
There are three main categories of fashion design, although these may be split up into additional, more specific categories:
Haute couture The type of fashion design which predominated until the 1950s was "made-to-measure" or haute couture, (French for high-fashion). The term made-to-measure may be used for any garment that is created for a specific client. Haute couture, however, is a protected term which can only be officially used by companies that meet certain well-defined standards set by the Chambre Syndicale de la Couture. Nonetheless, many ready-to-wear, and even mass market labels, claim to produce haute couture, when in fact, according to established standards, they do not. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.
Ready-to-wear Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice per year.
Mass market Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear clothes in large quantities and standard sizes. Cheap materials, creatively used, produce affordable fashion. Mass market designers generally adapt the trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.
[edit] Designing a collection
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Many designers carefully research and plan a collection so that all the items in it complement each other, and have the particular fashion look which the company is known for or is going for. Oftentimes, a designer will look at what the fashion directions have been in previous seasons, keep an eye on what others in the fashion business are doing, and read fashion forecasting magazines. They also rely on knowledge of their own customers to see which styles succeeded and which were less popular in past seasons. Such research is combined with creative ideas to develop a theme for a collection. Other considerations must be taken into account as well, such as which season the collection is designed for (e.g. choosing thinner, lighter fabrics for summer; thicker, warmer fabrics for winter).
Designing a garment
- The design: Different designers work in different ways. Some sketch their ideas on paper, others drape fabric on a dress stand.
- Making a card pattern: When the designer is completely satisfied with the fit of the toile (or muslin), they show it to a professional pattern maker who then makes the finished, working version of the pattern out of card. The pattern maker's job is very precise and painstaking. The fit of the finished garment depends on their accuracy.
- The finished dress: Finally, a sample garment is made up in the proper fabric and tested on a fitting model.
[edit] Areas of work
There are three main ways in which designers can work:
Working freelance: Freelance designers works for themselves. They sell their work to fashion houses, direct to shops, or to clothing manufacturers. The garments bear the buyer's label.
Working In-house: In-house designers are employed full-time by one fashion company. Their designs are the property of that company, and cannot be sold to anyone else.
Own Label: Fashion designers often set up their own companies. A lot of designers find this more satisfying than working for someone else, as their designs are sold under their own label.
[edit] US Income
Most fashion designers earn between $13,440 and $93,000. The U.S. Bureau of Labor Statistics reports an average annual income of $67,370 for fashion designers in 2005. Median annual earnings for fashion designers were $48,530 (£26,019) in 2000. The middle 50 percent earned between $34,800 (£18,658) and $73,780 (£39,557). The lowest 10 percent earned less than $24,710 (£13,248), and the highest 10 percent earned more than $103,970 (£55,743). Median annual earnings were $52,860 (£28,340) in apparel, piece goods, and notions - the industry employing the largest numbers of fashion designers.[1]
[edit] Fashion education
There are a number of well known art and design schools worldwide that offer degrees in fashion design. The most notable of design schools include Central Saint Martins College of Art and Design in London, Fashion Institute of Technology in New York City, and Parsons The New School for Design also in New York City.
[edit] Areas of fashion design
Many professional fashion designers start off by specializing in a particular area of fashion. The smaller and the more specific the market, the more likely a company is to get the right look and feel to their clothes. It is also easier to establish oneself in the fashion industry if a company is known for one type of product, rather than several products. Once a fashion company becomes established (that is, has regular buyers and is well-known by both the trade and the public), it may decide to expand into a new area. If the firm has made a name for the clothes it already produces, this helps to sell the new line. It is usually safest for a company to expand into an area similar to the one it already knows. For example, a designer of women's sportswear might expand into men's sportswear. The chart below shows the areas in which many designers choose to specialize.
| Area | Brief | Market |
|---|---|---|
| Women's Day wear | Practical, comfortable, fashionable | Haute couture, ready-to-wear, mass market |
| Women's Evening wear | Glamorous, sophisticated, apt for the occasion | Haute couture, ready-to-wear, mass market |
| Women's Lingerie | Glamorous, comfortable, washable | Haute Couture, ready-to-wear, mass market |
| Men's Day wear | Casual, practical, comfortable | Tailoring, ready-to-wear, mass market |
| Men's Evening wear | Smart, elegant, formal, apt for the occasion | Tailoring, ready-to-wear, mass market |
| Girls' Wear | Pretty, colorful, practical, washable, inexpensive | Ready-to-wear, mass market |
| Teenage Wear | Highly fashion-conscious, comfortable, inexpensive | Ready-to-wear, mass market |
| Sportswear | Comfortable, practical, well-ventilated, washable | Ready-to-wear, mass market |
| Knitwear | Right weight and color for the season | Ready-to-wear, mass market |
| Outerwear | Stylish, warm, right weight and color for the season | Ready-to-wear, mass market |
| Bridal wear | Sumptuous, glamorous, classic | Haute couture, ready-to-wear, mass market |
| Accessories | Striking, fashionable | Haute couture, ready-to-wear, mass market |
[edit] Fashion design around the world
Most major countries have their own fashion industry, including Belgium, Spain, Portugal, Brazil, India, The Netherlands, Germany, Poland, and Australia. However, only five nations have established truly international reputations in fashion design. These countries are France, the United Kingdom, the United States of America, Italy, and Japan.
[edit] American fashion design
The majority of American fashion houses are based in New York, although there are also a significant number in Los Angeles, where a substantial percentage of clothing manufactured in the US is actually made, Miami, and Chicago, which was once a center of American fashion. American fashion design is dominated by a clean-cut, casual style, reflecting the athletic, health-conscious lifestyles of many American city-dwellers. A designer who helped to set the trend in the United States for sport-influenced day wear throughout the 1940s and 50's was Claire McCardell. Many of her designs have been revived in recent decades. More modern influences on the American look have been Calvin Klein, Ralph Lauren, Anna Sui, Donna Karan, Kenneth Cole, Marc Jacobs, Michael Kors, and Tommy Hilfiger. Designer fashion for younger Americans is apparent with fashion labels such as Abercrombie & Fitch, Hollister, American Eagle, and Aeropostale.
[edit] British fashion design
As in France, the majority of British fashion houses are based in the capital, London. British fashion houses are associated with a very traditional, British style: elegant, yet conservative cuts, fine yet not overly extravagant materials and a sort of noble, even 'imperial' elegance, such as that of traditional 'Fifties debutantes' gowns, compared to the French 'chic'. The first fashion designer, Charles Worth, was a native of Britain, although he made his name in Paris in the 19th century. British Designers include Vivienne Westwood, Paul Smith, John Galliano, Alexander McQueen, Burberry, Stella McCartney, Matthew Williamson, and Christopher Kane.
[edit] French fashion design
Most French fashion houses are in Paris, which is the capital of French fashion. Traditionally, French fashion is chic and stylish, defined by its sophistication, cut, and smart accessories. Among the many Parisian couture houses are Louis Vuitton, Chanel, Christian Dior, Givenchy, and Yves Saint Laurent, who display their work at the designer collections that are held twice a year.
[edit] Italian fashion design
Most of the older Italian couturiers are in Rome. However, Milan is the Italian fashion capital, and it is the exhibition venue for their collections. Italian fashion features casual elegance and luxurious fabrics. The first Italian luxury brand was Salvatore Ferragamo (who has exported exquisite hand-made shoes to the U.S. since the 1920s); among the best-known, exclusive fashion names, Gucci is the greatest-selling Italian fashion brand, with worldwide sales of $7.158 billion dollars. [1] Other well-known Italian fashion houses include: Valentino Garavani, Dolce & Gabbana, Emilio Pucci, Roberto Cavalli, Versace, Giorgio Armani and Prada.
[edit] Japanese fashion design
Most Japanese fashion houses are in Tokyo. The Japanese look is loose and unstructured (often resulting from complicated cutting), colours tend to the sombre and subtle, and richly textured fabrics. Famous Japanese designers are Yohji Yamamoto, Kenzo, Issey Miyake (masterful drape and cut), and Comme des Garçons 's Rei Kawakubo, who developed a new way of cutting (comparable to Madeleine Vionnet's innovation in the 1930s).
[edit] Fashion design terms
- A fashion designer conceives garment combinations of line, proportion, color, and texture. While sewing and pattern-making skills are beneficial, they are not a pre-requisite of successful fashion design. Most fashion designers are formally trained or apprenticed.
- A pattern maker (or pattern cutter) drafts the shapes and sizes of a garment's pieces. This may be done manually with paper and measuring tools or by using an AutoCAD computer software program. Another method is to drape fabric directly onto a dress form. The resulting pattern pieces can be constructed to produce the intended design of the garment and required size. Formal training is usually required for working as a pattern marker.
- A tailor makes custom designed garments made to the client's measure; especially suits (coat and trousers, jacket and skirt, et cetera). Tailors usually undergo an apprenticeship or other formal training.
- A textile designer designs fabric weaves and prints for clothes and furnishings. Most textile designers are formally trained as apprentices and in school.
- A stylist co-ordinates the clothes, jewelry, and accessories used in fashion photography and catwalk presentations. A stylist may also work with an individual client to design a coordinated wardrobe of garments. Many stylists are trained in fashion design. However, many are not and simply have a knack for pulling great looks together. They are also referred to as personal shoppers.
- A buyer selects and buys the mix of clothing available in retail shops, department stores and chain stores. Most fashion buyers are trained in business and/or fashion studies.
- A seamstress sews ready to wear or mass produced clothing by hand or with a sewing machine, either in a garment shop or as a sewing machine operator in a factory. She (or he) may not have the skills to make (design and cut) the garments, or to fit them on a model.
- A teacher of fashion design teaches the art and craft of fashion design in art or fashion school.
- A custom clothier makes custom-made garments to order, for a given customer.
- A dressmaker specializes in custom-made women's clothes: day, cocktail, and evening dresses, business clothes and suits, trousseaus, sports clothes, and lingerie.
- An illustrator draws and paints clothing designs for commercial use.
- A model wears and displays clothes at fashion shows and in photographs.
- A fit model aids the fashion designer by wearing and commenting on the fit of clothes during their design and pre-manufacture. Fit models need to be a particular size for this purpose.
- A fashion journalist writes fashion articles describing the garments presented or fashion trends, for magazines or newspapers.
- An alterations specialist (alterationist) adjusts the fit of completed garments, usually ready-to-wear, and sometimes re-styles them. NOTE: despite tailors altering garments to fit the client, not all alterationists are tailors.
- A wardrobe consultant or fashion advisor recommends styles and colors that are flattering to the client.
- A photographer photographs the clothes on fashion models for use in magazines, newspapers, or adverts.
- A fashion show producer is a person or firm that organizes runway/catwalk shows.
